The technicolor figures pop off the Belgian canvases - a combination of a clear gesso base, sprayed acrylic under paint, and
thin layers of oil paint on top.
Thin layers of oil paint and text are applied and then sanded away.
Filmstrips, prints, transferred images, pared - down layers of pigment, caustic acid and
thin layers of oil paint are patched together in meticulous ways to visualise speculative worlds.
His paintings explore richly layered images and contemporary global issues through highly experimental, labor intensive techniques with filmstrips, prints, transferred images, pared down layers of pigment, caustic acid and
thin layers of oil paint.
A universe of information lies within the shallow depth of field and
thin layers of oil paint that comprise each work.
Once the gesso has dried, he uses a palette knife to apply
a thin layer of oil paint, building up the layers in certain places, and leaving other places with only a thin wash of color.
Not exact matches
Use a pastry brush to
paint a
thin layer of melted butter or
oil onto the surface
of the double
layer filo rectangle.
The animation technique is an innovative mix
of claymation and traditional cel animation, utilizing a
thin layer of oil - based clay that is
painted / altered by hand to create the illusion
of movement.
Instead
of Dingle's typical palette
of blue, sepia and grey, these compositions are rendered in a sugar sweet mélange
of pastel yellows, ochres, greens and blues in a fanciful
layering of both
thin washes and sweeping, buttery strokes
of oil paint à la Wayne Thiebaud.
Relying on the
thinner quality
of acrylic
paint compared to
oil, Nara creates each
painting by adding and removing pigment until he reaches his desired effect: a canvas made up
of suspended hues that allows the figure to emerge through
layers of color, inviting the viewer to stand still and enter a moment
of contemplation.
The
painting process reveals itself as images and elements are
layered with
thin washes
of oil and acrylic
paint on wood panels.
Using turpentine in conjunction with
oil paints Innes
thins and removes
layers, revealing underlying colours and leaving the evidence
of his process on the canvas.
Until the mid-1950s, her
paintings were almost wholly representational, but thereafter she turned to abstract art and within a decade had discovered her signature style - a square monochrome canvas, typically
layered with gesso, overlaid with hand - drawn pencil lines and
thin layers of oil or acrylic
paint.
The
paintings can take months to complete, the artist beginning with
thin coats
of oil or tempera before the topmost
layer is applied in a thick impasto.
Typically composed
of thin layers of acrylic and
oil paint on panel board, her
paintings employ a broad range
of techniques, deftly shifting between stark graphic lines to loose washes and thickly rendered brushstrokes.