Sentences with phrase «thin oil pigment»

Instead, the paint sits more on the surface without, however, maintaining the tactile firmness identified with even thin oil pigment.

He also arranged for Noland and Louis to visit Helen Frankenthaler's New York studio in 1953, where they were introduced to her method of soaking turpentine - thinned oil pigment into unsized, unprimed canvas (a technique Frankenthaler herself had learned from Pollack's 1951 black - and - while stain paintings made with thinned black enamel paint).

Not exact matches

The weightless and fine - grained powder clings to natural hair to abate surface oil, lock pigment in place, and camouflage roots and thinning hairlines.

This revolutionary formula offers twice as much pigment as a leading full - coverage foundation, but in an oil - free base that blends instantly across the complexion to completely cover pores, blemishes, and other imperfections with the thinnest possible layer that lasts up to 24 hours.

Using turpentine to dilute oil paints, Frankenthaler would then pour the thinned pigments to an unprimed and unstretched raw canvas.

As you may already know, Helen Frankenthaler was a pioneer of another technique called Color Fielding — a form of non-objective painting, that allowed for thinned - out oil or acrylic pigment to be applied, often times poured and spread, directly onto the unprimed canvas.

Relying on the thinner quality of acrylic paint compared to oil, Nara creates each painting by adding and removing pigment until he reaches his desired effect: a canvas made up of suspended hues that allows the figure to emerge through layers of color, inviting the viewer to stand still and enter a moment of contemplation.

Using matte pigments mixed with turpentine rather than linseed oil, Avery applied his colours in thin layers with a stiff brush, creating chromatic effects of astounding subtlety, delicacy and invention.

His paintings explore richly layered images and contemporary global issues through highly experimental, labor intensive techniques with filmstrips, prints, transferred images, pared down layers of pigment, caustic acid and thin layers of oil paint.

Filmstrips, prints, transferred images, pared - down layers of pigment, caustic acid and thin layers of oil paint are patched together in meticulous ways to visualise speculative worlds.