The only
thing the movie truly has going for it, other than Pegg's involvement, of course, is the mercifully brisk 90 - minute runtime, because while «Kill Me Three Times» had the potential to be better, it never once makes good on that promise.
Not exact matches
It would be interesting to see a
truly genre - breaking action
movie that doesn't just shun the superficial elements (like love interests and wisecracks), but questioned the very idea of using violence to combat violence as the morally Right
thing to do.
So many
things were done well, but I think what I liked the most is that Wikus was selfish and not too bright, a
truly distinct everyman, instead of the bland Chatum Tanning / Crom Tooze clone that Hollywood usually shoehorns into action / sci - fi
movies.
irreverence, Deadpool never dares assail the one
thing its creators and fans
truly hold sacred: the high seriousness of superhero
movies.
well, I would like to make a comment, with of course no harsh bashing or one sided opinionated blather, However, I find it quite simply funny how one could watch a
movie and with a couple of sentences and elegant word - ology,
thing they can grasp what it takes to compose a work of art and creativity into a 250 page manuscript and then production material for viewers such as myself and yours
truly.
But in terms of sheer brutality, all those
movies fade away when compared to Thailand's Born To Fight, a
truly ridiculous stunt-fest full of actors doing
things that would be absolutely illegal if any Hollywood director ever tried to replicate them.
@ 21 check your spelling lol much love 18 ha ha anyways this remake of the karate kid is
truly a
thing of its own i mean this is a new
movie a different look basically, what you say as a re-imagining it tells a completely diff.
The
truly wonderful
thing about this
movie is that it's so intense that even the scenes made up of nothing but silence have the power to shatter your nerves.
Truly a
movie made for the fans of «The
Thing» and I am one of those huge fans.
It's
truly an insider's look at the making of the
movie and it's a really interesting way to see how
things are done.
I have seen a ton of
movie aliens and creatures of all sorts, but these
things — which appear to be all teeth and no face — are
truly horrific.
No matter what, one
thing is for certain: Collateral Beauty is exactly the
movie that best represents what a
truly insane mess the year 2016 was.
The
thing that prevented it from being a
truly great
movie was Johnny Depp as Willy Wonka.
Still Alice is a «disease - of - the - week»
movie about Alzheimer's Disease, which is a
truly horrible
thing.
Watching Videodrome in 2015 and the most remarkable
thing that stands out is how ahead of it's time the
movie truly was.
While conventional is fine (and again, makes for a perfect date
movie,) Levine and company are doing some pretty original
things with zombies that makes it
truly upsetting they don't go all the way with it.
Out of the competition, the international highlights were El Clan (The Clan, Pablo Trapero), an effective if derivative Argentinian political drama / gangster film heavily influenced by Scorsese's Goodfellas; L'avenir (
Things to Come, Mia Hansen - Løve), a fine if rather low - key drama helped enormously by Isabelle Huppert's lead performance; and, best of all, Robert Greene's Kate Plays Christine, a
truly disturbing mixture of fiction and documentary concerning the attempt to make a
movie about the tragic suicide of Florida journalist Christine Chubbuck, who shot herself on live television back in 1974.
Some of the recurring jokes, I didn't personally care for, such as Michael Cera (Scott Pilgrim vs. the World, Year One) playing against public image as a coke - snorting whoremonger in a performance that seems to be channeling Neal Patrick Harris from the Harold and Kumar
movies, or Danny McBride and inability to control his impulses, but there were certainly some audience members in the theater viewing I attended that found these
things especially hilarious; comedy
truly is in the funny bone of the beholder.
Where the Wild
Things Are does indeed deserve admiration for its loving actualization of Sendak's world and even for trying to tie so many of the pangs of growing older into what seems a carefree romp through a kid's imagination, but the
movie's dissertation - like expansion of the story never
truly comes together into anything meaningful.
As the credits roll, and Sia sings a song that offers up the
movie's only real message («Never Give Up»), you realize that Lion was,
truly, an inspiring true - life story of one man... searching for one
thing: another Oscar.
The real attraction for me, however — and the
movie truly comes alive when he's on - screen — is Jemaine Clement (People Places
Things) as the Fleshlumpeater.
Offering more material than what's heard in the film (which could have used just a bit more musical goosing), the only
truly crazy
thing on the album is having a trumpet introduce an Opera Man singing the
movie's events for a catchy WTF title tune if there ever was one..
And yet, beneath that shiny veneer lies a
truly absurd
movie where the actors appear to be saying the most bizarre
thing that they can think of so as to challenge and / or throw - off their co-stars.
The arrival of a
movie starring Dwayne Johnson, aka The Rock, aka The Brahma Bull, aka The Great One, is always an occasion to celebrate, and here's the first of a new series of tongue - in - cheek columns here at THN which reveal ten
things you didn't know about the
truly epic new action film, San Andreas.
Both TIME mag and NYT are poised to report news of new literary and
movie genre dubbed «cli fi» — coined by yours
truly from my earlier «polar cities» work, one
things leads to another — and the NYT story will be about «climate science education» issues and «climate change education» issues in higher education in USA and overseas...... so it's a story that interview academics and professors of science education etc...... and TIME mag will be about new NOAH
movie by Darren A set 5000 years ago and TIME is calling it a «cli fi
movie» on its cover March 24 issue, get ready.