If there's one
thing the movies still like to do over a century later, it's putting human beings into rocket ships and firing them like bullets into the inky,...
Not exact matches
«Despite everything that is going on with digital — great penetration by Netflix, by cable in the form of video - on - demand, iTunes and all of those
things — physical media is
still the most popular way of watching a
movie in the U.S.,» he says.
We really have a lean and tight budget (no cell phones, no cable TV, no eating out, no
movies, etc), but there are
still so many areas we could cut back, and we struggle with what is the right
thing to do.
Caroline Posted on @Sarah My brother saw this
movie when it came out and raved about it; I didn't see it until a few years later when I was osbsseed with DL's No Cure for Cancer album and was convinced it was the funniest
thing ever (I
still might think that).
It's one
thing when a ritual becomes rote because it's
still possible to change it up and make it more meaningful the next time around (with these
movies, we could always wait for the next one).
One of the
things that people may not realize is that when you enter into an agreement with a theater director or producer such as I have with the Shubert Organization in this country, they actually have the right to block a
movie if a show is
still selling out as a stage work.
You have a point about rock but hes far too busy and has too much money to trot out on tv every cple weeks for next to no money (compared to his
movies) the ronda
thing has been all over sports sites and entertainment sites im not really a ronda fan but i cant deny she has mainstream appeal (not nearly as much as before but
still has it) lets put it this way whens the last time we saw something like «sasha banks (insert every wwe star) wrestles tonight» featured in major media publications online.
I have friends who have 1 or two kids who keep their houses immaculate, and
still somehow manage time to do
things like cook dinner and occasionally even watch a
movie — where as I feel like I am swimming in one of those machines with the water current where you never actually GO anywhere?
Even though I saw this
movie a couple of years ago, many of the images I saw and
things that I observed stick with me
still today.
I
still remember when I heard about it — first
thing in the morning, like most people on the East Coast who had gone to bed before the late night attack — and thinking of all the
movies I've watched in the theater in my life without incident, imagining what that level of horror must have been like for the victims.
I do not think those measures are necessary, as bad as piracy is right now, the
movie companies are
still making plenty of money from publishing DVDs and etc, so why do these
things that will affect no one but your legitimate buyers?
The funny
thing about that
movie was we both kinda turned our noses up and then about a week later we realized we were
still talking about it.
So often, the romance and
movie - magic of reuniting with your ex can feel so overwhelming that you forget that the
things that didn't work when you broke up are
still present (which is usually the case).
It's so strange how
things from this
movie have evolved, but
still stay current in todays» beauty and fashion industry.
Even though I've lived here all my life, I
still can't help feeling like I'm in a
movie as I pass all the familiar sites of Manhattan and so, when
things happen to me that could only happen in the
movies, I'm usually not that surprised.
Ready to go do
things, but
still OK to stay in a snugglin in with a
movie too.
food eater...
Movie watcher, Star Wars, comic books, real books... yes, reading is
still a
thing, college football, hockey... Kings fan... No ducks fans, thanx... I'm from Hawaii so I travel a lot and spend my days on a beach when I can... Music is my life, I love everything from reggae to...
It had pretty much everything I wanted from a
movie before I saw it (Bugs Bunny, Donald Duck, cartoon violence), everything I wanted from a
movie for the next few years (Steven Spielberg, Christopher Lloyd, in - jokes), and a lot of
things I
still cherish (all of the above, plus detective stories).
The good
thing about this
movie is that you can
still appreciate it without needing in depth knowledge prior to seeing it.
Still, Very Bad
Things isn't a terrible
movie - it certainly isn't in the same league as puerile dreck like Mary.
One
thing that isn't talked about enough vis - à - vis biopics is what a huge, huge, huge deal they become in the lives of their subjects who are
still alive — milestones that never make it into the
movies» final crawls.
It's basically just one big update of the Prince and the Pauper / fish out of water sort of
thing, but, since this is the 80s, it features Eddie Murphy when he was
still tremendously funny AND making good
movies... I miss those days.
In Turner Classic
Movies: Must - See Sci - Fi, fifty unforgettable films are profiled, including beloved favorites like The Day the Earth Stood
Still (1951) and Fantastic Voyage (1966), groundbreaking shockers like Planet of the Apes (1968) and Alien (1979), and lesser - known landmarks like
Things to Come (1936) and Solaris (1972).
There are some
things to admire about the otherwise unremarkable
movie «Imagining Argentina,» such as the performances from Emma Thompson and Antonio Banderas who underplays nicely but is
still no Ricardo Darin.
AS FAR as making a
movie about Alexander the Great, Oliver Stone knew at least two
things: He could adhere to the known facts about the boy king and
still have a salacious, blood - and - gutsy story.
Some
things in the
movie may not have aged that well, but it
still pulses with youthful energy and impresses with the psychological complexity of its characters - and it should always be remembered for James Dean's iconic looks and performance that spoke to a generation.
Said score comes courtesy of the prolific Bear McCreary, who seems to be constantly busy on various tv shows but
still has time to throw in the odd
movie here and there; this one's probably the most high - profile
thing he's done so far outside television.
Every character Denton meets, you wish you could shout at to get away while they
still can, but, ya know, it's a
movie and
things don't work that way.
The director even goes so far as to incorporate imagery cues from the superhero genre (the Superman parallels are hard to miss) and on the whole, the
movie has hints of a director who can do some fun
things with a big canvas - even if he
stills needs some practice with the brushstrokes.
Before the world premiere of Avengers: Infinity War, Sebastian Stan, who plays Captain America's good friend in the Marvel
movie, revealed that in Infinity War, his character would
still be undergoing a healing process, but with a brand new perspective on
things.
The other odd
thing about Manhunt is that it seems like John Woo is parodying John Woo, making an old school John Woo
movie that seems to be making fun of John Woo, but it's
still a John Woo
movie.
I'm not one of these critics who have an irrational hatred for all
things Jerry Bruckheimer, I actually love most of his
movies (except the Transformer series) and recently watched Armageddon again on Blu - ray and
still love that
movie — it makes me cry every time, yeah I'm a Sap.
While I'm kind of over the whole
movie awards
thing — at least in terms of who wins, I do
still enjoy the conversation that surrounds them.
As such, like another second - tier Marvel title before it, Guardians of the Galaxy, that allows for some deviation from the core Avengers films in terms of how
things will look and sound, giving us a
movie that feels organically different in visual design than most we've seen before, even if it
still retains the same formula structure of the rest of the MCU features.
It
still does the
things big superhero
movies are meant to do - right down to the post-credit scenes suggesting the good doctor has an appointment with the forthcoming Thor: Ragnarok directed by whatshisname from down the road - but it's spectacular, refreshing and enjoyable in its own way.
It's admirable how a
movie with so many obvious influences and references can offer an experience that
still feels like its own
thing.
There are a few good
things about it, the gunfights were gritty and non exaggerated proving that Mann can
still do decent gun play that is more accurate opposed to the infinite clip that we are used to seeing in many other
movies, the cinematography is also very good and it was really nice to just look at the beautiful landscapes and backgrounds of the locations they filmed in Hong Kong and Jakarta.
Entering a derelict building, the seasoned tough guys and their rookie junior, who's
still haunted by a traumatic childhood dream, do the one
thing you should never do in this kind of
movie: they split up.
Recently, Edgar Wright opened up a bit about why he left the Ant - Man
movie, explaining that he «wanted to make a Marvel movie» but Marvel didn't want «to make an Edgar Wright Movie,» and it sounds like he's still a little frustrated with how that whole thing went
movie, explaining that he «wanted to make a Marvel
movie» but Marvel didn't want «to make an Edgar Wright Movie,» and it sounds like he's still a little frustrated with how that whole thing went
movie» but Marvel didn't want «to make an Edgar Wright
Movie,» and it sounds like he's still a little frustrated with how that whole thing went
Movie,» and it sounds like he's
still a little frustrated with how that whole
thing went down.
It's a tough role to play, and he leans a bit too hard in a direction that makes
things too obvious, but he
still manages an interesting twist on his typically affable persona that fills the
movie with a menacing presence that keeps the tension palpable throughout.
Check out the latest set of
movie stills featuring Robert Pattinson and Pierce Brosnan from the upcoming drama «Remember Me» by director Allen Coulter (Rubicon, Sons of Anarchy) stars Robert Pattinson (Twilight, Unbound Captives, Bel Ami), Pierce Brosnan (Vanilla Gorilla, The Ghost), Emilie de Ravin (Public Enemies, The Hills Have Eyes, Lost), Chris Cooper (Where the Wild
Things Are, Capote), Martha Plimpton (Grey's Anatomy) and Lena Olin (Queen of the Damned, Awake).
Among the
movies released under the banner last year were Ryan Gosling's murder drama «All Good
Things,» the Eliot Spitzer documentary «Client 9» and Joaquin Phoenix's mockumentary «I'm
Still Here.»
It's the kind of
movie that you watch on TV when you're supposed to be doing more important
things, or experiencing more important
movies, even though you've already seen it ten times, because it's
still funny, and because you believe in the big man and the small man that he looks up to.
Still, he wouldn't rule out some sort of screenplay contribution in the future: «I love this place and these guys, and I can't imagine not sitting down and talking about the
movies with them, but whether or not that's an official
thing, I don't know.»
It may be an absurd
thing to say about a
movie whose human protagonist (the wonderful,
still Oscar-less Sally Hawkins) winds up seducing a sea creature, but I wish that, beneath its luscious aquamarine surface, «The Shape of Water» were a more genuinely surprising
movie — more spontaneous and less complacent in its homage to the virtues of collective unity and individual difference.
A surprise late - film cameo from a member of the usual gang (hint: not Ben
Stiller, but the other one) livens
things up a little, but it also raises a troubling question: Vaughn, Wilson, and their pals have emerged in the past few years as the most reliable big - budget comic collective since the first batch of Saturday Night Live vets started making
movies in the late»70s and early»80s.
Not only do they think they can get this
thing looking as good as at least Toy Story 2 (a
movie that
still holds up), but they also brought in Oscar - winning composer Alan Menken (Beauty and the Beast) to write original music for the film.
Still, as long as it's not my money being spent on a Paul Walker
movie, people are entitled to do their own
thing.
Holofcener's last film «Please Give» ended up on many of our year - end lists in 2009, so while we're not expecting «big
things» exactly — that's hard to say about small scale dramas about regular people — we are, as usual, excited and grateful that we live in a world where, despite all the tentpole tendencies, there's
still a very viable space for Holofcener to make
movies.
Though it's not the first black superhero
movie, it is the first one to portray a futuristic, dignified vision of Africa, free from the trauma of colonialism but
still tackling difficult subjects head on (another
thing critics have pointed out as a resounding positive).