Steven Saus presents Keep It Simple In Your eBook Design (With A Practical Example) posted at ideatrash, saying, «It's important to remember that eBook design is not the same
thing as print book design.
Not exact matches
Referring to Powers of Ten
as an inspiration, he added that «doing it in a
printed book slows
things down, in a good way.»
Which is an awfully cruel
thing to say to somebody who labored just
as hard to get her epubbed
book written
as the authors who are in
print.
As things stand right now, even
printed books aren't that popular in South Africa owning to their high price tag, something that can be attributed to the 14 percent VAT.
Those who preferred
printed books cited
things like the smell, the feel and the weight
as reasons.
Nowadays, with nearly 30 years of seeing my byline attached to
things I've written and having authored a 3 volume encyclopedia and a history
book, I still get that same ethereal shiver every time I look at my name in
print or online because I know that having it there represents the faith an editor has placed in my abilities
as a writer, or researcher, or reporter...
Yes, eBooks are a good
thing as it makes more
books available to more readers and without the cost of
printing and distribution.
Germany is hoping to convince the EU that when you buy an e-
book, its the same
thing as buying a
print book.
The internet has enabled dictionaries to expand far beyond the limitations of
print books — you no longer have to worry about
things line breaks or page counts — but it also pushes lexicographers to work faster even
as it completely upends the business side of
things.
You'll not only learn exactly what you need to know about
book design, but also about
things specific to
book publishing, such
as title and copyright pages, ISBN and bar code, page count for
printing, marketing considerations, plus how to choose the best type of
printing for your
book.
I also updated the
print files for all my other fiction
books with the name changes
as part of the series in the back matter and took the opportunity to update my Author Bio and other small
things while I was there.
It's important to decide on a suitable trim size earlier on in your
book production
as it's required to determine such
things as; the cost to
print and ship it and how many pages it might have.
Lots of
books were
printed, lots of stores bought them — and
as long
as the balloon didn't pop,
things could remain unrealistically status quo.
I'm starting to think that eBooks will eventually fade away mostly and that it'll become more something of fan fiction or erotica,
things people can't easily find in
print or are too bashful to read in public
as a
print book.
When a market first develops, the early adopters are willing to forgive
things because they're the techies and they know this is new, but
as the market broadens the people who usually read
print books aren't going to stand for this.
I don't know if you can blame it on just technology because I do the same
thing with
print books as well.
Usually bookstores ignore that date and sell LSI
books as soon
as they become available for
printing, but I guess Amazon.ca does
things differently.
Pre-orders and publisher push (ie, anointing Author A
as the next big
thing while Author B is not given the same push) determine
print runs
as well
as the number of
books sold vs. the number
printed for the previous
book by that author.
I still like reading
print book periodically myself and that's — there are some
things that just never are never going to work very well
as an e-
book.
And they needed authors who were willing to experiment with
things like free promotions, bundling
print and ebooks, and offering their
books as part of subscription services.
Librarians (and patrons) often make it difficult to work through issues associated with ebooks by doggedly assuming that ebooks will work the same way
as printed books in terms of their economic impact, and by insisting therefore that the
things they've done with
print should carry over largely unchanged to ebooks.
As traditional publishers look to prune their booklists and rely increasingly on blockbuster best sellers, self - publishing companies are ramping up their title counts and making money on books that sell as few as five copies, in part because the author, rather than the publisher, pays for things like cover design and printing cost
As traditional publishers look to prune their booklists and rely increasingly on blockbuster best sellers, self - publishing companies are ramping up their title counts and making money on
books that sell
as few as five copies, in part because the author, rather than the publisher, pays for things like cover design and printing cost
as few
as five copies, in part because the author, rather than the publisher, pays for things like cover design and printing cost
as five copies, in part because the author, rather than the publisher, pays for
things like cover design and
printing costs.
The latter will mean Createspace is listed
as your distributor in
things like
Books In
Print.
One of the
things that bothers me most about vanity publishing of any stripe — from the old - fashioned vanities that shipped you boxes of
books to molder away in your basement, to the
print on demand self - publishing services that are trying to re-brand themselves
as «indie» publishers or «assisted publishing», to the sleazy deceptive pay - to - play companies that pass themselves off
as «real» publishers — is that they take advantage of authors twice: first by taking their money, second by brainwashing them into believing all the deceptive hype.
With a «standard» contract (
as if there is such a
thing), you «earn out» that advance at a rate of 10 % of the price of a
print book, and 25 % of the publisher's net on an ebook.
It's when you get into
books that have lots of worksheets and that really would require someone — if they were in
print someone would be sitting there writing, filling in a worksheet or writing content in the
book, that's the kind of
thing you really can't do
as an e-
book very well, that really should be kept
as a PDF file.
But that has it's own context,
as traditional publishers haven't got the whole digital
thing yet and consistently price digital
books at the same or similar price
as their
print books.
If you want to take your content and make it look the same
as a
print book, there's still a lot of
things you just can't do yet.
For production, ebooks demand the same
as print books in terms of writing, editing, and proofing, but nowhere near the same in terms of other
things that go into making an attractive
printed book.
i myself like
print books for some things («Books to Die For» edited by John Connolly), audio for others (my own includ'd), and ebooks for the vast majority, so as always, i wish the best for all of us: — RRB - thanks again so much p
books for some
things («
Books to Die For» edited by John Connolly), audio for others (my own includ'd), and ebooks for the vast majority, so as always, i wish the best for all of us: — RRB - thanks again so much p
Books to Die For» edited by John Connolly), audio for others (my own includ'd), and ebooks for the vast majority, so
as always, i wish the best for all of us: — RRB - thanks again so much porter
I can't give it away
as easily, I can't show it off on my bookshelf — I can do a lot of different
things with the
print book I'm buying that I can't do with the ebook.»
When that happens, it will be another nail in the coffin of the traditional publishing houses. I laugh when they say that the cost of producing ebooks is the same
as print books ignoring the cost of paper and shipping while pointing out the cost of
things like cover designs.
These
things were such a huge success, and
as I mentioned previously, single - handedly boosting
print book publishing last year, that publishers will expand them in number
as well
as branch out to other formerly youthful
books.
That's a small
thing that I've never really seen a game offer, but it's an easy way to expand the player base —
books and magazines have large
print options, so why not make it an option for a video game
as well?
Consumerism Is Not an Either - Or Game What I've come to realize is that in the
printed -
books versus e-
books challenge (
as with so many other
things in our increasingly digitized world) it is not an either - or situation.
And then there's this sort of
thing: my very old short article
printed by Blanche Evans when she was at Realty Times, and later reprinted in her Dearborn published real estate
book,
as