Sentences with phrase «things than the object»

A tiny sampling of the guidance he offered his students includes: ``... there are greater things than the object.

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That is, the form is received in matter as it is in any physical change, but also the form is received without matter, that is, it is possessed in disassociation from the sentient's material constitution.3 In virtue of this second mode of reception, the sensible thing is something more than an agent; it becomes an object for an experiencing subject — though this is not, of course, how Aristotle expressed it.

The knowledge of faith, rather than relying on the outmoded theories of knowledge where the mind merely represents external objects, is participatory; the act of contemplating the things of God partakes in God's own Trinitarian activity.

The Tabletatura, of course, hate the whole thing; and they object particularly to the reception of communities rather than individuals, quite simply because far more will come, numerically, under this dispensation than under what previously obtained: i.e., special fast - track arrangements for clergy wanting reordination (this has helped substantially with the shortage of priests) but the old business of «individual submission» for the laity, and off with them to some denatured liturgy at the ghastly concrete Catholic barracks down the road.

Is there a greater aesthetic value in participatory experiencing «in accordance with the natures of things» than in a mode of experiencing which involves the active construal and perhaps even domination of the experienced object?

What characterizes spirit and thinking is primarily the range of their object, that is, the determinateness of something that stands out as something other than the perishable, changeable, and fortuitous things of the world; that, being universal and necessary, stands above time and place.

Seen alternately from the conceptual perspective of existentialism, this mode of being in the world is what is called «bad faith» or «inauthenticity»: the attempt, often profoundly successful, to act as if one were a thing, an impenetrable object — the self that «need be no more original than a stone» (PR 159).

Second, it is a violation of love to treat somebody else as an object or thing, to be manipulated as one likes, rather than as a person with whom one is always concerned as a person.

A «thing» is thought of as a constant pattern through repetition rather than a substance or a material object in the old sense.

Purity, we see in the object - lesson, is not the one thing needful; and it is better that a life should contract many a dirt - mark, than forfeit usefulness in its efforts to remain unspotted.

Here qualitative worth is measured not by precision in imitating nature, but in the construction of things that will express the ideal more effectively than natural objects can.

This harm consists in the irreversible scrambling of three things: genealogies, by substituting «parenting» for fatherhood and motherhood; the status of the child, who would go from being a subject to being an object to which others have a right; and sexual identity, which rather than being a natural given would have to give way to orientation as an individual expression, in the name of the struggle against inequality, perverted into the elimination of differences.

Thus: «Hence the idea of the sun will be the sun itself existing in the mind, not indeed formally, as it exists in the sky, but objectively, i.e., in the way in which objects are wont to exist in the mind; and this mode of being is truly much less perfect than that in which things exist outside the mind, but it is not on that account mere nothing, as I have already said.»

Vita Coco has launched an internal investigation of its product line after a New York woman reported finding a foreign object — what she called an «octopus looking thing» in her coconut water — prompting a media frenzy after a Facebook post last month that has now been shared more than 52,000 times.

The dummy then is no more than a substitute for the breast, an object to silence or pacify a baby when the real thing (the mother) is not available.

Now, using ultrasonic speakers, they can levitate things with more control than ever before, moving small objects in three dimensions even with the whole array turned upside down.

I was always interested in many things other than the object of my PhD (which involved, by the way, studying a thermostable DNA polymerase from the archaeon Thermococcus aggregans).

In the late 1990s brain - imaging studies revealed that discrete regions of the temporal lobe — a section of the human brain important for object recognition — fired up more strongly when people looked at faces than at any other thing.

Sometimes material things are more than just objects.

In fact, Danes believe that household objects should be more than just things.

Sex is arguably a more precious thing than these material objects.

The graphics are both slower and less crisp than its Xbox 360 counterpart, but the worst thing of all is the incredibly long loading times between levels, between cut scenes, while entering menus - and even whilst picking up objects.

It also makes the entirety of the film feel like just a time waster, of no importance than to hold your attention with newer, shinier things to marvel at, like a parent trying to pacify their crying baby with whatever objects or sounds are readily available around the house.

Through my more than 30 years of professional training as well as my practical experience rehabilitating foster dogs, I have considerable working knowledge of teaching basic manners and such problem behaviors as shyness, fearfulness, sensitivity to new things and people, aggressive behaviors, food and object guarding, out - of - control rambunctiousness, acting - up when seeing other dogs, and the difficult age of adolescence, whether it be at around 6 months or 2 - 3 years of age.

Bells that can be ingested (because dogs only eat things that make sense, right...) and cause metal toxicities or foreign object blockages, bobbling antlers than can spring into a pet's eye, costumes a size to small or that otherwise restrict your pet's movement or breathing — all these things should be avoided at all costs!

While you can slowly train your growing puppy not to chew on certain things or objects, you can provide them with chew toys as a more positive and more rewarding chewable target than a furniture, bedding, carpet, upholstery, or any other item in your house.

If you want to name him for something other than his appearance, you can find inspiration in such things as everyday objects.

There's more interaction during puzzles than there's ever been in a Lego game before which is nice, with new buddy - up moves letting you join forces with a second character to break big objects or strike huge foes, while other things like a stacking mechanic lets you stand dwarves on each others shoulders to create a ladder of sorts.

The game attempts to keep things interesting by adding mechanics to the mix, like fruits that split or must be sliced various times and objects that must be collected in order to appease some foodimals, but even those either come in too late in the game's campaign to make a difference or serve no purpose whatsoever other than to force you to replay levels in order to unlock useless stuff.

Eiji Aonuma: Indeed I have always wanted to avoid encrypting things in the past but given that the scale of this game is much more important than anything we have done so far, with a lot of different objects To offer players, I think the simplest solution is to have more numbers.

Meet funny characters, complete more than 20 hidden object scenes and numerous puzzles and mini-games as you help your relatives to react and to do things right.

This game is a unique as far as puzzles go, a lot of I haven't come across before, and I enjoyed them very much... some took me quite a while to solve The game opened in widescreen... a definite plus, hate having to change things There are 3 modes of play: Easy - Expert - Pro... Expert players will love this game as there is no hand holding at all... no sparkles, no hints and no skips I played the Easy mode where hints charged in about 15 seconds and not much longer for skips I quite like the HOS as well... lists, silhouettes and find one thing to open or find another object but done differently than the norm There are no voice overs, which I didn't mind for a change, not an overly lot of dialogue to read either Graphics were good without being spectacular.

The App Store's featuring a new Free App of the Week, and it's none other than the soothing hidden object game Little Things Forever [Free].

There are more puzzles that require a little more than using object A with object B or saying the right things at the right time.

Composed of two seemingly antithetical materials — wood and galvanized iron — this work would at first seem to go against Judd's statement in «Specific Objects» that his work be viewed as» [a] thing as a whole» rather than a conglomeration of parts.

Recent solo exhibitions include Evil Earth System, Good Children Gallery, New Orleans (2016); Evil Earth, Culture Center Tobacna, Ljubljana (2015), The Eumenides, UNO Campus Art Gallery, New Orleans (2014), How to do Things With Words, SKUC, Ljubljana (2014); No Country Other Than Liberty, SIZ at Mali Salon, Rijeka (2013); andWhatever the Object, GfZK, Leipzig (2013).

«This is in some ways the most Platonic work that Jeff Koons has ever made — taking this mundane, ordinary object and giving it a presence or dimension that makes it more real than the real thing.»

Through touring gardens both metaphorical and metaphysical, and speaking with J0HN, we will approach time as the persistence of things, emerging from objects rather than the reverse, and I will begin to reckon with my preoccupations: why does everything I think about recently exceed the human?

She uses earth tones and minimal designs more conventional than Donald Judd's, and her objects are solid, made by and for someone who wants things in order and under control.

And so despite the substantial number of non temporary three dimensional sculptural objects he's produced - particularly over the last half - dozen years - I've always tended to regard him more as a maker of scenarios than of things, and his project as one devoted to performance and its documentation rather than to conventional facture.

Edges are consistent and the relatively crisp objects seem more like possessions than things in themselves.

Rather than clearing things up, however, the multitude of definitions listed in the wall text — much like the shifting shapes of Desmarais» artworks — forced the viewer to continuously renegotiate relationships between bodies, objects, and space.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

Select past exhibitions include Person of the Crowd: The Contemporary Art of Flânerie (2017), a city - wide exhibition featuring works by more than 50 artists in the Roberts Gallery, in street interventions throughout Philadelphia, and on the web; Nari Ward: Sun Splashed (2016), a mid-career survey of the artist's found - object assemblage art; Picasso: The Great War, Experimentation and Change (2016), which examined the artist's stylistic development during the First World War; and Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things (2015), for which the Barnes commissioned three large - scale artist installations in response to the unconventional way Dr. Barnes displayed his collection.

He makes stories, pictures, and objects that are documents of contemporary morality; exploring a reality stranger than fiction, through fantasy, satire and subculture, using themes appropriated from the universal concerns of sex, love, violence, beauty, advertising, food, battle scenes, pornography, writing, politics, religion, crime, dancing, lust, greed, things falling apart, and spaceships.

Performative moments ensue; the objects produce something more than the sum of their parts — a choreography of absence and presence that challenges our knowledge of the simultaneity of things and their control.

Questionable as it might seem to institutionalize books as design objects rather than things to be read, the Stedelijk's Best Designed Books exhibition is a nice reminder that there's an art to good design.

This survey of the artist's sculptural works made between 1961 and 1977 presents an obsession with the things that objects can do, rather than the objects themselves.

Images of everyday things like eyeglasses and cigarette packs appear larger - than - life, creating cinematic inversions of foreground and background in which otherwise unremarkable objects take on a looming (and often sharply comical) significance.Info: David Kordansky Gallery, 5130 W. Edgewood Pl., Los Angeles, Duration: 9/9-21 / 10/17, Days & Hours: Tue - Sat 10:00 - 18:00, http://davidkordanskygallery.com

Since the images redacted by the piece's performance are of no apparent consequence, we don't have an erased DeKooning drawing or a mauled poster of a dictator; we have a sense of nothingness, erased, creating a sense only that the photograph can behave as a Minimal object rather than a depicting thing — because it wants to and can.