Not exact matches
I
think that
white feminist theology that seeks to examine class and race
privilege well addresses critiques of womanists and other women - of - color feminists.
If you don't
think that the essence of Trump's support from a not - so - small chunk of his base comes from those who feel that their «
white privilege» is being threatened by an increasingly multi-cultural society that will confer fewer and fewer relative social benefits from just being
white, then I don't know what to tell you.
To be fair, I
think this may have been meant in a wider sense, that it all stems from
white colonialism, or
white privilege, or is «
white - like» or a similar sense.
«Our future teachers will be able to discuss their own histories and current
thinking drawing on notions of
white privilege, hegemonic masculinity, heteronormativity, and internalized oppression»
It is the very essence of
white privilege that would lead Loeb to
think wealth best positions him to critique Buery's more than two decades of social - justice work on behalf of black and brown families.
If there's any of the
white privilege,
white supremacy and (
white) implicit bias in Madison of the kinds that
white Madison «allies» are trying to shed, I've always
thought they reside most blatantly in the Madison public schools.
I
think it also gave Susan Rivers a way to achieve what I sense is her deeper purpose, to show us the impact of the system of slavery and Southern
white male
privilege through a variety of perspectives, across genders and across time.
I don't
think that it's a
privilege of
white people to be travel writers.
I don't
think that it's hypocritical to recognize your own
white and able - bodied
privilege while being critical of the ways that many
white, able - bodied bloggers talk about travel.
Travel blogs, while overwhelmingly
white, are also often written by people from western nations with passport
privilege (
think the U.S., Canada, Europe, Australia, etc.).
«And I really
thought I had no interest in what happened in those years, especially because it was a time of
white male
privilege and exclusion and all of that.
Despite O'Doherty's debunking of this context, the
white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (
think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to websites such as Contemporary Art Daily that tend to
privilege the flattened picture surfaces of post-minimalist paintings, which look good filtered through the even light of a laptop screen.