Kandinsky had been
thinking about abstract art for years beforehand.
Assuming that my perceptions of Anne Smart and John Pollard's paintings have any accuracy, a comparison between my account of their work and Pollock's reveals that an enormous shift in
thinking about abstract art has taken place.
Not exact matches
I welcome these changes and agree with Angie
about the
art categories being difficult — I make embroidered and appliqué artworks which I guess should be classed as textile
art, but I do
think textile
art is considered by buyers to be more specialised (and also more
abstract) than my pictures, which puts me in the strange position of not wanting to call my pictures textile
art, as I
think people have preformed opinions of what textile
art is.
Some scratched - up chunks of ocher, found in a cave in South Africa, may signal a change in assumptions
about just how long ago humans began to communicate
abstract thoughts through language and
art.
I had so many questions
about how I made the
abstract art that hung above the bench that I
thought it was
about time I shared the details.
In order to get my students
thinking in more
abstract and artistic ways, and to help me
think about how to engage more of the school community with this project, I spoke with my school's
art teacher, Christina, who traded spots with me for a day to lead a session for my class on conceptual
art and technique.
MB: Here's what I
thought about it: «Why not have the first show be a Conceptual artist who is black, that completely
abstracts the stereotype paradigm of what black
art should look like?»
I always
think of the Yasmina Reza play «
Art» when I see a Fontana (one of his slashed canvasses served as the book's cover)
about a bourgeois man whose relationships crumble after he buys an all - white
abstract painting that divides the opinions of his friends.
«The
abstract expressionists were all emotion on the surface,» she said, «and the pop artists were
about mass culture, so this of course triggers
thinking about the under - structure of
art.
During that period, the
art galleries he visited were filled with the paintings of
abstract expressionists and pop artists who were exploring new ways of creating, and
thinking about,
art.
Jeff Elrod -(pictured above) After a disastrous train wreck of a lecture at the Modern
Art Museum of Fort Worth in 2009, I started to think differently about his abstract paintings that are part elegant monochromatic gestural works and part nostalgic elegy to early digi - art, a commentary on the tensions between the physical and the virtual in the 21st centu
Art Museum of Fort Worth in 2009, I started to
think differently
about his
abstract paintings that are part elegant monochromatic gestural works and part nostalgic elegy to early digi -
art, a commentary on the tensions between the physical and the virtual in the 21st centu
art, a commentary on the tensions between the physical and the virtual in the 21st century.
The great advantage that
abstract painting has over other genres of
art, particularly over the ones favoured in recent times, is that it requires no great
thinking about or conceptualisation.
The Jewel Thief will combine works by over fifty contemporary artists with eccentric arrangements to explore new ways to
think about and experience
abstract art.
Where as a figurative work of
art might allow every viewer to engage with it on the same level by referencing some aspect of history or life with which we are all familiar, an
abstract artwork requires that every viewer that sees it begins anew, using their
thoughts and feelings to arrive at some conclusion
about what it could possibly mean.
Certain critics (and curators and collectors too) in the»80s
thought that painting could be saved by forgetting
about boring old
abstract art.
Finally, I hear a phrase I
thought was too much of a joke
about what people say in front of
abstract art for anyone to actually say it - «A four - year - old could do that.»
I need not speak in detail
about this new manner, which appears in figurative as well as
abstract art; but I
think it is worth observing that in many ways it is a break with the kind of painting that was most important in the 1920's.