Sentences with phrase «thinking of the wall drawings»

Not exact matches

I think we are seeing the ending of Evangelicalism as it sounds the trumpet that attacks are indeed happening, raises its draw bridge, and retreats behind stone walls.

I think of the steak dinners my parents make for us nearly every game day in the fall, the patchwork of crude drawings on our refrigerator, the last time I heard the swell of choir voices echo off cathedral walls.

So your child has drawn all over the walls; think in the mindset of your child.

Hello, I have been reading your comments and replies and they are all good, I myself have a problem and some questions about selling art online, you I'm disable and been out of work of a few years, So I decided to go and get back into my art work like painting and drawing, I been wanting to see if I could sell my paintings online, so what I have done is start searching different websites to post my art work, I have been checking out eBay, Ugallery, Art Break, Esty, Fine Art America and some others, the problem for me is which one of these should I choose, I was thinking about putting different pieces on different websites and see what happen, O before I got hurt I use to do wall murals and still do sometimes, of the wall isnt too high, but I want to do some work from home, so what websites would you recommend?

I think that had to do with this surge of wall paintings and wall drawings.

Many first generation Conceptual artists working in the late 60s and early 70s de-emphasized the art object, in part as a gesture against what they perceived as the increasing commercialization of the artwork (one thinks of Sol LeWitt's ephemeral wall drawings, painted over at the end of their exhibition, or the linguistic investigations of Lawrence Weiner who in 1972 wrote, «I do not mind objects, but I do not care to make them»).

Through collage, sculpture, wall assemblage and graphite drawing, her thought - provoking statements consistently question and reveal the violence of human interaction.

The thought of un-erasing a painted - over LeWitt is something of its own conceptual riddle, given that the artist placed the weight for his wall drawings in the ideas — in the form of written instructions — not their physical execution.

Another technical aspect of the wall reliefs is the way that Sloan thinks through her compositions in three dimensions, drawing on her design experience in the service of constructed pictorial spaces.

Some of the items and pictures might have feelings towards each other, for example, arranged is Mantranga's old white baby's trainer with a fake big blue eye inserted into its side («Parasite 1»), an inkjet drawing and text on the wall above by Rafael Delacruz titled «Demonic and Unimaginable Imagination» and «Kooling System (Deeply thinking)» by Bending Binding.

In thinking about rules as acts of creation I have been recently drawn into a reinvestigation of logic based works such as Frank Stella's black paintings (in which the logic of the making fully embodies the resulting shape), Sol LeWitt's wall drawings (in terms of setting up a series of rules that can create a coherent visual structure), and incremental works such as Carl Andre's floor pieces (which also embody an element of time and distance because one is required to «travel» in order to view the entire work).

In Magritte's Les mots et les images (1929), there is a small drawing of a brick wall with a caption that reads (in translation): «an object that makes you think there are other objects behind it.»

Expressing thought processes which the artist conceived beforehand, the wall drawings are executed directly onto the walls on the scale of the exhibition venue.

, Tony Shafrazi Gallery, New York, US Intervention / Decoration, Foreground Projects, Frome, Somerset, UK Ambition d'Art, Institute d'Art Contemporain, Villeurbanne - Lyon, FR Redone, Kröller - Müller Museum, Otterlo, NL A Bookcase for Onestar Press by Lawrence Weiner, Christophe Daviet - Thery, Paris, FR Mes Amis, Dvir Gallery, Tel Aviv, IL Reconstruction # 3: Artists» Playground, Sudeley Castle, Winchcombe, Gloucestershire, UK Advancing the Experience: Robert Ryman & Urs Raussmüller, Hallen für Neue Kunst, Schaffhausen, CH Art Basel, Kino Mascotte, Basel, CH Cul - de-sac, curated by Lino Polrgato, Small Dead End Courts Around Venice, IT 2008: FREEDOM - American Sculpture, curated by Marie Jeanne de Rooij, Stichting Den Haag Sculptuur, Den Haag, NL Revolutions - Forms That Turn, Biennale of Sydney, Museum of Contemporary Art, Sydney, AU Slow Glass, Lisa Cooley, New York, US Thoughts On Democracy: Reinterpreting Norman Rockwell's «Four Freedoms» Poster, The Wolfsonian, Florida International University, Miami, Florida, US artCRUSH, Aspen Art Museum, Colorado, US NOLEFTOVERS, Kunsthalle Bern, CH Translocomotion 7th Shanghai Biennale, curated by Julian Heynan, Henk Slager, Shanghai, CN German Angst, Neuer Berliner Kunstverein, Berlin, DE TEXT drawings, Leo Castelli Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, Udrawings, Leo Castelli Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, UDrawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, US Order.

Rail: Looking at your small drawings for the monolithic figures on the Tiber wall, I kept thinking of your wonderful German Expressionist - style drawings at Marian Goodman that were around twenty inches, but were projected thirty feet high at the Metropolitan Opera for Lulu.

For his exhibition at The Power Plant, Landy invites the public to collaborate in building a «wall of protest» by submitting images, words, texts and slogans that represent their thoughts and feelings — of hope or of despair, on matters small or large, from high to low and across the cultural spectrum — to be transformed by the artist into drawings.

«Just before I came [to Singapore], I was in the underground station in London and I saw these things pasted on the wall with hazard warning tapes,» he said, «and I thought they had a kind of resonance with ideas about folding and interfering, mark - making, and ways of working with drawing, pattern, and shape.»

«I covered the walls with black felt - tip pen and I thought, «I am going to have to draw my way out of my particular problem.»»

Black lines on the gallery's left wall outline a cartoon thought bubble that houses almost 20 years worth of drawings; on the parallel wall of the narrow space, mural - scale paintings hang inside the hollow outlines of cartoon bunnies painted directly on the room's surface.

Each of the pieces — from a flock of butterflies powered by a hand crank to a performance where participants are asked to draw on the gallery walls and kiss the artists — inspire people to think and interact in a unique way.

Think about using recessed directional spots to draw attention to points of interest, such as works of art or a mirror, and to bounce light off the wall to make the hall appear wider.

The idea of painting the vent and door bell ringer the same colour as the wall is the only way to «hide» them and i think the wood plank is more forgiving and they will become «lost» when you decorate, as you have indicated,... otherwise as the wall is painted now they are obvious and your eye is drawn to them everytime.

Since I have an almost two year old I was thinking of painting one of the walls in the garage for her to draw on.

I loved seeing this photo because I have often thought about drawing some planks onto some of our walls vs. installing real wood.

We compromised by painting one red wall behind the front door, (it fools you into thinking there is another room back there), and one at the end of the hall, (that one draws your eye in that direction and makes the hall appear longer).

In the clip, a group of unsuspecting shoppers are happily browsing Billy Bookcases and thinking about what to have for lunch while the pranksters move walls, shut doors and draw curtains around them, blocking their way out of the Swedish maze — no amount of floor arrows can help them now!

I think the biggest reason why I have been so drawn to colors on the walls is the many years of rentals.

I think you'll see his personal artwork (drawings he did himself), tickets from special concerts with his dad, framed posters, sport team memorabilia, favorite books, pictures, and all sorts of little trinkets, vacation memories and childhood mementos on his shelves and walls.