Sentences with phrase «third act when»

In that way, the movie gets a bit thin, until its third act when it becomes about much more and takes on a far deeper meaning.

But there is a certain point in the third act when the film takes a turn that seems to betray the story it had been telling so far.

Like his prior film, Non-Stop, director Jaume Collet - Serra maintains a fast pace (until the third act when the film comes to a complete stop both figuratively and literally) and brings visual flair to the proceedings.

As off - putting as both Alexanders are, an underused Joe Mantegna (with Adam Arkin making a brief appearance) is campy fun, while the always dependable Jena Malone manages to be a high point, especially in the third act when she predictably takes center stage.

And that work to establish how vital he is to the whole process pays off in the film's crushing third act when the disease begins catching up to him.

The League members, however, have another idea of unity, which comes to fruition in the third act when they appreciate camaraderie.

Not exact matches

The attack appeared to be the third major act of terrorism in France since January 2015, when 12 people were killed in a shooting at the satirical magazine Charlie Hebdo's offices.

Zenefits acts as a middle man, taking a commission when it connects companies with third party vendors like health insurance providers or payroll services companies.

When Sparrow Records in Nashville caught wind of Kendall's little - talked - about faith, they decided to partner with their mainstream big brother and sent her out with big named Christian acts such as Third Day, Nichole Nordeman and Delirious.

We need instead to act, to live as if Christ were indeed the head of the body, and not some extra equipment we strap on when it's «third and long.»

Third, when we say that a wrong act is a sin, even if we do not conceive of God as standing in judgment we are still pointing out that there is another dimension involved in our choices between right and wrong.

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

It can act as a single stroller, a tandem double stroller and even a triple, when equipped with an optional Glider Board for a third kid.

At the end, when there was no time for a third reading debate, he complained that this was the first time this had happened with a bill of constitutional significance since the Defence of the Realm Act in 1914.

So, when news surfaced Friday night that Senate Majority Leader John Flanagan and a top Cuomo aide had signed a Memorandum of Understanding making changes to the SAFE Act, it caused quite a bit of confusion, and also prompted a blistering statement from the third man in the room, Assembly Speaker Carl Heastie.

He noted that when the federal government passed the Education for All Handicapped Children Act more than 40 years ago, it committed to help districts cover a third of the cost.

Since last week, when actress Cynthia Nixon announced she would challenge Mr. Cuomo who is running for a third term in the Democratic primary, Mr. Greenberg has new ammo: Pass the «Child Victims Act,» or he's with her.

Nojay is a staunch critic of Gov. Andrew Cuomo, the Democratic incumbent who plans to seek a third term, especially when it comes to the passage of the gun control law known as the SAFE Act.

Third, we need to penalise executives when companies are caught committing illegal acts.

Urban Crush will promptly remove materials in accordance with the Digital Millennium Copyright Act («DMCA») when properly notified that the materials infringe a third party's copyright.

He doesn't contain his actors when we need him to, when Dubus» story goes wild in the third act.

Even when things take a breather in the third act — which becomes an enclosed, clearly budget - cut chamber piece that's closer to an episode of «The Walking Dead» than the giant scope we've seen before — we're not any clearer to understanding who he actually is as a person.

Only when the film takes its most radical third - act jolts in tone does it feel forced, contrived.

Everything points to the third act, when Private Ryan is found, and the soldiers decide what to do next.

But the humorless Se7en can't help going «profound» in the third act, when it's really a slick, sick thriller with a mean streak toward its audience.

When you're not supposed to take a film too seriously, it can come as a shock when the emotional moments kick into high gear throughout the third When you're not supposed to take a film too seriously, it can come as a shock when the emotional moments kick into high gear throughout the third when the emotional moments kick into high gear throughout the third act.

But it also pointed the way forward for Marvel, which was going to start seriously questioning its heroes» plans and power — at least until the third act, when everything would turn into yet another battle between good and evil.

There are only a few plot details set - up throughout the course of the first act, so it's very predictable when viewers finally reach the third act.

Then when the third act rolls around (spoilers to follow), Lisa decides to take charge and becomes an action movie heroine.

Thankfully, the editing improves when it most matters, which is during the second and third act.

Late in the third act, when characters are forced to interact, their motivations become mud - coated with quirk.

The less - than - brisk bent of Shyamalan's execution does, however, ensure that the third act doesn't quite pack the visceral punch surely intended, which, when coupled with a somewhat abrupt conclusion, cements Unbreakable's place as a solid yet erratic endeavor from an unquestionably talented filmmaker.

There are some third act problems when Thomas becomes less of a goof villain and more of a threat, but the film brings it together for the finish.

It's in fact, a kick to the crotch when the final credits roll and you realize how much of the film has been a placeholder and time - filler for the conclusion that deserved a third act to fully investigate the motivations of the protagonist, and those around him.

What seems merely to be a third - rate gig escalates into something much more sinister when they witness an act of violence backstage that they weren't meant to see.

When the third act reverts back to a more straightforward and streamlined level design, with the final battle being very linear, it's a bit of a letdown.

As teased by Marvel Studios exec Kevin Feige, the Eye of Agamotto (or rather, the Time Stone within) can manipulate time itself, which is shown in a spellbinding third act set piece when Strange, Wong, and Mordo use the stone to stop Kaecilius in Hong Kong.

The only real problem with The Good Dinosaur is that much of the third act feels very random, choosing to introduce villains as opponents on the road home when nature is already a seemingly insurmountable force of unpredictable chaos.

And the big change that we made when it became a movie was that Ruben [Fleischer] our director wanted to set the third act at an amusement park.

Hired to score the film, you don't hear much of whatever Mark Mothersbaugh composed for the picture, though when it does come to the fore late in the third act, it's so tonally at odds with the rest of «Vacation» the effect is jarring.

Though there aren't many of these scenes until the third act, the balance is still impressive when it comes to the score as well, which is also eerily beautiful at times.

When push comes to shove, however, and Nichols has to come up with a third act to stand comparison with his illustrious role - models, he falls far short.

When you look at something like the first Captain America movie, it's a pretty straight - ahead origin story with a traditional third - act.

The third act is the most profound volume of Joy's narrative: It's not just simply persuading people to buy the commodity, but it's learning to outsmart the competition and thwart fraud, and discovering ways to shed her weakness (which Russell illustrates when Joy cuts her hair as literal view of the metaphor) and discard her naivete in order to navigate trade deals.

Donald Sutherland as the villainous President Snow is represented more frequently by white roses than in person so when he does appear with a big wolfish grin, there is the delicious knowingness of a megastar arriving for a third act cameo.

When his role is downplayed in favor of Daphne in the third act, the movie screeches to a halt.

And when things get really weird and twisted in the third act, the brakes are off on this ride.

In this movie, it still needs some improvement and the version of the movie becomes the supernatural thriller when the time came for their third act, making the viewers to watch a confusing film at all.

There are moments when Star Wars: The Force Awakens feels like a modern action - adventure classic; the climactic, snowy - forest lightsaber fight, for example, ranks up there with the best in the series (in fact, the entire third act is unbelievably good).

When an uncredited A-lister turns up to kickstart the third act, Interstellar begins to feel more like those disaster movies that Irwin Allen used to make, bulging with enough star wattage to keep our eyes on the screen and not rolling to the back of our heads.