Sentences with phrase «third exhibition includes»
The gallery's third exhibition Includes works by the likes of Eva Hesse, Yayoi Kusama, Agnes Martin, Tauba Auerbach, Tara Donovan and Marsha Cottrell, and attempts to sketch a trajectory of women artists working through key concerns in the long male - dominated field of minimalism from mid-century to today...
http://www.mignoniart.com/ Not exact matches
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Almine Rech Gallery is currently presenting the third solo exhibition by Jean - Baptiste Bernadet, including new paintings...
Last fall, she was included in the Wisconsin Triennial at the Madison Museum of Contemporary Art, and recently opened her third solo exhibition at Cherry and Martin in Los Angeles.
Graves's breakout year of 1942 was followed by regular exhibitions at the Willard Gallery in New York and major museum shows, including a West Coast retrospective exhibition in 1948, another at the Whitney Museum of American Art in New York in 1956, and a third at the Phillips Collection in Washington, DC, in 1983.
The Birmingham Museum of Art is proud to present Third Space, the first large exhibition of contemporary art from the Museum's own collection.Third Space features over 100 works of art in a variety of mediums, including painting, sculpture, drawing, photography, and...
Recent institutional exhibitions and in situ paintings include Atoms Outside Eggs, Serralves, Porto, Portugal (2007); Hello Little Butterfly I Love You What's Your Name, ARKEN Museum for Moderne Kunst, Copenhagen (2009); One Floor Up More Highly, MASS MoCA, North Adams, MA (2010); Third Man Begins Digging Through Her Pockets, Museum of Contemporary Art Cleveland, OH (2012); Two younger women come in and pull out a table, De Pont Museum of Contemporary Art, Tilburg, The Netherlands (2013); WUNDERBLOCK, Nasher Sculpture Center, Dallas, TX (2013); Inside the Speaker, Museum Kunstpalast, Düsseldorf (2014); psychylustro, Philadelphia Mural Arts Program (2014); yes no why later, Garage Museum of Contemporary Art, Moscow (2015); Seven Hours, Eight Rooms, Three Trees, Museum Wiesbaden, Germany (2015); Untitled Trumpet, 56th Biennale di Venezia (2015); Museum Frieder Burda, Baden - Baden, Germany (2016); Rockaway!
The third installment in Autograph ABP's Black Chronicles series, the exhibition includes more than 30 photographs by John Deakin presented along with rare documentary materials related to the Congress.
He has exhibited internationally and nationally including exhibitions at the Soloman R. Guggenheim, Bergen Kunsthall, Stedelijk Museum, Sculpture Centre, Manif d'Art: The Quebec City Biennial, The Third Guanghou Triennial and the Western New York Biennial through the Albright - Knox Art Gallery.
He has exhibited extensively in solo and group exhibitions across the United States and abroad, including solo presentations at the Schneider Museum, Ashland (2017); the San Diego Art Institute (2017); the Nerman Museum of Contemporary Art, Overland (2015); and The Third Line, Dubai (2017, 2013, 2009, 2007, 2005).
Fernandes has exhibited widely domestically and abroad, including exhibitions at the Solomon R. Guggenheim Museum, New York; Museum of Modern Art, New York; Museum of Art and Design, New York; Musée d'art contemporain de Montréal; The National Gallery of Canada, Ontario; The Brooklyn Museum, New York; The Studio Museum in Harlem, New York; Mass MoCA, North Adams, MA: The Andy Warhol Museum, Pittsburgh, PA; Deutsche Guggenheim, Berlin; Bergen Kunsthall, Norway; Stedelijk Museum, Amsterdam; The Sculpture Center, New York; The Quebec City Biennial; and the Third Guangzhou Triennial in China.
The pair will discuss the trajectory of Sala's art practice, his commitment to working with sound in relation to architecture and history, and his work for the exhibition «Anri Sala: Answer Me,» which includes multichannel audio and video installations that unfold across the Second, Third, and Fourth Floor galleries and create a symphonic experience specific to the New Museum.
He has participated in several international group exhibitions including 10 Mexican Photographers: A Select End - of - the - Century Generation (Lehigh University Art Gallery, Pennsylvania), Never Odd or Even (Marres Center for Contemporary Art, Revolver Archive F, Aktuell Kunst, Germany), Master Humprey's Clock (Stanley Brouwn pavilion, de Appel Arts Centre, Amsterdam, Netherlands), Das phantastische Geheimnis des exotishen Universums (Galerie Ostermeier, Berlin), and Third Guangzhou Triennial in China.
EXHIBITION INFO: Exhibition Dates: August 31 — October 5, 2013 The Rough & Tumble exhibition will open on August 31, for the monthly FAT Village Artwalk, with a second ArtWalk on September 28, and included in the Third Annual ART FALLOUT downtown Fort Lauderdale art tour on October EXHIBITION INFO: Exhibition Dates: August 31 — October 5, 2013 The Rough & Tumble exhibition will open on August 31, for the monthly FAT Village Artwalk, with a second ArtWalk on September 28, and included in the Third Annual ART FALLOUT downtown Fort Lauderdale art tour on October EXHIBITION INFO: Exhibition Dates: August 31 — October 5, 2013 The Rough & Tumble exhibition will open on August 31, for the monthly FAT Village Artwalk, with a second ArtWalk on September 28, and included in the Third Annual ART FALLOUT downtown Fort Lauderdale art tour on October Exhibition Dates: August 31 — October 5, 2013 The Rough & Tumble exhibition will open on August 31, for the monthly FAT Village Artwalk, with a second ArtWalk on September 28, and included in the Third Annual ART FALLOUT downtown Fort Lauderdale art tour on October Exhibition Dates: August 31 — October 5, 2013 The Rough & Tumble exhibition will open on August 31, for the monthly FAT Village Artwalk, with a second ArtWalk on September 28, and included in the Third Annual ART FALLOUT downtown Fort Lauderdale art tour on October exhibition will open on August 31, for the monthly FAT Village Artwalk, with a second ArtWalk on September 28, and included in the Third Annual ART FALLOUT downtown Fort Lauderdale art tour on October exhibition will open on August 31, for the monthly FAT Village Artwalk, with a second ArtWalk on September 28, and included in the Third Annual ART FALLOUT downtown Fort Lauderdale art tour on October 5th, 2013.
The current show, focusing on new work and including two major early paintings, is Burkhart's third solo show with the gallery and his first one - person exhibition in New York in 22 years.
A look at this week's art news, including the third Nasher Sculpture Prize to be won by an Art21 artist, and events and exhibitions from Las Vegas to London.
Other notable group exhibitions include Touched, the Liverpool Biennial (2010); the third Guangzhou Triennial, China (2008); and Flow at the Studio Museum in Harlem (2008).
Recent exhibitions include a two - person show at Frieze Art Fair, London (2011) and solo exhibitions at the Third Line, Dubai (2010), Vilcek Foundation, New York (2008), and Art Projects International, New York (2008).
Recent exhibitions include: The Third Badger, 1857, Oslo, Norway (2015); Not S.A.D., Wallspace, New York, NY (2015); Taster's Choice — curated by Christopher Y. Lew, MOMA PS1, New York, NY (2014) and Old Zoo Food, LA > < ART, Los Angeles, CA (2014).
While this will be the third time Ye Linghan is exhibited at the gallery, this will be the first time the artist's work takes over the entire gallery space, including the main exhibition room and the Project Room.
Youssef's work has been presented in numerous solo and group exhibitions at venues including The Villa Medici, Rome; La Maison Rouge, Paris; The British Museum, London; Galleria dell» Accademia, Florence; MMK Museum für Modern Kunst, Frankfurt; Centro de la Imagen, Mexico City; North Carolina Museum of Art, North Carolina; BALTIC Centre for Contemporary Art, Newcastle; Michael Stevenson Gallery, Cape Town; Galeria Leme, São Paulo; Gemäldegalerie, Staatliche Museen zu Berlin; Centre de Cultura Contemporánea de Barcelona, MACBA, Barcelona; Victoria & Albert Museum, London; Institut du Monde Arabe, Paris; Kunstmuseum, Bonn; Smithsonian National Museum of African Art, Washington, D.C; The Third Line, Dubai; The Kennedy Center, Washington DC; Centro Andaluz de Arte Contemporáneo, Sevilla; and Aperture Foundation, New York.
Recent exhibitions include: The Third Badger, 1857, Oslo, Norway (2015); Not S.A.D., Wallspace, New York, NY (2015); Taster's Choice — curated by Christopher Y. Lew, MOMA PS1, New York, NY (2014) and Old Zoo Food, LA.
«Emilio Perez's third solo exhibition at Galerie Lelong, «Footprints on the Ceiling,» will showcase the artist's unique method of combining painting and drawing in a body of new work that includes a monumental, 40 - foot long mural painting, one of the artist's largest site - specific works to date.
This exhibition, the third in a series of works on the theme of «Points of View» by members of Blue Mountain Gallery in New York City, includes works selected specifically for the Manhattanville College exhibition.
He has exhibited extensively in solo and group exhibitions across the United States, including solo presentations at the Schneider Museum, Ashland, OR (2017); the San Diego Art Institute, CA (2017); and the Nerman Museum of Contemporary Art, Overland, KS (2015); and abroad at The Third Line, Dubai (2005, 2007, 2009, 2013, 2017) and the 9th Sharjah Biennial (2009).
He has exhibited internationally and nationally including exhibitions at The Art Gallery of Hamilton, The Studio Museum in Harlem, The Andy Warhol Museum, The Art Gallery of York University, Manif d'Art: The Quebec City Biennial, The Third Guangzhou Triennial, and the Western New York Biennial through The Albright - Knox Art Gallery.
Presented in the Foundation's third floor Ballroom Gallery, the exhibition features work by artists from Argentina, Brazil, Colombia, Cuba, Mexico, Peru, Puerto Rico, and Venezuela, including Allora & Calzadilla, Pia Camil, Alex Da Corte, Jose Dávila, Haroldo Higa, Gabriel Kuri, Gabriel Orozco, Damián Ortega, Analia Saban, Gabriel Sierra, Adrián Villar Rojas, and Erika Verzutti.
May 28 — August 1, 2010 Social Skin - the third in a biennial series of exhibitions collaboratively curated by VCUarts Museum Studies students - included an eclectic mix of artworks and objects that present, explore, and delight in the body as cultural artifact.
This exhibition, featuring photographs from several projects and bodies of work, including the Rephotographic Survey Project, Water in the West, Third View, Yosemite In Time, and as yet unexhibited work from Lake Powell, will explore Klett's creative practice and the ways that working with others expanded his artistic contributions to the field.
Recent exhibitions dedicated to his work include those at Iberia Center for Contemporary Art in Beijing in 2010 and his participation in the third Guangzhou Triennial in 2008.
Group exhibitions include «Modulaciones,» Museo de Arte de Sinaloa in Culiacán, Sinaloa, Mexico; «Grafforists,» Torrance Art Museum, Torrance, CA; «New Works,» the Margulies Collection, Miami, FL; «Stolen Gestures,» Kunsthaus Nurnberg, Nuremberg, Germany; «Subject,» Lyman Allyn Art Museum, New London, CT; «From America,» Museum of Modern Fine Arts, Minsk, Belarus; «The Third Wight Biennial,» New Wight Gallery, University of California, Los Angeles, CA, and «The End,» Deep River, Los Angeles, CA.
Michael Rosenfeld Gallery presents its third solo exhibition of work by Bob Thompson (American, 1937 - 1966), including discoveries revealed subsequent to the artists» momentous 1998 Whitney Museum of American Art retrospective.
Other exhibitions at MoMA include «Louise Bourgeois: An Unfolding Portrait,» the museum's third big excursion into Bourgeois's world, and «Club 57,» a museum - worthy revival of the 1980s East Village art scene via films and ephemera.
Exhibits include shows at Weatherspoon Art Museum, The Sharjah Biennial 2009, LA Louver, The Third Line Gallery in Dubai, UAE, Gallery Wendi Norris in San Francisco, Baer Ridgway Exhibitions in San Francisco, Cherry And Martin, 31 Grand, Frederieke Taylor Gallery, Mary Goldman Gallery, among others.
The exhibition will fill the Whitney Museum's 18,000 - square - foot fifth - floor galleries, and will include a film series in the third - floor theatre.
His exhibitions highlights include: «The Third AIM Biennial,» Bronx Museum of Art, Bronx, NY, FIAC International Art Fair, Galerie du jour, Agnes b., Paris France, Cindy Rucker Gallery, «What Becomes of a Broken Heart,» New York, NY, Rush Arts Gallery, «The Happening: Kinesics as Art Object» New York, NY, Powerhouse Memphis, Everywhere, Nowhere, Somewhere, Memphis TN, Bronx Art Space, «BEAT,» Bronx, NY, Aljira A Center for Contemporary Art «Dreamtime overtones from a fantastic brown planet,» Newark, NJ, Chicago Cultural Center, Chicago, IL.
This umbrella of exhibitions also included two 2017 outstanding exhibitions that neighbored one another on the museum's fourth and third floors: We Wanted a Revolution: Black Radical Women, 1965 - 85 and Georgia O'Keeffe: Living Modern.
Goldberg is the final presentation of the Armory's 2015 season, which encompassed site - specific installations, commissions, and cross-disciplinary collaborations across a range of art forms including: FLEXN — an evolution of the Brooklyn - born street dance flex co-directed by Peter Sellars and dance pioneer Reggie (Regg Roc) Gray; H -LCB- N) Y P N (Y -RCB- OSIS, Philippe Parreno's largest exhibition in the U.S. to date, a multi-sensory journey within the monumental interior of the Armory's drill hall; the U.S. premiere of the new contemporary dance Tree of Codes by Wayne McGregor, Olafur Eliasson, and Jamie xx; HABEAS CORPUS, a penetrating new work by Laurie Anderson in collaboration with Mohammed el Gharani; and the third annual recital series featuring the U.S. premiere of The Night Dances by Charlotte Rampling and Sonia Wieder - Atherton, a concert of songs from World War I by Ian Bostridge, a performance of Viennese lieder by Christian Gerhaher and Gerold Huber, and more.
Recent exhibitions include: 2015 Triennial: Surround Audience (New Museum, New York, 2015); Unseen Existence (HK Arts Centre, 2014); Zone (1)(The Armory Show 2014, New York, 2014); Tetraphilia (Third Floor Hermés, Singapore, 2013); Satellite of ⁂ (CL3 Architects, Hong Kong Arts Centre, 2013); and Marine Lover — A Hermatypic Romance (Gallery EXIT, ARTHK 11, Hong Kong, 2011).
Group exhibitions include Hue & Cry, Sotheby's S 2, New York, NY; Idealizing the Imaginary: Invention and Illusion in Contemporary Painting, Oakland University, Rochester, MI; A Painting Show, Harris Lieberman, New York, NY; Third Thoughts, CCA Andratx, Mallorca, Spain; Borderland Abstraction, Bemis Center for Contemporary Arts, Omaha, NE; So Athletic, Kunstverein Rosa - Luxemburg - Platz, Berlin, Germany; Quick While Still, Motus Fort, Tokyo, Japan; Platinum Metre, Aschenbach & Hofland, Amsterdam, NL; and Informal Relations, Indianapolis Museum of Contemporary Art, Indianapolis, IN.
In 2011, he was part of the Art Museum of Southeast Texas's Obsessive Worlds exhibition and, in the same year, was included in New American Paintings for the third time in his career.
In 2011, he was part of in the Art Museum of Southeast Texas's Obsessive Worlds exhibition and, in the same year, was included in New American Paintings for the third time in his career.
«Late Paintings» becomes the third Francis Bacon exhibition to be held at the Gagosian Gallery, and is the latest in a series of exhibitions focusing on gathering and reexamining the late works of groundbreaking artists including Picasso, Moore and Warhol.
This exhibition will include Wilson's third chandelier, To Die Upon A Kiss, 2011, the title of which derives from Shakespeare's Othello.
That exhibition included a temporary public reference library and in the final third of this talk he will try to explain why making functioning libraries as installationary art works is one of the things Thurston does, using as examples documentation from my recent solo show, Pretty Brutal Library (& Model Gallery, Leeds, 2013) and one of his works - in - progress, Hate Library.
Vernal Equinox, Recent Photograms includes twenty - five photograms completed over the last four years and is Martha Madigan's third solo exhibition at Michael Rosenfeld Gallery.
For his third, self - titled new solo exhibition with London's esteemed Lisson Gallery (running concurrently with major shows in Berlin & Brooklyn), Chinese dissident artist Ai Weiwei has created a monumental new installation of bicycles as part of his ongoing «Forever» series, as well as a number of hand - carved, domestic - scale copies — in various materials including wood, stainless steel and crystal — of some highly personal objects.
Prior to joining the New Museum, she was a Curator at the Whitney Museum of American Art for two decades, where she organized landmark thematic exhibitions including: «The American Century: 1950 - 2000,» «Beat Culture and the New America,» «Image World: Art and Media Culture,» and «The Third Dimension: Sculpture of the New York School,» as well as six biennial exhibitions, and solo exhibitions on the work of artists Richard Prince, Frederick Kiesler, Terry Winters, and Cindy Sherman.
This exhibition, the artist's first major museum survey, will include some 25 sculptures, collages, works on paper, and videos, including documentation of Silent Parade... or the Soul Rebels Band vs. Robert E. Lee (2014), his commission for the third edition of the Prospect New Orleans triennial.
The exhibition also highlights struggles common among contemporary Muslim queer, trans * and gender non-conforming communities, regardless of locale, including displacement, diaspora, and hyphenated identities,» Bhutto and Ahmed observe of their curatorial debut for The Third Muslim.