Sentences with phrase «third film deals»

But after that, Clio Barnard's third film deals mostly in mud, rain, silence and...

Not exact matches

Splitting the final Potter volume into two films was also to the advantage of Part 2, as was the fact that this film deals only with roughly the final third of the book.

Not only are that storyline's dance rehearsals and performance a surprising addition to the film; they grant the third act's military raid a great deal of its energy, cross-cutting to match the music and using choreography to drive emotion and movement.

While Ponsoldt said at the Q&A that this wasn't on purpose or even the focus of the story, The Spectacular Now is his third feature film that deals with alcoholism.

Lionsgate has struck a deal with Now You See Me 2 director, Jon M. Chu, to secure his return to direct the third film in the franchise.

Netflix recently premiered the third film of Sandler's original deal, «Sandy Wexler,» which is getting more positive reviews than his other ventures on the platform.

And, assuming the actor / producer actually makes a deal himself, it would also mark Berg's third film in a row with Mark Wahlberg, who has been trying to help get the movie made for a while, but might have to duck out of a lead role if scheduling becomes an issue.

Unfortunately, while Gyllenhaal continues his fine form in «Demolition» — Vallée's third movie in a row to deal with the subject of grief — the film isn't as good as the performance at the center of it.

I liked the film's first two - thirds a great deal.

Considering James Ponsoldt's first two films (Off the Black, Smashed) deal with alcoholism, it comes as no surprise that the subject is also baked into his third film, The Spectacular Now.

Meanwhile, the Russos also shared a mysterious set photo from the film [see here], while some new rumours emerged relating to Thanos and his Black Order [read our story here] and Chris Evans revealed why he was happy to extend his initial six - film deal to include the as - yet - untitled Avengers 4: «I had six films in my Marvel contract, so I could have said after the third Avengers I was done, but they wanted to make the third and fourth Avengers films as a two - parter,» said Evans.

Richard Curtis's third film as director and writer features Hugh Grant or rather, a new hybrid version in lieu of the real deal, writes Catherine Shoard

The first third of the French film «120 BPM» (Beats Per Minute) deals mostly with the comings and goings of ACT UP Paris in the early 1990s — their actions, stridency, the internecine battles between various players.

Strikingly filmed in black and white — cinematographer Robert Crasker won the Oscar for his work — The Third Man contains a great deal of suspense, several moments of dry British humor, and a fun performance from Cotten as the wide - eyed innocent.

It's his third feature film as a writer - director, with his previous efforts not very successful (Wisdom, Men at Work), but Estevez had a passion to make the film, and with a good deal of monetary sacrifice, he should get some credit for getting the film made with a very fine ensemble of actors.

Gal Gadot's Wonder Woman was the best thing about the swampy Batman v Superman, and now her solo outing is the far superior film: Wonder Woman, directed by Patty Jenkins, elevates her from third wheel to real deal.

There is a great deal of table - setting involved in taking heroes from allies to battling frenemies, so it's to their credit that the build - up doesn't feel forced or overly contrived to get us there, even though it does take quite some time, about a third of the film's 2.5 - hour length, for the story momentum to finally kick into high gear and be the film we are all expecting going into it.

The film spends a good deal of the third act setting up a potential spin - off featuring Baranski, Hines, and Sarandon.

This, of course, could be addressed by the parties in the course of their deal making, but the flexibility required by film producers will always be a primary concern when a third party is providing or controlling the music for its productions.