Sentences with phrase «third generation of artists»

The text art produced by the third generation of artists is characterized by a shared structure within linguistic practices; is dependent on linguistic forms; and is mediated by linguistic exchange that engages with the processes of nomination, documentation, and rule - following.

The exhibition examines the third generation of artists working in text art.

Not exact matches

One of the more striking things about the new multi-strand teen drama Palo Alto is how it features a series of second and third - generation artists and rising stars.

Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973

Gilliam is considered a third - generation Color Field artist (a «generation» in this kind of art history lasts perhaps four or five years), and he came to it obliquely, drawn inby his friend the late painter Tom Downing, who threw down a gauntlet.

Collaborating glass sculptors John Littleton and Kate Vogel are influential artists in what is referred to as the Third Generation of the American Studio Glass Movement.

Osborne was only the third woman to be hired as an instructor at the Academy, making her a pioneer and mentor to a generation of Philadelphia artists.

A series of performances and panel discussions presented in the Third Floor Main Gallery connected featured artists with younger generations inspired by feminism.

oung London 2013 is the third in V22's series of annual exhibitions which present a snapshot of emerging cultural and artistic attitudes and trends in London as perceived by a new generation of young artists.

A third generation artist, Jesse's love for art stemmed at an early age, mostly from the influence of his father, nationally recognized artist John Powell.

Young London 2013 is the third in V22's series of annual exhibitions which present a snapshot of emerging cultural and artistic attitudes and trends in London as perceived by a new generation of young artists.

A third - generation gallerist, Lucas will inevitably face the same scrutiny his father endured in trying to outrun the legacy of Rudolf Zwirner, the legendary German dealer who revolutionized Cologne with artists like Cy Twombly and Joseph Beuys in the»60s.

KSYou'd only just come to New York — were you aware of things like «This person's a third - generation Ab - Ex, this person's Color Field, this is another kind of artist»?

In Chicago in the early 1970s, we had our own third and best - known generation of alternative spaces (each city can claim its own artist - run history, probably with a fair share of boosterism thrown in), such as ARC, Artemisia (both were feminist galleries formed from West - East Bag, a nationwide network of women artists), and N.A.M.E., with the much - heralded Randolph Street Gallery opening in 1979.7 This is not to mention still - running artist - driven efforts such as the Hyde Park Art Center, founded in 1948, and the South Side Community Art Center, the only surviving Federal Arts Center from the WPA era and the oldest African American art center in the country, famously dedicated by Eleanor Roosevelt on opening day in 1940.

«Radical Terrain,» the Rubin Museum's third exhibition exploring Modernism in India, focuses on landscape, presenting work by the generation of artists who worked after India gained independence in 1950.

Dean, one of the Young British Artists generation, will be the third British artist to get the commission after Anish Kapoor in 2002 — with his vast trumpet - like Marsyas — and then Rachel Whiteread in 2005, when she filled the space with 14,000 casts of cardboard boxes.

This performance is the third event in «Furla Series # 01 — Time after Time, Space after Space», a performance - centered program that will present five events by five artists from different generations and backgrounds, to showcase a wide range of approaches to this form of expression.

American Still Life, the third in a series of exhibitions drawn exclusively from the Museum's permanent collection, explores the many ways in which generations of American artists have approached the subject of still life painting.

A third - generation artist linked to the Wyeth dynasty, Jamie Wyeth, son of Andrew Wyeth, has made his own mark by depicting compelling Maine landscapes, dignified wildlife, and even portraits of famed figures, all in his unique style of contemporary realism.

The third iteration of the Hammer's SoCal - focused biennial keeps things wondrously minimal, featuring thoughtful exhibits by only 26 artists that jumps between art - making styles, ideas and generations — from the powerful totemic wood sculptures of Kenzi Shiokava to the bright, graphic paintings of Huguette Caland to the humorous research - based installation of Daniel R. Small.

Blue Pen at the David Dale Gallery, Broad Street, is a new commissioned of installation work by Lithuanian artist Augustas Serapinas, which saw him work with a company of neighbouring metal fabricators, a third - generation family business that has been in existence for more than 100 years and is landlord to the gallery.

«Jack Tworkov emerges from his third New York show as one of the most masterful artists of his generation now at work in America,» reports Thomas Hess, «the spontaneous calligraphy that loops over his waving textures has a sureness... that comes only from complete mastery... [expressed in] statements at once reticent and eloquent...» (Thomas B. Hess.

«We are looking at a young generation of artists who are exploring feminism from a kind of third - wave perspective, and who are part of that generation that takes feminism for granted,» says Reilly.

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(Laughs) Actually, my dad had always done them when I was a kid, and he learned from an immigrant from Austria years ago, so I'm sort of a third - generation silhouette artist.