Not exact matches
Pratt Institute and Charles S. Cohen, President / Owner of the Decoration & Design (D&D) Building at 979
Third Avenue, unveiled an
exhibition of 60 digital prints by 15 alumni artists from Pratt's renowned digital
arts, photography, and illustration programs at a
public reception on Tuesday, June 7.
The
third exhibition at our rotating
public art venue is an installation by artist Brian Barneclo.
«Mother's Reflection» is the
third exhibition of the Terrain - HATCH
Public Art Residency featuring an installation by Amina Ross, curated by Sadie Woods
The
public exhibition is curated by Nicholas Baume, Director and Chief Curator of Public Art Fund, who returns for his third year in curating Art Basel Miami Beach's Public S
public exhibition is curated by Nicholas Baume, Director and Chief Curator of
Public Art Fund, who returns for his third year in curating Art Basel Miami Beach's Public S
Public Art Fund, who returns for his
third year in curating
Art Basel Miami Beach's
Public S
Public Sector.
That
exhibition included a temporary
public reference library and in the final
third of this talk he will try to explain why making functioning libraries as installationary
art works is one of the things Thurston does, using as examples documentation from my recent solo show, Pretty Brutal Library (& Model Gallery, Leeds, 2013) and one of his works - in - progress, Hate Library.
This is the
third in a series of
public forums investigating the
exhibitions Project X produced in the 90s at 18th Street
Arts Center, with a focus on the conditions facing Los Angeles artists at that time, and the way they shaped artist - run organizations, alternative
exhibitions and publications.
Taking a cue from the recent circulation of gallery breakdowns — including revisitations of the Guerilla Girls» original gallery report card and the
Art Newspaper's findings that one -
third of solo shows in the US go to artists represented by five galleries — we began to look into the demographics of solo
exhibitions at Canadian
public institutions.
MCASD's Gallery Guides will give free
public tours of the Tara Donovan
exhibition at 6 pm on the following
third Thursdays: Thursday, November 19, 5 - 7 pm Thursday, December 17, 5 - 7 pm Thursday, January 21, 5 - 7 pm Thursday, February 18, 5 - 7 pm Tara Donovan Since 1998, Tara Donovan (b. 1969, New York, NY) has been the subject of 25 solo
exhibitions nationwide, including at the Metropolitan Museum of
Art, New York (2007); the Saint Louis
Art Museum (2006); the Museum of Contemporary
Art San Diego (2004); UCLA Hammer Museum (2004); Museum of Contemporary
Art, Cleveland (2003 - 2004); and Corcoran Gallery of
Art, Washington, D.C. (1999 - 2000).
Blick Verschiebung is the
third and final
exhibition at Centre for
Art and
Public Space (ZKR) at Schloss Biesdorf.
After «
Art Gym», a sort of art workshop conceived by Tate Collective Liverpool in partnership with Assemble in 2016, and «O.K. — The musical», by Christopher Kline, which turned Tate into a community theatre in 2017, this is the third exhibition of Tate's «We Have Your Art Gallery» series, which seeks to challenge conventional behaviours in public and gallery spac
Art Gym», a sort of
art workshop conceived by Tate Collective Liverpool in partnership with Assemble in 2016, and «O.K. — The musical», by Christopher Kline, which turned Tate into a community theatre in 2017, this is the third exhibition of Tate's «We Have Your Art Gallery» series, which seeks to challenge conventional behaviours in public and gallery spac
art workshop conceived by Tate Collective Liverpool in partnership with Assemble in 2016, and «O.K. — The musical», by Christopher Kline, which turned Tate into a community theatre in 2017, this is the
third exhibition of Tate's «We Have Your
Art Gallery» series, which seeks to challenge conventional behaviours in public and gallery spac
Art Gallery» series, which seeks to challenge conventional behaviours in
public and gallery spaces.
On Thursday, June 9, the California Museum of Photography will celebrate current
exhibitions, including Larry Clark: Tulsa in the main gallery, curated by UCR graduate students as advised by Joanna and Susan Laxton, Assistant Professor of the History of
Art at UCR; States of Incarceration on the second floor, guest curated by Catherine Gudis, Associate Professor of History and Director of the
Public History Program at UCR, with contributions from her students; Rotation 2015 on the
third floor, a collection show featuring new acquisitions, curated by Joanna; and Cauleen Smith: Crow Requiem, part of Joanna's FLASH!