Sentences with phrase «thoughts on the current exhibition»

During the artist talk, he will present his artistic project, as well as his thoughts on the current exhibition.

Not exact matches

Based on more than 70 % of Reading's current cash flow being generated by its cinema segment, we think Reading should be considered a cinema exhibition company.

Currently one of the 14 women artists in the Saatchi Gallery's first all - women exhibition, Champagne Life, Ittah spoke to Studio International about her technique, her current collaboration with her partner, Kai Yoda, and her thoughts on the status of female artists today.

Henning Schaper, the new director of the museum in Baden - Baden, explained it was very important that the exhibition stimulated an exchange of thought on current issues «such as our attitudes to the truth and respect for the truth in both an individual and a global context.»

This conversation coincides with There is nothing I could say that I haven't thought before, Daignault's current solo exhibition at The FLAG Art Foundation (on view through May 13, 2017), for which the artist used online indexes as her point of departure, exploring the inherent aesthetics and politics in these purportedly neutral platforms.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

In conjunction with the Galerie St. Etienne's current exhibition, ERNST LUDWIG KIRCHNER: Featuring Watercolors and Drawings from the Robert Lehman Collection (through July 1), Eric Fischl shares his thoughts on the art of drawing.

His talk at OCAD U, «Surrounding Beauty: Thoughts on aesthetic experience, with reference to the Baroque» is presented in partnership with MOCCA as part of a series of events connected to MOCCA's current exhibition.

Bisi Silva will present at ICI's The Curator's Perspecitve, an itinerant public discussion series, featuring an international curator who distills current happenings in contemporary art including the artists they are excited by, exhibitions that have made them think, and their views on recent developments in the art world.

For those who think they know the work of Paul Feeley (1910 - 1966), especially if they are basing it on the two exhibitions he has had in New York in the last decade, at Matthew Marks in 2002 and 2009, the current exhibition, Paul Feeley: 1957 - 1962, at Garth Greenan Gallery (September 5 - October 12, 2013), will likely come as a surprise.

The exhibition, THOUGHTS AND PRAYERS, features work by Linda Lighton -LRB-»89 Sculpture) and Jessica Wohl -LRB-»01 Design and Illustration) and serves as a commentary on current American culture, politics and values.

The current exhibition of paintings, watercolors, and prints by Sylvia Plimack Mangold at Alexander and Bonin (March 16 — April 28, 2012) got me thinking once again about the different kinds of spaces she has constructed in her work, beginning with the tilting planes in her early paintings, such as «Floor 1» (1967), «Floor with Light at Noon» (1972), and «Two Exact Rules on a Dark and Light Floor» (1975), all done in acrylic on canvas.

Each installment of The Curator's Perspective features an international curator who distills current happenings in contemporary art, including the artists they are excited by, exhibitions that have made them think, and their views on recent developments in the art world.

The current exhibition, Kinetic Energy, presents those approaches and selections of his earlier series of paintings from the 1960s, 70s and 80s that provide glimpses of his early thinking on the subject matter.