Sentences with phrase «thriller is a horror film»
Tod Browning's controversial revenge thriller is a horror film that could never be made, remade, or even replicated these days without all sorts of people getting really angry.
https://www.thrillist.com/ Not exact matches
Jordan Peele's social thriller about the literal horrors of bodily racism is still one of 2017's most unforgettable films.
Sometimes the foreboding mansion can be the backdrop for the subtext of the entire film — the setting for films ranging from Hitchcock's thrillers to Kubrick's horrors.
The film lurches into conventional horror - thriller territory as it progresses, though there are interesting moments...
«World War Z» isn't your typical zombie movie, but rather a globe - trotting socio - political thriller that treats the zombies more like a viral disease than something out of a horror film.
Since the 1979 thriller served as the blueprint for the modern horror film, Laurie is long - held by aficionados to be the gold standard, as final girls go.
Wasn't too sure what to expect with this being based on a children's fable yet filmed as a serious horror / thriller flick, to my pleasant surprise it was quite enjoyable and had a nice gothic almost German expressionist type feel to it that you might expect from directors such as Burton or Gilliwas quite enjoyable and had a nice gothic almost German expressionist type feel to it that you might expect from directors such as Burton or Gilliam.
Entertainment One earned less money in 2013 despite releasing more films than in 2012, possibly because those films weren't all that good; only one, horror thriller We Are What We Are, managed to collect positive reviews.
Although it is a thriller, a science fiction film, and a horror story all rolled up into one, potential viewers would be well advised to temper expectations for an exciting plotline or riveting action montages.
By the time this film was over, I couldn't help thinking that if it were made today, using modern technology and special effects, «Dementia 13» might be one of the all time great horror and psychological thrillers.
The original film was a semi serious, semi grounded sci - fi thriller / horror that was gritty, dark (no pun intended), not many over fancy effects, adult based and had a small fry cast.
Sean Harris is known for creating intense, offbeat characters in an eclectic range of films, such as Rowan Joffre's BRIGHTON ROCK, HARRY BROWN, THE RED RIDING trilogy, 24 HOUR PARTY PEOPLE, and the 2005, award - winning horror thriller ISOLATION, OUTLAW AND CREEP.
It's a point of pride with any horror film, or any thriller verging on horror: Used correctly, a perfectly innocent song suddenly sounds like the scariest bleep in the world.
Comedy, sci - fi, horror, romance, adventure, action, drama, and thriller, it covers quite a lot of territory in a short amount of time, and does so with its own sense of style that makes it different from any other film, even if it is an homage film at its core.
The producers of Liam Neeson thriller Non-Stop are developing an updated version of the classic supernatural horror film
Writer / director Vaughn Stein's upcoming horror thriller Terminal is fast approaching its theatrical release date, and today an official teaser trailer for the film has been revealed...
The film premiered at the 2017 Sundance Film Festival and will be available on the premium thriller, suspense and horror video streaming service.
After I realized how this movie massages nuanced social commentary (about fetishization of the african american body, caucasian self - image, etc.) into a film «genre» that does not neatly fit into any particular category (it's neither thriller, nor horror, nor comedy, but a taste of all three), I was absolutely impressed.
The film left me craving more and was a unique blend of comedy, thriller, and horror.
This film is a horror thriller that was the talk of Sundance in 2011.
SY: Another great horror thriller you produced was «Mr. Jones,» which had its world debut at the 2013 Tribeca Film Festival and was the feature film writing and directorial debut of Karl Mueller.
The film constantly wavers between a thriller and a horror, with some sections being something of which Hitchcock would have been proud, and others revelling in graphic gore.
Found - footage horror thriller Unfriended was a welcome surprise back in 2015, when its commitment to a simple but ingenious premise — everything that happens in the film does so on the laptop screen of doomed teenager Shelley Hennig — managed to overcome a lot of the typical low - budget horror movie flaws.
[Watch the trailer for true story - inspired The Disappointments Room right HERE] Disturbia director D.J. Caruso returns to the horror genre with a haunted house film that was inspired by true events in The Disappointments Room, a psychological thriller that they are saying is in the same vein as The Shining.
I've been enjoying a lot of the Trailblazing Women programming myself but since we're in the middle of Schocktober, I thought I'd set aside some time to highlight some of my favorite horror films and thrillers directed by women who have left their macabre mark on a genre that many mistakenly assume is not very female friendly.
Astonishingly this thriller is one of the creepier films, not to be placed in the horror genre, that I have ever seen.
Adapted from the short film by director David F. Sandberg and adapted by horror - centric screenwriter Eric Heiserrer, Lights Out may be a quick, simple, and slightly familiar piece of PG -13-level horror, but it's also a well - made and unexpectedly engaging thriller as well — with an ending that's sure to generate at least a small amount of debate among horror fans.
Here's a brief rundown of some of the best horror films and thrillers he appeared in.
This scary picture, a remake of a 2003 Korean horror film by British brothers Charles and Thomas Guard, is three movies in one: a psychological thriller, a murder mystery and a zombie flick.
Along with his starring role in the upcoming Craig Brewer flick, «Black Snake Moan,» the veteran actor is also set to appear in the Stephen King horror film «1408,» the Doug Liman - directed sci - fi adventure «Jumper,» the thriller «Cleaner.»
The film is equal parts psychological thriller, nightmarish arthouse horror and black comedy; it's the pulsing dread of Polanski's Rosemary's Baby meets Haneke's gallows humour and Kubrickian clinical formalism.
We are only two days away from the official release of Netflix's Bright, a cop action - thriller horror film starring Will Smith (I Am Legend), Joel Edgerton (The Gift), and Noomi Rapace (Alien: Covenant, Prometheus).
Ouija — $ 6 million [3rd week; $ 43.4 million] The horror thriller is showing remarkable staying power for a horror film even if last week's champ fell to fourth place.
«No man can resist her...» Chiller Films has released a trailer for the new horror thriller SiREN, adapted from one of the segments in the original V / H / S horror anthology film.
Not to be confused with the indie comedy about an improv group, Don't Think Twice (which we highly recommend seeing), this film is a creepy horror thriller about a demonic witch.
For a thriller about cannibals, this Mexican film is more of an unsettlingly violent drama than an all - out horror movie.
Dario Argento's Suspiria is one of the best horror films ever made, a hyper - stylized thriller about a dancer who discovers her ballet school in Germany is actually a coven of evil witches.
Despite devoting roughly half its running time to Ian and Sofi's relationship, I Origins is ultimately not a romance, or at least, not only a romance: As the plot advances, Cahill's film reveals new incarnations of itself in a variety of genre trappings — sci - fi parable, grisly medical drama, globe - trotting thriller, and even, in one bizarre and possibly genius scene, a Saw-esque horror flick.
The early 1970s to the late 1980s was a unique moment in Australian cinema history; a time when censorship was reigned in and home - grown production flourished, resulting in a flurry of exploitation films — sex comedies, horror movies and action thrillers — that pushed buttons and boundaries, trampled over taste and decency, but also offered artistry within their escapism, giving audiences sights and sounds unlike anything they had seen in Australia before.
This is less dark looking than his films usually are and it has this lovely way of mixing horror thriller and comic moments, sometimes in the same scene.
It's more of a thriller than a horror film.
Yet, the film plays out with little sense of requisite suspense that made the first Psycho such a great film, and many of the scenes, including the murders, play out as if they were made for a psychological drama, rather than in a scary horror flick or tense, nail - biting thriller.
If you're worried about this film being touted as a «psychological thriller» and not a full - blown horror film, well, boy oh boy, don't you worry.
This year, the opener was The Final Girls, a thriller / comedy that subverts many horror - film conventions — indeed, the very notion of movies themselves.
The dark matters category is established for films easily detected as horror, thrillers, or narratives with dark themes present.
When the horror thriller Sinister proved to be a hit, producer Jason Blum (who is also behind the Insidious films) obviously thought a sequel was needed.
Like Paul Greengrass's United 93, whose purpose was to stylishly simulate rather than make sense of the events aboard United Airlines Flight 93 on 9/11, The Impossible uses the tropes of countless horror films and thrillers before it to craft a this - is - what - it - was - like theme - park attraction.
The spirit of a vicious child serial killer resurfaces in the nightmares of teens in modern - day and is responsible for their subsequent and shocking deaths in this tense, spooky thriller from who else, but Wes Craven (I'm actually not that familiar at all with his style, but since this is a horror film for the ages I figured I'd best get ahead and jump on the bandwagon as quick as possible to make up for lost time).
In the first half of the film, Borgman sets up the expectation of being a spellbound horror - thriller.
Nevertheless, it does retain a small cult following, and can even be seen as a precursor of sorts to such films as the horror flick Event Horizon and Danny Boyle's dying sun thriller, Sunshine.