Sentences with phrase «through imma»

28 Apr 2016 A snapshot of the last ten years as seen through the IMMA Collection IMMA presents IMMA Collection: A Decade - a snapshot of how the National Collection of modern and contemporary art has developed over the past 10 years.

One out of every eight IMMA visitors experiences visual art for the first time through their IMMA visit.

Not exact matches

I must say when I moved to Columbus I had a 2003 Chevy Malibu paying like $ 400 - $ 500 a month and then my car messed up and I was in need of a car super... bad so my cousin told me about miracle motor marts on Morse rd and took me to Kenne Smalls I told him what was going on how much money I had down and want I needed and he told me don't worry about imma take good care of you and few hrs later he ended up getting me approve for a 2011 Chevy impala paying $ 286 a month and he told me everything that was wrong with the car while was nothing but breaks and oil change and he made sure he took care of that before I drove off with the car.I had the car for a few months then I ended up getting into an var accident and car got Totaled out And once again I need a car I had a rental for alil bit then I hit Kenne Small up again and told him what happen he said the same thing the first time imma take care of you and he came through for me once again and this time with a better and newer car he got me in a 2014 Nissan sentra with no down payment and payments $ 360 but still cheaper then my 03 but one thing I really liked about Kenne after I got my cars he still called and checked on me seeing how I was doing seeing how the car was doing to and most dealerships don't do that and all the people there is just so nice I love it I'll Recommend Anybody to go to Kenne smalls for a car

bad so my cousin told me about miracle motor marts on Morse rd and took me to Kenne Smalls I told him what was going on how much money I had down and want I needed and he told me don't worry about imma take good care of you and few hrs later he ended up getting me approve for a 2011 Chevy impala paying $ 286 a month and he told me everything that was wrong with the car while was nothing but breaks and oil change and he made sure he took care of that before I drove off with the car.I had the car for a few months then I ended up getting into an var accident and car got Totaled out And once again I need a car I had a rental for alil bit then I hit Kenne Small up again and told him what happen he said the same thing the first time imma take care of you and he came through for me once again and this time with a better and newer car he got me in a 2014 Nissan sentra with no down payment and payments $ 360 but still cheaper then my 03 but one thing I really liked about Kenne after I got my cars he still called and checked on me seeing how I was doing seeing how the car was doing to and most dealerships don't do that and all the people there is just so nice I love it I'll Recommend Anybody to go to Kenne smalls for a car

Programming at IMMA encompasses Production Residencies for artists Sam Keogh and John Rainey to work on new commissions by EVA International supported through the Arts Council Ireland's Open Call programme and an EVA exhibition in the Project Spaces at IMMA featuring works by Locky Morris, Roy Dib and Marlon T. Riggs.

Ten years ago, Isabella Bortolozzi, who had met her in the 1990s through a mutual friend and art collector, put on a solo show of Rama's work at her gallery in Berlin, with the eventual aim of realizing a major retrospective; a show of over 200 works spanning seven decades was finally mounted in 2014 at MACBA Barcelona, and subsequently traveled to Musée d'Art Moderne de la Ville de Paris, EMMA Museum in Finland, IMMA in Dublin, and GAM Torino in Rama's hometown.

Now numbering over 3,500 works, IMMA ensures that this collection is accessible to visitors to IMMA and beyond, through exhibitions, collaborations, loans, touring partnerships and digital programmes.

Collection During 2008 alone 69 works have been added to IMMA's Collection through purchases, long - term loans and donations, and this very significant growth will be much in evidence in 2009.

Portable Histories, an exhibition developed through the continued partnership between Art Alongside and IMMA's National Programme, opens to the public at Wexford Arts Centre on Monday 23 March 2009 at 7.30 pm.

THROUGH THE EYES: GERARD BYRNE is curated by Enrique Juncosa, Director, IMMA and originates at IMMA.

Now numbering over 3,500 works, IMMA ensure that this collection is accessible to visitors through exhibitions, collaborations, loans, touring partnerships and digital programmes.

The slide - tape installation, INITIALS, 1993 - 94, is one of a trilogy of pioneering works by Coleman from the 1990s, acquired by IMMA through funding from the Heritage Committee of the National Cultural Institutions in 2004.

Writing in the 1960s, the critic Susan Sontag claimed that, «Every era has to reinvent the project of «spirituality» for itself», and through this exhibition IMMA asks what the project of spirituality looks like in 2017.

Curator's Tour Fri 16 March / 1.15 - 2 pm / IMMA Meeting Point, Main Reception Join Assistant Curator Ben Stafford for an informal and insightful walk - through of the exhibition.

Experimenting with ways to float material, form and colour at eye level remains a constant preoccupation in Black's work, and this preoccupation remains as a thread in the exhibition at IMMA, which will present Black's extraordinary creative output through a series of new works tailored for the spaces at IMMA.

Gallery Talk: Sarah Glennie Wednesday 25 November 2015, 1.15 — 2.00 pm, East Ground Galleries Sarah Glennie (Director, IMMA) led a curator's walk - through of the exhibition Shot at Dawn.

It's particularly of interest to anyone who wants to develop arts programming skills through delivering exciting events in conjunction with IMMA.

IMMA is committed to supporting remarkable emerging artists to make exciting new work through a dynamic series of commissions, projects and group exhibitions.

10 May 2010 A collaborative exhibition between IMMA's National Programme and Art Alongside opens at Wexford Arts Centre Abode, an exhibition developed through the continued successful partnership between Art Alongside and IMMA's National Programme, opens to the public at Wexford Arts Centre on Monday 31 May 2010.

These works are shown as part of displays from the Collection at IMMA, in international exhibitions from the Collection and nationwide through the Museum's National Programme.

Fabric of Identity explores the presentation of individual and collective identities, private and public personas through a selection of work from the IMMA Collection by artists Marina Abramoviæ, James Hanley, Les Levine, Jackie Nickerson and Janet Mullarney.

These installations celebrated IMMA's acquisition of these major works through funding from the Heritage Committee of the National Cultural Institutions in 2004.

It is particularly through purchases that IMMA can best fulfil its mission to chart the nation's artistic memory.

With the support of IMMA 1000 and a number of other fundraising initiatives, we are delighted to announce a series of new strands in our residency programme that will both create opportunities for in - depth research and support for Irish artists through dedicated residencies and bursaries.

Commenting on the forthcoming exhibition of Lapsus Exposure and on what the acquisition of the trilogy means to IMMA, the Museum's Director, Enrique Juncosa, said, «We are very happy to present this second work of the trilogy of slide projected works by James Coleman that IMMA acquired through the Heritage Fund in 2004.

Background is one of a trilogy of pioneering works by Coleman from the 1990s, acquired by IMMA through funding from the Heritage Committee of the National Cultural Institutions in 2004.

A particular highlight this year will be the ongoing examination into the social, political and economic landscape that shaped ROSC and its subsequent impact on contemporary art developments in Ireland, which will culminate in a major symposium in November 2017, our ongoing provision of programmes for people living with dementia through the AZURE initiative and the launch of a new digital digest that will develop new content about our programmes, giving people new ways to find out more about the work, and to personally connect with art and artists at IMMA.

Through our landmark international group show As Above So Below: Portals, Visions, Spirits & Mystics we are also especially pleased to bring to IMMA the work of several 20th century masters including Hilma af Klint, Kandinsky, Franti ek Kupka and Sigmar Polke.

Other works include The Humanizer by Simon Fujiwara; a sound and installation work of an imagined Hollywood biopic of Sir Roger Casement and If the Ground Should Open... by Jaki Irvine, a sound and film work currently on view in IMMA that traces our past and present from the forgotten women of the Rising through to the leaked Anglo Irish tapes of recent years.

The first solo exhibition in Europe of the American sculptor Lynda Benglis, best known for her ground - breaking work challenging accepted artistic norms through a pioneering merging of content and form, opens to the public at the Irish Museum of Modern Art (IMMA), Dublin, on Wednesday 4 November 2009.

Our programme extends beyond the gallery space to encompass talks, performances, engagement and learning opportunities, research programmes and residencies and with the IMMA Collection: Freud Project remaining at IMMA through 2017, we look forward to sharing the work of these extraordinary artists with our audiences through the year.»

Artist Sarah Pierce, whose 2006 work Meaning of Greatness has been acquired by IMMA through he fund had this to say; «I am honoured to have my work enter IMMA's collection, in particular Meaning of Greatness (2006) which is a major work about the artist, art students and cultural legacies that I made and first showed in Dublin, the city where I live.

That's $ 120,000 that we have been able to use to directly fund individual artists for their work in three major ways - throughout the 2016/2017 programme, through a series of new paid residencies announced tonight for 2017 and three new acquisitions for the IMMA Collection.

«Museums can support artists in many different ways and I am delighted that through the extraordinary success of IMMA 1000, and the additional support by the Department, we have been able to support so many Irish artists works across our programmes and through our residency; providing much needed space and support for artists to think, reflect and develop new work.»

27 Feb 2012 IMMA - ginary Space: A collaborative exhibition between IMMA's National Programme and Art Alongside opens at Wexford Arts Centre IMMA - ginary Space, an exhibition developed through the continued successful partnership between Art Alongside and the Irish Museum of Modern Art's National Programme, opens to the public at Wexford Arts Centre on Tuesday 13 March 2012.

The tour covers a number of sculptural approaches, including examples from the 1950's through to contemporary works recently acquired for the IMMA Collection.

Not only does it give us the opportunity to see up close the work of this incredible, world - class artist through exhibitions such as this one, but IMMA is also building a body of knowledge and interpretation of his work that will be globally relevant for the future.

Such acquisitions benefit not just the Museum itself, but also other locations throughout Ireland via IMMA's National Programme and also through touring exhibitions like the Irish Art of the Seventies and Louis le Brocquy shows, which will go on show in the Crawford Gallery in Cork in March».

- Supporting artists» work through the purchasing of work for the IMMA Collection.

Gallery walk through of the exhibition by Karen Sweeney (Assistant Curator, Exhibitions, IMMA) In the form of a gallery walk through Sweeney introduced some of the artist's key ideas that inform her current exhibition.

The broader residency programme at IMMA afforded me the opportunity to contextualise my practice in the wider contemporary world whilst aligning my personal philosophies with changes, critique and new ways of seeing; emerging through conversations and debate which fermented out of the cultural production of the IMMA programme.»

1) Supporting artists to live and work in Ireland through bursaries and the IMMA residency programme.

This preoccupation will form a key thread in the exhibition at IMMA, which will present Black's extraordinary creative output through a series of new works tailored for the spaces here, revealing the artist's free, experimental way of working combined with a careful aesthetic judgement.

The IMMA Collection is a unique resource which is made available to the public through a vibrant programme of temporary exhibitions and projects.

The IMMA 1000 campaign was launched in April 2016 with a founding fund of $ 60,000 and has reached its target to double that base in year 1 through individual donations.

3) Supporting artists» work through the purchasing of work for the IMMA Collection.

In 2011 alone, IMMA acquired 182 new works, mainly through donation.