Sentences with phrase «through turbine hall»

The work was comprised of a large crack in the ground stretching through the Turbine Hall - «a subterranean chasm that stretches the length of the space.»

Three of the chutes depart from each of Tate Modern's main gallery levels (Levels 3, 4 and 5) and two chutes depart from each side of the walkway or bridge (Level 2) that cuts through the Turbine Hall.

An orange line of swings weaves through the Turbine Hall.

Not exact matches

An explosion in the suppression tank could have blasted a hole through to the neighbouring turbine hall.

Major solo exhibitions include «Bruce Nauman: Inside Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94, traveled to Walker Art Center, Minneapolis; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Museum of Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2007); «Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009, traveled to Philadelphia Museum of Art; and Museum of Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art Gallery of Ontario (2014).

Empty Lot is the title of Abraham Cruzvillegas's new Turbine Hall installation for Tate Modern — a soaring plank and scaffolding construction veering like a ship's prow through the oceanic space, bearing aloft what amounts to a vast multi-part allotment.

A crack running through the floor, a helter - skelter and a simulated sunrise have all been part of Tate Modern's popular Turbine Hall series.

They have flocked to its gigantic Turbine Hall to watch a glowing «sunrise» from hundreds of tungsten lights in Olafur Eliasson's «The Weather Project,» sifted Ai Weiwei's hand - painted sunflower seeds through their fingers and heard actors telling intimate stories in Tino Sehgal's «These Associations,» among many highlights.

This fourth and final curator highlights one particular project as the deciding factor for selecting the innovative group: Echo (2006), at Tate Modern's Turbine Hall, which Clark describes as: «A performance piece in which the human form was represented through a 3 - D data cloud, rendered directly behind the dancers.»

While over at Tate Modern's turbine hall, the boat is constantly being pushed out with a giant sun, a bed of sunflower seeds or a massive crack running through it.

Monstrously imposing when one is on its level, the spider looks almost dainty when viewed from three levels above, through the transparent wall that divides the exhibition spaces from the Turbine Hall.

The museum - going public, meanwhile, developed a taste for the novel and the monumental through Tate Modern's Turbine Hall commissions, such as the sodium - coloured sun and Turner-esque fog of Olafur Eliasson's The Weather Project (2003).

This is the new work for the Turbine Hall — a vast stage set that has, over the past dozen years, been the scene of Bruce Nauman's soundscapes, Olafur Eliasson's swollen orange sun and Doris Salcedo's chthonic rupture through the concrete floor.

But she added: «It feels to me that Philippe Parreno has built and seen through and created something which would have been inconceivable when we first thought about the Turbine Hall project in 2000.»

The Turbine Hall is historically a site of energy production through the massive turbine engines that once occupied this cavernousTurbine Hall is historically a site of energy production through the massive turbine engines that once occupied this cavernousturbine engines that once occupied this cavernous space.

During its celebratory opening days, the museum showcased five performances from its collection, acquired over the past decade — among them, Tania Bruguera's iconic meditation on state power Tatlin's Whisper # 5 (2008), in which two police officers on horseback ride through the gallery (in the Tate's case, the vast Turbine Hall), performing pointless crowd - control exercises.

Though the Guggenheim Museum in New York was the site of Turrell's most elaborate installation in 2014, it is the Turbine Hall at the Tate Modern that has been the real engine through which the art of spectacle has motored through the public consciousness and into their hearts.

The work has previously been installed at the Circus Street Market as part of the Brighton Festival, the Turbine Hall of the Tate Modern, the Arsenale of the Venice Biennale, and will be displayed at la Grande halle de La Villette for le Festival d'Automne à Paris through December 31, 2017.

Michelangelo Pistoletto; Newspaper Sphere Begins on The Mezzanine Bridge, Level 2, Turbine Hall Saturday 23rd May, 15.00 — 16.00 One of the key figures of Arte Povera, Michelangelo Pistoletto, will be creating a large sphere out of newspapers from around the world to be paraded through the streets of the City and Southwark.

The live remix, entitled Sonar, is played through a customised sound system on the bridge that crosses the Turbine Hall, alluding to sound system set ups under the Westway Bridge during Notting Hill Carnival.

For his show at the Tate, Höller installed vast winding slides through the museum's Turbine Hall.

From today visitors to Tate Modern are able to travel through the vast Turbine Hall on five large slides which spiral through the vast space connecting the galleries with the Hall.

Michael Clark's new work for Tate Modern starts after sunset, with twilight visible through the skylights of the Turbine Hall.

This became particularly true during Olafur Eliasson's 2003 Turbine Hall installation, «The Weather Project,» in which a giant artificial sun glowed ethereally through a billowing mist.

Visitors enter the Tate Modern through the great void of Turbine Hall, the former engine house of the power station the museum used to be.

On Cockatoo Island, for instance, the South Korean artist Lee Bul — an artist with a longstanding connection to sci - fi through robots, cyborgs and anime - influenced sculptures — presents Willing To Be Vulnerable (2016), a gigantic installation in the Turbine Hall of draped and painted plastic sheets, an airship, a balloon, track lighting and ominous black figures that look like impaled and beheaded corpses.

This is the latest installation in Tate Modern's Turbine Hall — a series of wow - factor installations that have, over the past decade, included Doris Salcedo's Shibboleth, a deep fissure running through the concrete floor of the building, and Olafur Eliasson's The Weather Project, which filled the space with mist and mirrors.