Sentences with phrase «through aesthetic practice»

Not exact matches

To make these practices communicative in and through specific cultural contexts, those of us who teach ministers to become «servants of the Word» have encouraged them to become aware of aesthetic conventions and put them into practice in public communication.

The artist's soft, laid - back aesthetic has helped bring the time - honored practice to the forefront, and over the last few years she's taught thousands of people how to reap the mood - boosting, restorative benefits of crafting through workshops and Instagram how - to's.

Her practice reflects «openness to alternative perspectives and metaphysical subjects, often portrayed through aesthetic motifs of multi-layered, expanded dimensions, textured pigments, and attention toward primal matter».

The artist's conceptual, aesthetic, and structural investigations of performance through immobility in her practice inverts the notion of the artist as the predominant actor.

On view through December 23, Nathalie Du Pasquier: BIG OBJECTS NOT ALWAYS SILENT will provide an all - encompassing experience of Du Pasquier's aesthetic, organized in close coordination with the artist to demonstrate the seamless boundaries between functional and decorative objects in Du Pasquier's practice.

Beginning with her early photographic series Women of Allah (1993 - 1997), and continuing through her current practice, Neshat has consistently and fluently probed issues of gender, power, displacement, protest, identity, and the space between the personal and the political with a singular and powerful aesthetic.

Through clever manipulations of cropping, ordering, and pagination, Printed in Germany offers readers an original aesthetic experience and comprehensive insight into the practice of one of today's most thought - provoking artists, while — through pure visual splendor — pushing the boundaries of the artist's book into new Through clever manipulations of cropping, ordering, and pagination, Printed in Germany offers readers an original aesthetic experience and comprehensive insight into the practice of one of today's most thought - provoking artists, while — through pure visual splendor — pushing the boundaries of the artist's book into new through pure visual splendor — pushing the boundaries of the artist's book into new realms.

Thus, in addition to highlighting the spiritual themes that run through Ossorio's entire body of work, «congregation» also reveals something about his aesthetic practice — how he conceives of artistic form and how he goes about putting a work of art together.

Organized in a collaborative effort between curator Julie Fishkin, and artist Saya Woolfalk, the fifteen artists in the exhibition engage the dichotomy between communal pasts and the individual experience, intertwining them visually through the manipulation of common materials and reexamination of time - honored aesthetic practices.

Through impromptu artworks, lectures, readings, discussions, screenings, performances, and explorations of the assembly (of being together) as an art form, it opens up a space for politico - aesthetic experiments practicing art as imagination, thought, and action intervening in the contemporary.

His decision to embrace sobriety, as well as the decision to be very particular about what influences his practice, gives his latest work new direction detaching it from the brand or aesthetic he has built up through skateboarding, and giving it a maturity that might not be expected from an artist so young.

Discourses of national identity, human rights, and the administration of justice are recurrent themes in his art, and the techniques of his audio - aesthetic practice have become the basis through which he has become known as a «private ear,» conducting forensic audio analysis for several legal investigations.

Through public talks and intimate seminars and studio visits with UH students, internationally recognized scholars, curators, artists, and critics will investigate the idea of the contemporary as both a temporal and aesthetic framework to broaden critical understanding about how we situate current artistic practices.

Through photography, video, and sculpture, they present an aesthetically rich installation that questions boundaries between art and religion, aesthetic and documentary practice, and folk and fine art.

Through the original and individualized practices of a multigenerational constellation of artists, the exhibition highlights works that often have conceptual or aesthetic references to the Arab world, yet also extend well beyond.

Cristina Lei Rodriguez's sculptural practice provokes viewers through a collision of aesthetic contrasts.

She has been based in London since April 2008 where she is now director of Afas, art & design LTD, freelancing in design and working on documenting and researching Lebanese visual culture and its interpretation through aesthetic contemporary practices.

Alex Lawlers multi-media practice examines the formal and aesthetic qualities of Post-Minimalism through the lens of ideas such as sensation, memory and the subconscious.

This exhibition, the first of it's kind in the UK, focuses on the rich symbolism of textiles and its political, social and aesthetic significance through both art and craft practice.

Through their own professional and artistic practice, they represent different generations of aesthetic voices and intellectual directions.

Through the presentation of 45 works on paper from private collections, including calligraphy, gouache, oil and ink, the exhibition will explore the diversity of Chu Teh - Chun's practice and his iconic aesthetic which contributed significantly to the Chinese modernist movement in France.

Fuelled by a deeply felt antipathy toward nostalgia, and incorporating references to personal, folk, and collective histories, these works were formally realized in ways that evoked tropes of modernist aesthetic practice and theory, while critically reflecting on the criteria and categories through which recent art historical memory has been forged.

Through «listening as a conceptual practice,» Jones renders visible these abstract black artists left out of the aesthetic sphere.

About Beta Local Beta - Local is a non-profit organization based in San Juan, Puerto Rico, dedicated to supporting and promoting aesthetic thought and practice through various programs: - La Práctica, a post-academic study and production program, through which Fellows coming from diverse disciplines take a project from concept to production.