Crow's Shadow Institute of the Arts (CSIA) provides a creative conduit for educational, social, and economic opportunities for Native Americans
through artistic development.
Through its artistic development programs for directors, screenwriters, producers, composers and playwrights, the Institute seeks to discover and support independent film and theatre artists from the United States and around the world, and to introduce audiences to their new work.
Not exact matches
Developed
through RBC's Emerging Artists Project, the CPC will help Canadian
artistic youth confidently navigate their path to success with mentorship and professional
development opportunities.
Our goal is to connect youth with the medium of glass
through workshops that enrich their spacial understanding,
artistic development and confidence.
Through a rich curriculum that integrates the academic,
artistic and practical, Prairie Moon Waldorf School fosters the
development of self - knowledge and helps children to engage fully in the world by awakening in them warmth of heart, clarity of thought, and strength of purpose.
Here, Sanchez discusses the
development of his
artistic practice, interweaving the personal and political
through photography, painting, printmaking, collage, and video.
Through projects the gallery facilitates the
development of ideas that artists have been unable to realize and initiates proposals that foster
artistic development.
E-mail us at
[email protected] Founded in 2009 in Puebla, Arquetopia is an award - winning, Mexican official nonprofit foundation promoting
Development, social transformation and productivity
through artistic, cultural, and educational programs.
The young artist started visiting New York on a regular basis, frequently touring
through local galleries that truly fostered his initial
artistic development.
Through studio and seminar courses, faculty members present a range of skills and concepts essential to
artistic development.
In the selected items on view, the
developments of American
artistic traditions can be traced
through the early interests in portraiture, the rise in prominence of landscape painting in the 19th - century, the popularity of genre scenes, as well as the academic traditions of history and large - scale society paintings.
The spaces provide students from every discipline myriad opportunities to gain essential, hands - on experience, stimulating
artistic expression and professional
development through collaboration.
For an academic, Schapiro had a uniquely extensive reach
through his lectures, partly because of his involvement with the vital New York art scene of the time, which was beginning to challenge Europe on the field of avant - garde
artistic development.
Exhibition highlights from the 1990s
through today reflect
artistic responses to
developments like the emergence of the AIDS crisis, the decoding of the human genome, the repercussions of September 11th, and the increasing prominence of human rights concerns raised by the LGBT community, all of which have profoundly affected the expectations, demands, and even the politics of the self and its representation.
This group exhibition features work by eight compelling local artists who participated in the The Contemporary Austin's Crit Group — a seven - month - long program that supports a strong
artistic practice
through monthly critiques and professional
development workshops.
ASAP promotes expression, skill -
development, and camaraderie
through classes, workshops, and performances across a variety of
artistic disciplines.
Through their varied takes on the portrait, the artists in Human Interest: Portraits from the Whitney's Collection demonstrate the vitality of this enduring genre, which serves as a compelling lens through which to view some of the most important social and artistic developments of the past c
Through their varied takes on the portrait, the artists in Human Interest: Portraits from the Whitney's Collection demonstrate the vitality of this enduring genre, which serves as a compelling lens
through which to view some of the most important social and artistic developments of the past c
through which to view some of the most important social and
artistic developments of the past century.
Spanning one of the most rich and complex periods of the 20th century, Szapocznikow's oeuvre responds to many of the ideological and
artistic developments of her time
through artwork that is at once fragmented and transformative, sensual and reflective, playfully realized and politically charged.
The Museum eagerly anticipates the
artistic developments made possible
through the use of this exciting new gallery space.
It traces the
artistic development of the ancient Paracas, Nasca, Wari, Moche, Chancay, Sicán, and Chimú cultures from the Early Horizon (900 — 200 BCE)
through the Late Horizon (1470 — 1532 CE) periods.
IART 4300 / 6300 Collaboration Among the Arts Mary Magsamen Monday 2:30 pm — 5:30 pm This course is focused on the
development of new
artistic work
through collaboration with others.
They were selected by Dr. Roger Ward, the Museum's Deputy Director and Chief Curator, to illustrate the trajectory of Wardlaw's
artistic development from his roots in Abstract Expressionism
through the era of Color Field painting, Pop Art, and Minimalism to the individualistic and personally expressive character of his contemporary work.
The exhibition, curated by Franceesco Poli, aims to illustrate Castellani's
artistic development from1959 to his last style,
through a selection of artworks.
The pair is presenting a selection of «influential artists who began working with video early in its
development and traces a line up
through 1990, bracketing an important period for this medium and a fertile time for
artistic activity on Long Island,» according to the introduction to the exhibition.
The exhibition moves beyond nostalgia and uses Glam as a prism
through which to view
artistic developments in Europeand North America.
The exhibition moves beyond nostalgia and uses Glam as a prism
through which to view
artistic developments in Europe and North America.
Abigail Satinsky is the Interim Executive and
Artistic Director at Threewalls in Chicago, a twelve year old non-profit supporting Chicago artists and the contemporary art community
through exhibitions, publications, professional
development and public programs.
This non-profit supports the
development of Chinese contemporary art from Greater China by providing a creative platform that nurtures
artistic talents and brings them to the international stage -
through numerous international collaborations.
The present exhibitionconsiders Teng's influence as both a cultural interpreter and an
artistic practitioner on the
development of Tobey's distinctive
artistic practice and —
through Tobey — on the discourse on abstraction in midcentury American art.
Blue Sky, the Oregon Center for the Photographic Arts, is a nonprofit exhibition space and community research center dedicated to educating the public about photography
through exhibitions, public programs, and publications, and dialogue; and to further the careers and
artistic development of the artists shown.
The Maryland Institute College of Art (MICA) presents «Counternarratives: Performance and Actions in Public Space,» an exhibition curated by students in MICA's Exhibition
Development Seminar (EDS) that highlights significant performative actions, both
artistic and political, from 1955 to the present
through a global timeline installation and commissions of new performances in local public spaces.
Similarly, his frequent adoption of «outmoded» media both provides him with a diverse
artistic palette and a means of questioning the past century's faith in progress
through technology and the avant - garde promise of continual
artistic development.
For more than 30 years, UBW has continued to use dance as both the message and the medium to bring together diverse audiences
through innovative choreography, community collaboration and
artistic leadership
development.
Sound art has a long lineage that can be traced back to the Futurist manifesto and
through to subsequent movements and genres, such as Fluxus, Conceptual art and performance art, and up to the most recent
artistic uses of the latest
developments in new technologies.
My
artistic practice draws upon a curatorial approach and manifests in the
development of longstanding discursive projects that think
through the infrastructures of justice, militarism, histories of sanitation, and theater.
Funded by the Hong Kong Arts
Development Council (HKADC) and private donations, it seeks to establish and maintain a platform for artists and other art practitioners to realize their vision in relation to their immediate and extended communities
through the production of
artistic works, exhibitions and curatorial projects as well as
through dialogue, critical analysis, publications, research, education and cultural exchange.
Humphrey's
artistic style went
through several phases and
developments, which can be roughly outlined in the following way: monochromes from 1957 — 60; frame paintings 1961 — 65; shaped canvases 1967 — 70; constructed paintings 1971 — 1990.
Today's funding trends such as Creative Place - making, made possible
through partnership enterprises among foundation, governmental, and financial - sector support, such as ArtPlace America, are concentrated on giving art and artists opportunities in diverse communities yet also require artists and arts organizations to think
through an entrepreneurial frame by integrating their initiatives into their community's economic
development and community revitalization strategies and having the potential to attract additional private and public support of the community.3 Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of
artistic interventions?
From the French Revolution to recent
developments in Egypt, the ability for minority voices to spread ideas, concerns, and add to the social dialogue
through artistic expression is a vital aspect of any democracy.
Feeley's distinguished tenure at Bennington from 1939 to 1966 enabled his own
artistic development through formative friendships with Lawrence Alloway, Gene Baro, Anthony Caro, Clement Greenberg, Kenneth Noland, Jules Olitski, Jackson Pollock, and David Smith.
This initiative aims to create cross-generational connections and professional
development through the practices of mentorship, networking and
artistic and discourse production, with the aim of continuing this process in subsequent years around the world.
A unique dynamic was happening that night; this circle of painters are all tied to Benjamin, making his show in a sense autobiographical, as he charted the
development of his own
artistic practice
through these artists.
He does this by incorporating fragments of human
development from primitive to today's high - tech society
through the usage of found photographs, which he has collected over years and which forms part of his
artistic practice.
The story unfolds in loose chronological order
through ten chapters, outlining moments of cultural and
artistic revolution that shaped the
development of American Art,
through the lens of Sandler's close, interpersonal relationships with artists such as Chuck Close, Elizabeth Murray, Richard Serra, and Cindy Sherman.
In response to the pervasive current psychological state of people, trapped in an unthinking addiction to rapid
development and technological innovation, Liu Jianhua tries to awaken a traditional spirit
through his
artistic creation.
Through a series of contemporary art exhibitions, the collaborations between DESTE and these institutions aim to promote new and radical
developments in contemporary art practice and introduce important
artistic innovations to a wider public.
He is currently
Artistic director of one of the most important urban
development projects in Europe, the Lyon «Rives de Saône - River Movie», and has been named recently as co-
artistic director to the Grand Paris Express project - France's largest urban redefinition
through culture initiative since Haussmann.
The programme is first and foremost concerned with the acquisition and application of knowledge
through reflective
artistic practice, and with the creation,
development and the constant evaluation and dialogue to develop successful ideas suitable for the production of animated movies.
Merce Cunningham's dedication to pursuing the use of new technologies
through his practice made him a central figure not only to the
development of new forms of dance making but also to a community of artists who used the projected image as a mode of performance and
artistic practice.
From 1997 — 2016, the Foundation's Art Education program provided free opportunities for both emerging youth and young adult artists
through inclusive and diverse arts education programming, while supporting the
artistic development of working painters and sculptors
through teaching opportunities, and professional
development training.