Sentences with phrase «through black culture»

He mines through black culture and stereotypes searching for his unflinching subject matter, depicting daily life scenes like people planting gardens, picnicking and getting haircuts.

The two leads captivate us with strong performances in this simple walk - and - talk film, playing intelligent characters who spend a day together on a date through black culture in America, but the movie is also a bit too respectful and borders occasionally on hagiography.

Empowering an artist whose come up was through black culture but now flies the symbol of black oppression, and giving him six shows and a restaurant right where one of the United States» greatest civil rights demonstrations took place, that can't be love.

Not exact matches

The classic civil - rights movement was determined to reshape America through moral reason; distorted into a twisted parody of itself through the victim culture, it was followed by a moralism self - consciously detached from reason that would prove incapable of calling anyone, black or white, to the great cause of equal justice for all.

But it's a fault line that cuts right through black ¯ and white ¯ culture, dividing the civil from the degrading.

William I. Thomas and Florian Znaniecki, The Polish Peasant in Europe and America (Boston: Gorham Press, 1918 - 20); cf. Herbert Blumer, An Appraisal of Thomas» «The Polish Peasant in Europe and America» (New York: Social Science Research Council, 1939); Ellsworth Faris, «The Sect and the Sectarian,» in The Nature of Human Nature (Chicago: University of Chicago Press, 1938); Liston Pope, Millhands and Preachers, A Study of Gastonia (New Haven, Conn.: Yale University Press, 1940); Raymond J. Jones, A Comparative Study of Civil Behavior Among Negroes (Washington: Howard University, 1939); Arthur H. Fauset, Black Gods of the Metropolis (Philadelphia: University of Pennsylvania Press, 1944); J. F. C. Wright, Slava Boku, The Story of the Dukhobors (New York: Farrar & Rinehart, 1940); Ephraim Ericksen, The Psychological and Ethical Aspects of Mormon Group Life (Chicago: University of Chicago Press, 1922); Edward Jones Allen, The Second United Order among Mormons (New York: Columbia University Press, 1936); Robert Henry Murray, Group Movements Through the Ages (New York: Harper & Bros., 1935); David Ludlum, Social Ferment in Vermont, Columbia Studies in American Culture, No. 5 (New York: Columbia University Press, 1939).

While she celebrates and emphasizes black women's culture and way of being in the world, Walker simultaneously affirms black women's historic connection with men through love and through a shared struggle for survival and for a productive quality of life (e.g., «wholeness»).

- Nothing But the Wax is an online magazine devoted to «telling the untold stories of black millennials through culture, fashion & beauty».

Despite their chemical imbalances and their poor impulse control, I predicted three quarters of them were going to live through the penal system, as they glorified and sought to admire and emulate the people and tenets of black culture that were going to put them in prison, destroy their interpersonal relationships, and leave them undesirable in the marketplace.

Even the supposedly «constructivist» factors of history, culture and religion have objective bases — these elements make Ukraine a pliable space for Russia to extend influence, and also contain historical narratives tying Ukraine to Russia's geopolitical safety (from the 18th through the 20th centuries, Russia has very often engaged threats from the West and South primarily in the broader Ukrainian / Black Sea region).

A common model says that people encountering a new culture go through highs and lows, with a honeymoon period in which differences are exciting, followed by phases of culture shock and adjustment before mastering the new culture (Black et al., The Academy of Management Review 16, 291 (1991); bit.ly / 1t9TRhw).

We thought that idea was something that simply needed to be explored - especially since there's much buzz about black women not engaged and getting married in today's modern culture and making interracial relationships through interracial dating sites!

The country's culture of secrecy and isolationism is an important and fascinating part of its larger mythos, but it's one that Black Panther purposefully inspects and challenges through the various drives and goals of its characters.

Like so many other American, Hollywood movies, it tells a story of black culture through the eyes of white characters, and it celebrates white characters that are brave and wise enough to open up to African - Americans.

The Manhattan Institute's John McWhorter, for example, contrasts African American youth culture with that of immigrants (including blacks from the Caribbean and Africa) who «haven't sabotaged themselves through victimology.»

Pulling wisdom and tactics from his ASCD book of the same title, Kafele will equip attendees with strategies to address the plight of the black male learner through the climate and culture of the school and classroom.

The schools catered to otherwise marginalized black students through their curricula, programming and culture.

Ryan Fellows learn how to lead a successful school through the objectives of the Accelerate Framework: Change Management, High - Performing Team, Constructive Environment, Aspirational Environment, Data - Driven Culture, and Black Belt Teaching.

Emily and Katie, an unusual pair straddling black and white cultures, become close and look after each other through the years.

This spring, the Serpentine presents the first European solo exhibition of American artist Sondra Perry (b. 1986, Perth Amboy, New Jersey), who explores the intersection of black identity, digital culture and power structures through video, media, installation and performance.

THE SHELDON MUSEUM OF ART at the University of Nebraska, Lincoln is presenting four exhibitions that offer a visual journey through black history, culture and politics over the past century.

At Gavin Brown's Enterprise, the filmmaker Arthur Jafa unveiled «Love Is the Message, the Message Is Death,» which weaves existing music and mostly found footage into a wrenchingly beautiful meditation on black life, family and culture in America — a seven - minute - long life - changer through Dec. 17.

Rather conversations about what it means through individualism to be black, geographic differentiations in culture.

So, for example, through Punk; or through Black diasporic and Queer cultures of the 80s.

American artist Hank Willis Thomas discusses his work and the construction of black identity through popular culture.

Earlier audio - visual installations range from Baltimore (2003), which, in part through the stylisations of black action movies from the 1970s, looks at the histories, divisions and intersections of black and white cultures, through to his trilogy comprising True North (2004), Fantôme Afrique (2005) and Western Union: Small Boats (2007), all of which deal with themes of voyaging and cultural displacement on both a local and global scale.

Pruitt, a masterful draftsman who has described his work as coming «from the evolution and convergence of pop culture, science fiction, and Black revolutionary culture,» has nearly 20 large - scale conté - crayon drawings on view through Oct. 27 in Robert Pruitt: Women at the Studio Museum Harlem in New York.

, which considered Hip - Hop cultures through the lens of Queer and Black Feminist theory.

Focusing on new stories within the diaspora, each artist contributes their own vision about post-modern society through the state of current black culture.

For noted art historian and author James A. Porter, Charles White was one of the great interpreters of the history and culture of black Americans: «Charles is an artist steeped in life; and his informed artistic vision conduces to an understanding of vivid pictorial symbols which, through large as life itself, are altogether free or false or distorted ideas or shallow and dubious emotion.»

Rather than following the necessarily destructive drive of Modernism, both Black and Lowman's work engages the possibility of generating new meaning through recuperation and the language of repetition, mining a shared culture and art historical field.

From 1982 to 1984, Adrian Piper staged a number of happenings or participative actions under the title Funk Lessons through which she educated a wide audience about the African roots of this music genre and therefore the history of the black culture.

With emphasis on black culture and its representations, Lawson gives careful attention to lighting and pose to transform and intensify representations of power and liberation through personal and intimate space.

The Schomburg Center for Research in Black Culture advances the knowledge of the global black experience through dynamic programs and exhibitBlack Culture advances the knowledge of the global black experience through dynamic programs and exhibitblack experience through dynamic programs and exhibitions.

Later works are enriched by imagery drawn from indigenous American culture, and in the 1950s, Tobey put himself through intensive training in Japanese Sumi techniques, using opaque black ink thrown and splashed in a controlled way onto paper: these are among the most striking pictures in the exhibition.

Through Dec. 30 at the Schomburg Center for Research in Black Culture, Manhattan; 917-275-6975; schomburgcenter.org.

He quickly gained notoriety in the international art world for work that collapsed the divide between the sacred and the profane, taking aesthetic inspiration from his African heritage (Ofili's parents emigrated to London from Nigera) as well as the European branch of African culture as filtered through centuries of colonialism and subjugation: gangster rap, blacksploitation movies, the caricature of the «black pimp,» and so on.

He's interested primarily in the investigation of the construction of black identity through popular culture in the 17th and 18th century but also in the more recent times.

Through this installation and performance, he continues «a series of experiments in materiality and sound, exploring the fading in and out of culture, and the erasure of predominately black cultural spaces.»

Eric Mack: Impossible Architectures Sonja Haynes Stone Center for Black Culture and History at University of North Carolina / through January 6

, an exhibition that examines evolving perspectives of Black identity in American culture and history from 1912 to 2016 through rare historical printed media shown in dialogue with contemporary works of art.

The Presidential Library Project: Black Presidential Imaginary addresses the long history of representations of a black president of the United States in visual culture, both comedic and aspirational, through contemporary art installation and institutional archBlack Presidential Imaginary addresses the long history of representations of a black president of the United States in visual culture, both comedic and aspirational, through contemporary art installation and institutional archblack president of the United States in visual culture, both comedic and aspirational, through contemporary art installation and institutional archives.

Foregrounding Black bodies, identity, and culture through photography, filmmaking, and music, he works beyond the gallery walls to «make blackness as universal as whiteness.»

In 1997, Montague founded the non-profit Wedge Curatorial Projects, which promotes themes of culture and identity in art — particularly within the diasporic African and Black communities — through exhibitions, lectures and discussions.

Boris Groys called the Black Square «an open window through which the revolutionary spirits of radical destruction could enter the space of culture and reduce it to ashes.»

«Creative Time Global Residency: Reports From the Field», New York, NY, December 3, 2013 «Urban Imprint: The Art and Science Shaping Our Cities,» hosted by The University of Chicago, Jazz at Lincoln Center's Frederick P. Rose Hall, New York, NY, November 14, 2013 «Cultural Investment: Creating a Civic Identity Through the Arts,» CityLab: Urban Solutions for Global Challenges, NYU Skirball Center for the Performing Arts, New York, NY, October 7, 2013 «One State Together in the Arts» One State Illinois Conference, Quad Cities, IL, June 24, 2013 «Theaster Gates in Conversation with Romi Crawford,» Black Collectivities, Museum of Contemporary Art, Chicago, Chicago, IL, May 4, 2013 «LINC Legacy and Advancements in the Field,» hosted by the Ford Foundation, May 2013 «Constituency Engagement — Culture - Initiated Redevelopment: Strategies in Innovative Constituent Engagement,» Association of Black Foundation Executives, Palmer House Hilton Hotel, Chicago, IL, April 6, 2013 «Creating Heat - The Artist as Catalyst: Theaster Gates at TEDxUNC,» University of North Carolina at Chapel Hill, Chapel Hill, NC, February 9, 2013 «Building CapaCity Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 26, 2013 «Creative Resilience Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 25, 2013 «Transformative Art: Theaster Gates,» World Economic Forum Annual Meeting, Davos, Switzerland, January 23, 2013

Chubarov considered himself a heir of the Russian «archaic» culture, drawing a parallel between his technique and the ideas of Malevich's «Black Square»: «In my plastic I am intuitively looking for proportions of relationship between black and white inherent to «Black Square», ratios of curvature of the surfaces and the absolute white, hanging of the structures, occlusions and sudden breakthroughs of white through the thrill of white and black matter.&rBlack Square»: «In my plastic I am intuitively looking for proportions of relationship between black and white inherent to «Black Square», ratios of curvature of the surfaces and the absolute white, hanging of the structures, occlusions and sudden breakthroughs of white through the thrill of white and black matter.&rblack and white inherent to «Black Square», ratios of curvature of the surfaces and the absolute white, hanging of the structures, occlusions and sudden breakthroughs of white through the thrill of white and black matter.&rBlack Square», ratios of curvature of the surfaces and the absolute white, hanging of the structures, occlusions and sudden breakthroughs of white through the thrill of white and black matter.&rblack matter.»

Anchored by recent gifts from Gund Gallery Board Member David Horvitz «74 and his wife Francie Bishop Good to the Gund Gallery Collection, this Gund Associate (intern)- curated exhibition offers a gendered lens through which to view 20th century civil rights activism so that we may better understand the roots and the aspirations of the political consciousness generated by Black liberation art, ephemera and digital culture today.

Through Cannon's personal anecdotes and their joint analyses of selected works by artists who have relationships to both places, Cannon and Nichols will examine the ways in which the black body creates meaning as it moves through these two cityscapes, the transmission of that meaning between the two cities through 20th Century migrations, and its impact on contemporary visual cThrough Cannon's personal anecdotes and their joint analyses of selected works by artists who have relationships to both places, Cannon and Nichols will examine the ways in which the black body creates meaning as it moves through these two cityscapes, the transmission of that meaning between the two cities through 20th Century migrations, and its impact on contemporary visual cthrough these two cityscapes, the transmission of that meaning between the two cities through 20th Century migrations, and its impact on contemporary visual cthrough 20th Century migrations, and its impact on contemporary visual culture.

Black Women / Black Lives explores the symbolic and narrative portrayal of Black women in art and material culture inspired by Civil Rights and Black liberation movements of the 1960s through our own 21st century moment.