Kim approached Garbo
through body casts of an actual couple, identified as Sean and Susan.
Not exact matches
From the opening section, which finds Harry fending off an attack by Dementors in a storm sewer near his neighborhood and running afoul of wizard rules prohibiting spell -
casting in the presence of Muggles,
through the installation of a chillingly polite authoritarian named Dolores Umbridge (Imelda Staunton) as Hogwarts» new Defense Against the Dark Arts teacher and future grand inquisitor, to the near - collapse of the wizard world's governing
body, the increasingly ossified and timid Ministry of Magic, Phoenix is steeped in a mix of fear and futility confirmed by the movie's visuals, photographed by cinematographer Slawomir Idziak.
The dome light even works!The heater works and is operated by a switch mounted to the bottom edge of the dash just below the ignition switch.It has an older radio that still works.Drivetrain: The engine is a very good running 350 with an Edelbrock aluminum 4 barrel intake manifold, electric choke 750cfm Edelbrock carburetor, a pair of new chrome valve covers and air cleaner, factory
cast iron exhaust manifolds running
through dual exhaust and has a great sound.The transmission is the original 4 speed manual that shifts good, the clutch feels good and doesn't slip and engages easily.The rear end is the factory 12 bolt and the front axle is a Dana 44 with 3.07 gears front and rear so it will cruise down the highway with ease.Suspension: There appears to be around a 3» lift block on the rear and around a 2 - 3»
body lift.It has a full set of Rancho shocks front and rear, as well as Rancho steering stabilizer shocks on the front axle.The power steering feels nice and tight and steering feel is very nice.The power brakes work great and stop the truck well.
An unexpected accident traps her in a
body cast, which leads her to find freedom
through art.
FENOMENO sets Sendor's elusive
cast in motion, broadening the fantasy that threads
through this expanding
body of work.
«
Through incisive considerations of site, history, biography, and portraiture, Beverly Buchanan (1940 — 2015) produced landmark
bodies of work, including
cast concrete and mixed - media sculptures, drawings and books, and evocative paintings and photographs.
He is creating an evolving language based on typographical alphabets, but deliberately declines to offer an accompanying dictionary.Parts of his sculptures often resemble the human
body: tongues, limbs, eyes, and
casts of his family's fists appear among the forms — directly referring to our
bodies as we move
through the gallery and around his works.
Drawing on images that range from childhood snapshots to photographs of his most recent gallery installations, this book traces the evolution of Gormley's work, from the drawings he makes every day in the studio,
through the constantly evolving process of
casting his own
body in various forms, to the ultimate expression of his ideas in such masterpieces as the colossal Angel of the North or the scattered figures of Another Place.
Artist Jeremy Popelka telegraphs feelings from his stay in Thailand
through color and texture in his diverse
body of
cast - glass pieces.
This talk follows Robert Henri's journey from the dissection room at PAFA,
through endless studies from the nude at the Académie Julian, and back to (reluctantly) drawing from
casts at the École des Beaux - Arts before coming to his own «unscienced» approach to the
body, which developed into increasing formalised pedagogy at the Charcoal Club in Philadelphia and the New York School of Art.
Josephsohn employed plaster and lost - wax bronze
casting to create a
body of sculptural forms that emerge
through his careful and intuitive manipulation of materials.
(London, UK) In the installation «From My
Body Comes,
Through Your
Body Goes», 2009 — 2012 materials such as brightly coloured towels, bronze
cast plaques, black umbrellas, gold coated rubber and collaged tourist T - shirts are deftly combined to suggest unspecified symbolic meanings.