The best - case scenario is when I'm painting, it feels as if I'm feeling that object
through the brushstroke, or I'm reimagining what it means to be that object, in paint, so a lot of what I'm after is this correspondence between the object and the paint mediated through me.»
The vision of the painter and the subjects that they depict are figured
through brushstroke, color and texture.
But unlike the artists of whom Wilde wrote — who see the world
through the brushstrokes of other painters until, via their own brushstrokes, they compel the world to reproduce the types they have invented — Bloom wants to claim that Shakespeare's invention of human types came from himself and himself only, from a «preternatural ability,» without relying «on authority, or authorities.»
He believes in letting his subconscious reveal
itself through brushstrokes, commenting: «I savour slips of the hand that express one's unconscious feelings about the person being painted» — a risqué strategy when painting politicians!
From now on, painting would have to reflect on exactly what it means to present reality
through brushstrokes.
By placing groups of female figures — or the solitary ones — in the distance, tucked behind flowers or in off - beat locations in scenes partially obscured
through brushstrokes, Iliatova creates a state of ambiguity.
Not exact matches
Also, tasty popsicles on the High Line, Van Gogh's delicious
brushstrokes at the Met, morning and evening walks
through Central Park, and a bit of summer thunderstorms thrown into the mix.
The story is wafer thin; it is the most positive spin on Barnum's life told
through very broad
brushstrokes, and whenever someone is about to do a bit of real acting (starting to get vaguely emotional) they spontaneously burst in to song!
With regrets to Pierre Thoretton's understated but chilly L'amour fou, which comes at its subject
through the reminiscences of his lifelong professional and personal partner Pierre Berge, Bonello's project is almost certainly the most fetching (thanks in no small part to costume designer Anais Romand), marrying a contemporary fixation on the limits of biographical storytelling with the sort of impressionist
brushstrokes the Matisse devotee might have appreciated.
It is incredible that someone could convey so much humanity, simply
through a few clever
brushstrokes.
A big canvas called Magic Hour is an exuberant, semiabstract landscape seen
through a framework of loosely painted
brushstrokes.
Her portraits are defined by precise outlines, expressive
brushstrokes, and her use of color to bring out the personalities of her subjects, particularly
through their clothing.
These deft
brushstrokes do not simply deposit paint; the stiff bristles cut
through the thinned paint, combing it over and into the still - wet pigment beneath.
The painting could be read as twist on the idiom «breeding like rabbits,» fusing innocence, eroticism, humor, and death
through the artist's frenetic
brushstrokes.
However, the gestural
brushstroke, the evidence of fingers being dragged
through the paint, or a drip of contrasting color, breaks the viewers interaction and draws them in to examine the intricate evidence of the artist's hand at play.
Her explorations of form and composition, color and gesture give rise to a compelling language of abstraction where her ideas and feelings about the inner life are projected
through organic shapes and energetic
brushstrokes.
Five paintings structured after works by Kandinsky and Malevich — McElheny's Crystalline Prism Painting I, II, III, IV, and VI — feature press - molded and polished glass prisms inset into a field of black, matte oil paint
brushstrokes, visible behind or
through a surface made of a sheet of «museum glass».
Bold
brushstrokes tear
through delicately painted passages, producing intricately layered tumultuous surfaces.
Working in tactile layers with impassioned, energetic
brushstrokes, Brown relishes the fluid, viscous properties of the medium, conjuring flickering human traces
through abstract painterly dynamism.
On occasion, the downward flow from one
brushstroke pushes
through the stroke below it, creating an avalanche that threatens to sweep away much of the subsequent mark.
This spontaneous activity was the «action» of the painter,
through arm and wrist movement, painterly gestures,
brushstrokes, thrown paint, splashed, stained, scumbled and dripped.
Entitled Tworkov Paints a Picture, the piece walked readers
through Tworkov's approach to painting and demystified abstraction by presenting it as a deliberate process in which an artist uses color, line, and flame - like
brushstroke to express a subject, much like in figural representation.
The compositions feature large clumps of broad back - and - forth gray and white
brushstrokes — think of whitewashed windows or rubbed - out chalk on blackboards —
through which wander black spray - painted lines of varying thickness that suggest bent rebar or mangled wire coat hangers.
The result is at once a strikingly resonant contemporary and yet evanescent image, that
through the collage of canvas also engages with the history of distorted form and the constructive
brushstrokes of post-impressionist painting.
In these works, his process produces a timeless effect: the swirling
brushstrokes could be the winds of antiquity blowing
through one of Tintoretto's Venetian archways.
His four decades of «
Brushstrokes» ran
through January 12, 2002, at Mitchell - Innes & Nash.
«He shocked his contemporaries with loose
brushstrokes and vibrant colours,» says art critic Alastair Sooke as he walks
through galleries at Tate Britain, an institution he describes as «the storehouse of Turner's artistic legacy».
The layering of different colors of paint
through his repetitive
brushstrokes allowed him to explore both subtle shifts in color, and bold palette changes.
Studying their paintings in museums, he started from digitally manipulated photographs and
through his characteristic approach created images that allow recognition of the original artwork, but still making visible details of the complex surface, the tactility of the paint, the
brushstrokes and the pattern of the canvas.
Through his use of gestural
brushstrokes, Paul created inherent motion within his works, leading many art historians to name him the first action painter and a precursor to the abstract expressionists of the 1950s.
Honoring traditional Asian arts
through her use of Hanji paper, Korean silk, and calligraphic
brushstrokes, she plays with iconography and symbols that have been classified as «foreign» such as blue and white china patterns, fortune cookies (which originated in California but are identified as Chinese), Korean fans, and floating dragons and intermingles them with references to Pop and southern folk art.
Her practice began with her early studies of New York Abstract Expressionism and American Minimalism and developed into a highly refined vocabulary that merges traits normally thought to be irreconcilable: gestural
brushstrokes reminiscent of early influences like Willem de Kooning; precise geometric compositions evoking Josef Albers; and a palette reduced
through Donald Judd - like discipline.
Though many artists share a comparable approach in portraying the painted subject, Yanai works within a different cognitive space; He paints with fine and calculated
brushstrokes in an existential manner, with every mark laid down
through a detailed application, keeping layering to a minimum.
Through the influence of pop - culture, books, art history, but most importantly nature, Smith's abstract paintings are often created by minimalistic tools, such as loose
brushstrokes in his Rain Paintings, or form camouflage - style patterns, resembling Andy Warhol's production, in his Tigres series.
As contemporary art and culture continue to evolve, Davis and Joseph illuminate lesser - known vantage points
through works where, like Davis»
brushstrokes, the aesthetics are just the beginning of a story that extends much deeper than art.
This kinetic composition is composed of visceral markings, each with their own energy, held together as a collective
through the connection one
brushstroke has with another.
Kline's reduction of palette was indeed instrumental in the development of his individual style among the Abstract Expressionists as it allowed him to more fully explore form
through line and
brushstroke, seeking to define space and movement in an abstract idiom.
He observes, for example, the way in which the artist worked
through composition or
brushstroke and he reconstructs the work using his own visual language.
Through lush
brushstrokes and a graphic sensitivity, her understanding of color and pattern imbue her work with passion and magic.
In this body of work the artist explores themes of women's subjugation, home, and loss
through an exuberant palette and painterly
brushstroke.
Through amazing technical skills, she makes memorable faces characterized by clean
brushstrokes.
Through the use of bold, gestural
brushstrokes and colors, she attaches personal emotions to imagery like those of the animals or portraits of humans, evoking both simplicity and the complexity of expression.
American Impressionism began to come into its own in the late 19th century, at a time when American collectors began to value the style of French Impressionists, and appreciate their depictions of every - day middle class life,
through the use of natural light and flickering
brushstrokes.
While Rogers continues to de-stabilize and undermine his paintings
through his layers upon layers of veils of watery colorful depth asserting themselves against concentrated solid formations, drips, daps, and splashes, he creates an immediacy found in Abstract Expressionism and a fluidity of action with a definitive
brushstroke.
Here the interview with Max Frintrop (1982, Oberhausen, Germany), who analyzes the spatial properties of color and form building abstract compositions
through heavy
brushstrokes.
While her paintings go
through a reductive process on a careful palate, her
brushstrokes are nuanced and intentional.
Each painting depicts a lush landscape that's visible only
through the narrow «window» of a single, unpainted swipe in the shape of a
brushstroke.
The first Lichtenstein gallery show since 1997, Roy Lichtenstein:
Brushstrokes, Four Decades will be on view at the Madison Avenue gallery from November 1, 2001
through January 12, 2002.
Applying pigments to his canvases using a palette knife, he began to saturate his paintings with expressive swathes of luminous color achieved
through wide, rhythmical
brushstrokes, which he then contrasted with raw, but graceful, lines that pulsated with emotion — a practice that he would continue to pursue for the remainder of his career.
She and the gallery parted ways — neither felt is was the right match — and those double - sided paintings have now been embraced by curators for the way they form a meticulous duet of surfaces, with
brushstroke on one side bleeding
through to factor into the composition on the other.