Not exact matches
This group — ranging from classic Untitled Film Stills of the late 1970s to untitled «prosthetic» works of the 1990s — privileges specific instances in which Sherman adopts or stages —
through the collision of multiple photographic,
cinematic, and narrative
conventions — heightened states of emotional distress and psychological anxiety.
Just's pictures are notably conjured
through the manipulation of both social and
cinematic convention; his use of appropriation mutates to bend the
conventions of mainstream Hollywood productions while building from their structure.
Drawing from desire, oneirism, and a fantasized depiction of nature, Prouvost's immersive films and installations challenge the relationship between language and understanding
through complex stories and surreal moments with her unusual approach to
cinematic conventions and imagery.