Universal Orlando ® is a rip - roaring journey
through cinematic history with attractions dedicated to Despicable Me, Transformers and The Mummy.
With a photographer's eye, a philosopher's curiosity, and a searing intellect, Stanley Kubrick's films have cut a distinctive path
through cinematic history with a scope that is still hard to estimate.
A walk
through cinematic history, guided by its major writers.
Not exact matches
Together we walk
through the five best slashers in
cinematic history, but first we had a couple of arguments to settle.
The Marvel
Cinematic Universe was once accused of dishing up the same rinse - and - repeat origin story over and over again — and while Feige will protest (and has) that each Marvel movie has had its own individual flavor (Thor was a stab at Shakespeare; The Winter Soldier riffs on 70s paranoia thrillers), the franchise has been finding more solid footing in its endeavor to remix all of popular film
history through the lens of superheroes.
The Oscar - winning writer, who worked on the script for Skyfall after Neal Purvis and Robert Wade, revealed that he is combing
through Bond's
cinematic and literary
history for the new Daniel Craig - led movie.
As with all franchises, even the stand - alone movie, which was intended to be an one - off affair, is viewed
through rose - tinted glasses, a shining chapter in the
cinematic history books.
His
cinematic language is steeped in his deep understanding and
history of his art form, and that comes
through in every passionate frame.
Filtering his unique vision
through a wealth of
cinematic history, his movies are filled with endless references and allusions to other films.
Inspired by Martin Scorsese's journeys
through US and Italian cinema, French filmmaker Bertrand Tavernier investigates his own country's
cinematic history.
Deakins is given the keys to the kingdom here and every moment of Jesse James looks like mythology pulled
through a
cinematic loom, often leaving the edges of the frame lanolin - indistinct as they trail off into
history.
I parked somewhere in the vicinity of where I needed to be, ran
through a shopping mall asking directions on the fly, found the theater, plunked my money down and sat in what has to have been the most uncomfortable chair in
cinematic history to watch Young Adam.
I Am Not Your Negro (Raoul Peck, 2016) Raoul Peck's journey of author and activist James Baldwin's exploration into the
history of American racism
through the three men that inspired him — Medgar Evers, Martin Luther King, Jr., and Malcolm X. Director Peck blends Baldwin's words, documentary footage and
cinematic images to create a contemporary narrative of The Otherness of Black and White America.
Thankfully, Mustang fans - both those old enough to remember McQueen's Mustang GT390 dicing with a Dodge Charger
through the streets of San Francisco and those younger ones for whom the Bullitt concept served as a
cinematic and automotive
history lesson - clamored for a production version, and Mustang engineers quickly got to work.
This is the first time in franchise
history that fans will be able to play
through this type of
cinematic story in a Street Fighter game.
These media form a threshold
through which Jasper explores the dissonance between imaginary and fragmented
cinematic space and the physical experience of architecture, and in his work he also excavates
history through postcolonial and experimental anthropological lenses.
Kobena Mercer has appropriately referred to this generation of «
cinematic activists» as being engaged with the cultural struggle that takes place within the «domain of image - making»
through self conscious
cinematic strategies.6 In each instance, the individual filmmakers and voices that make up the collectives, workshops, and groups that formed in this tumultuous period in Britain's cultural
history give shape to an image of race otherwise mediated by outside entities.
True North's counterpart, Fantôme Afrique, weaves
cinematic and architectural references
through the rich imagery of urban Ouagadougou, the centre for cinema in Africa, and the arid spaces of rural Burkina Faso, and is punctuated by archival footage from early colonial expeditions and landmark moments in African
history.
Internationally acclaimed artist Stan Douglas» engaging work explores social
histories played out
through a complex,
cinematic televisual language.
Robert Arndt's work suggests a manner of reading the object / subject under a diversiform of presentations, styles, subjectivity, and institutional structures
through art and
cinematic history.
This sculpture highlights Bhabha's long - term interest in revisiting the
history of figurative sculpture
through the time machine of contemporary
cinematic science fiction and horror.
Smith interweaves the figure of the crow
through the
histories of these two cities, both of which were key stations on the Underground Railroad and innovators in early
cinematic and 3D optical technologies.