Sentences with phrase «through contemporary art installation»

The Presidential Library Project: Black Presidential Imaginary addresses the long history of representations of a black president of the United States in visual culture, both comedic and aspirational, through contemporary art installation and institutional archives.

Not exact matches

From his earliest works, Mellors has explored themes tied to contemporary society, from mediation and cultural systems, to technology, art and civilization through the use of video, installations, puppets and animatronics equipped with an irreverent and cutting irony.

The show resonates with her 2015 exhibition Lives on Wire at the Institute of Contemporary Arts, where she created a site - specific installation, repurposing a resistor mechanism from an old cinema organ to produce rainbow strobes that transformed the gallery through shifting coloured light.

The gallery cultivates an interdisciplinary program through emphasizing contemporary art including: painting, photography, sculpture, installation, new media, and video.

Through paintings, drawings, sculptures, installations and documentation, the exhibition will trace the development of Ibrahim's practice and its enduring influence on contemporary art in the UAE.

[33] Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197Art in the mid-1960s through the 1970s.

The exhibition will examine the complicated relationship between contemporary art and theatre through a series of events and interventions within a specially constructed installation.

It continues with works from the world's leading innovators in the arts, as they break through thresholds of space, memory, sound, and genre — from Philippe Parreno who, in his largest exhibition in the U.S. to date, transforms the presentation of visual art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson, and Jamie xx as they create a new contemporary ballet; to avant - garde performance artist Laurie Anderson who, through a site - specific installation in the Armory's drill hall, will expand upon her work with storytelling and technology to create a site - specific environment that serves as a meditation on time, identity, surveillance and freedom; and finally to Igor Levit and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational performance that reflects upon music, time, space, emptiness, and luminosity.

Through a collaborative approach, these artists create installations and video inspired by ancient Japanese art as well as contemporary anime.

Performa: New Visual Art Performance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live installation, new technologies, film and video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, and Gelitin.

The Korean Cultural Center Washington, D.C. presents The Prismatic, a new contemporary art exhibition that explores the universal human tension between self and other, individual and group, and private and public, through innovative mixed media and installation works from seven accomplished artists.

In addition to auctions, Christie's Post-War and Contemporary Art department organises selling exhibitions and private sales of fine paintings, drawings, photographs and installations by a wide range of artists and schools from early Abstract Expressionism through to the present day.

Paintings, sculptures, works on paper, and installations by 35 contemporary artists will be exhibited in the galleries of the American Academy of Arts and Letters on historic Audubon Terrace (Broadway between 155 and 156 Streets) from Thursday, March 8 through Sunday, April 8, 2018.

Through the 1970s the place of painting at the leading edge of the visual arts was challenged by developments in conceptual art, installation art, sculpture, video and performance (see Contemporary Trends in Art; Video Arart, installation art, sculpture, video and performance (see Contemporary Trends in Art; Video Arart, sculpture, video and performance (see Contemporary Trends in Art; Video ArArt; Video ArtArt).

Female but maybe not Feminist, Biscayne Times, Victor Barrenechea, October 2008 Susan Lee - Chun Artist Profile, Theme Magazine, May / June 2008 Miami Contemporary Artists, Clear Magazine, April / May 2008 Voices, NY Arts, February / March 2008 Asian Artists on Display in BMOCA Exhibits, Boulder Daily Camera, Jenny Bergen, February 22, 2008 Urban Art Access: Art Basel Miami Beach, December 2007 Art Basel Miami Beach Notebook: A Party for the Arty, Economist, Jessica Gallucci, December 2007 Miami Contemporary Artists Book, Julie Davidow & Paul Clemence, November 2007 Susan Lee - Chun, H Magazine (Spain), Pedro Paricio, November 2007 Hurricane Project I, El Nuevo Herald, Adriana Herrera, Sept. 30, 2007 Los grabados de Goya inician una interesante temporada, El Nuevo Herald, Adriana Herrera, Sept. 16, 2007 Eight make the cut, Miami Herald, Daniel Chang, September 15, 2007 To the Brink and Back, Miami New Times, Carlos Suarez de Jesus, September 13, 2007 Body Double: Through a lens starkly, LA Times, Holly Myers, September 12, 2007 Ever more galleries in Wynwood, Miami Herald, Brett Sokol, September 7, 2007 Optic Nerve IX: MOCA Review, Miami Art Guide, Michelle Weinberg, September / October issue No. 10 Visual Power, Miami Herald, Tom Austin, August 5, 2007 Snitzer show brings 59 Homegrown Artists together, Miami Herald, Elisa Turner, July 22, 2007 Wynwood Gallery Installations show the District «Artistic Heart, Miami Herald, Brett Sokol, July 13, 2007 Stop at X, Broward & Palm Beach New Times, Michael MIlls, April 26, 2007 Asian Style and Taste, LA Times, Scarlet Cheng, January 11, 2007 Banquet Art Exhibition at Pacific Asia Museum, The Epoch Times, Dan Sanchez, Dec. 10, 2006 Critic's Pick, Miami Herald, Elisa Turner, December 8, 2006 Almost Famous, Ocean Drive Magazine, October 2006 Young at Art, Miami Herald, Elisa Turner, September 10, 2006 Galleries & Museums, Chicago Reader, September 8, 2006 Home Groan, Miami New Times, Carlos Suarez De Jesus, August 16, 2006 Cuatro Artistas en Casa, El Nuevo Herald, Jose Antonio Evora, August 8, 2006 Urban Sprawl, Sun - Sentinel, Emma Trelles, July 30, 2006 Exploring Urban Life With Art «WLRN ArtStreet with Meredith Porte, July 2006 Around Town, Coral Gables Living Magazine, June / July 2006 Five Years and Going Strong, Design Miami Magazine (vol.1, No. 2), Tiffany Chestler, May 2006 Metro - Pictures, Miami Herald, Elisa Turner, May 14, 2006.

Through the 2014 State of the Art: Discovering American Art Now exhibition, the museum introduced 102 artists who live and work in communities all over the U.S.. We're continuing that effort in 2018 through new installations and the upcoming exhibitions, The Beyond: Georgia O'Keeffe and Contemporary Art and Native North America, both organized by Crystal BThrough the 2014 State of the Art: Discovering American Art Now exhibition, the museum introduced 102 artists who live and work in communities all over the U.S.. We're continuing that effort in 2018 through new installations and the upcoming exhibitions, The Beyond: Georgia O'Keeffe and Contemporary Art and Native North America, both organized by Crystal Bthrough new installations and the upcoming exhibitions, The Beyond: Georgia O'Keeffe and Contemporary Art and Native North America, both organized by Crystal Bridges.

The Museum of Contemporary Art, Los Angeles offers up Adrián Villar Rojas: The Theater of Disappearance, featuring the artist's site - specific installation inside The Geffen Contemporary at MOCA's warehouse space, on view through May 13.

Is the occasion to discover during an urban wandering the contemporary African art scene through all the media: paintings, photos, installations, videos, sculptures, sound creations...

On the wall: Helmar Lerski, From the series: Metamorphosis through light, 1935/1936, Foreground: Ronald Jones, Untitled (This trestle was used to hold bodies...), 1990, Courtesy and Jean - Pierre Lehmann Collection, Installation view KW Institute for Contemporary Art, 2017, Photo: Frank Sperling

This November in London, the international contemporary art exhibition «Here Today...» explores the current state of our environment through diverse perspectives and media: painting, installation, wallpaper, sound, video, dance, music, sculpture and photography.

Change Agents will share new models for contemporary art practice through site - specific installation and a one - day practicum open to all creatives.

A pivotal figure in contemporary art from the early 1970s until his untimely death in 2013, Sekula continuously questioned the function of the documentary genre and the consequences of global capitalism through his critical writings, photographic installations, videos, and films.

[1] To that end, this exhibition explores the expanded field of painting through a wide range of works in a variety of media (i.e., installation, video, sculpture, and painting) that provide fertile territory for examining the legacy and meaning of painting and painterly practices in contemporary art today.

Sculptor Virginia Overton was granted the second commission in Storm King Art Center's new «Outlooks» series of site - specific installations; her 400 - foot - long brass sculpture, undulating over the parkland's organic curvature, is on view through November — and her work also features in «FlatRock,» a solo exhibition at the Museum of Contemporary Art North Miami, through July.

«Erik van Lieshout» (through October) and the long - term installations by Fransje Killaars and Dré Wapenaar are at the Massachusetts Museum of Contemporary Art, 87 Marshall Street, North Adams, Mass.; [phone], massmoca.org.

Amanda has had solo exhibitions and site - specific installations at the Museum of Contemporary Art, Chicago and The Art Institute of Chicago, as well as several site - specific public art installations through the City of Chicago's Department of Cultural Affairs, the Pulitzer Arts Foundation's PXSTL project in St Louis, and Monique Meloche GalleArt, Chicago and The Art Institute of Chicago, as well as several site - specific public art installations through the City of Chicago's Department of Cultural Affairs, the Pulitzer Arts Foundation's PXSTL project in St Louis, and Monique Meloche GalleArt Institute of Chicago, as well as several site - specific public art installations through the City of Chicago's Department of Cultural Affairs, the Pulitzer Arts Foundation's PXSTL project in St Louis, and Monique Meloche Galleart installations through the City of Chicago's Department of Cultural Affairs, the Pulitzer Arts Foundation's PXSTL project in St Louis, and Monique Meloche Gallery.

Dávila was recently awarded the BALTIC Centre for Contemporary Art's new annual Artists» Award and in October 2017, the Getty Foundation awarded the Los Angeles Nomadic Division a grant for Dávila to create a major public installation as part of the Getty's Pacific Standard Time: LA / LA initiative, the exhibition is ongoing through May 2018.

The Way We Live Now presents the work of 13 artists examining the interplay between modernist architecture and contemporary art through site - specific installations and existing works.

The exhibition brings together seminal paintings, photographs and installations that provide an overview of the artistic, socio - economic and political concerns of post-war Germany, a time period when these artists were reconciling with the trauma of war, finding a national identity and constantly pushing the limits of modern and contemporary art, through to the present day.

In an exhibition that runs until the 19th of June, VISUAL the multi-disciplinary arts centre in Carlow, Ireland Recreating The Pastoral brings together a ra series of installations where Yinka Shonibare MBE has juxtaposed elements of elaborate 18th and 19th century European dress and courtly behaviour with contemporary political sensitivities expressed through his use for Dutch wax cotton cloth, itself a culturally ambitious material replete with a colonial history of appropriation.

Contemporary artist Daniel Arsham will re-imagine the High Museum of Art's interiors with three interrelated installations on view March 4 through May 21, 2017.

From Friday, April 10 through Sunday, April 12, 2015, prominent national and international art dealers and galleries will exhibit painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artists at the sixth annual Dallas Art Fair located in the revitalized downtown Arts Distriart dealers and galleries will exhibit painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artists at the sixth annual Dallas Art Fair located in the revitalized downtown Arts DistriArt Fair located in the revitalized downtown Arts District.

After the Miami art fair closes, a selection of installations will remain on view in Collins Park through February 1, 2016 as part of «tc: temporary contemporary», a city - wide temporary public art program presented by the Bass Museum of Art in partnership with the City of Miami Beaart fair closes, a selection of installations will remain on view in Collins Park through February 1, 2016 as part of «tc: temporary contemporary», a city - wide temporary public art program presented by the Bass Museum of Art in partnership with the City of Miami Beaart program presented by the Bass Museum of Art in partnership with the City of Miami BeaArt in partnership with the City of Miami Beach.

The curator at Touchstones Rochdale selected a larger glass piece and a group of smaller ceramic vessels from the installation to acquire through the Contemporary Art Society's Omega Fund.

The Botín Foundation's collection is focused primarily on contemporary fine art and comprises paintings, drawings, sculptures and installations by renowned international artists such as Miroslaw Balka, Tacita Dean, Carlos Garaicoa, Mona Hatoum, Joan Jonas, Jannis Kounellis, Julie Mehretu, Antoni Muntadas, Gabriel Orozco, and Juan Uslé, among others; pieces from the collection are usually showcased through thematic temporary exhibitions in the galleries on the upper floor of the west wing.

By positioning experimental figures from the history of art alongside contemporary photographers, this week's selection celebrates the past, present and future of creative practice through topical performance, installation and images.

Stacey Gillian Abe's installation at 1 - 54 Contemporary African Art Fair, which runs May 4 through 6 at Pioneer Works, the cultural center in the borough's Red Hook neighborhood, would be provocative in any context, but given the patriarchal traditions of her native Uganda, its subject matter is all the more challenging: the objectification of women, and the sexual satisfactions of women.

The video architecture of the installation space at The Cosmopolitan was originally designed by Rockwell Group and realized through compelling digital narratives produced in collaboration with Digital Kitchen, digital art by renowned contemporary artists curated in partnership with Art Production Fund and generative content that is algorithmically determined as it is being displayart by renowned contemporary artists curated in partnership with Art Production Fund and generative content that is algorithmically determined as it is being displayArt Production Fund and generative content that is algorithmically determined as it is being displayed.

«UC Santa Cruz's Institute of the Arts and Sciences (IAS) will present a dramatic, four - screen video installation in San Francisco, hosted and co-sponsored by Minnesota Street Project (MSP), the city's new contemporary art venue, from May 20 through June 24.

Through his early experiments with phototext canvases, his conceptually - rich video art work of the early 70s, and his distinctive photo collages and installations of the 80s, Baldessari helped define and shape the landscape of contemporary art.

September 12, 2017 at 6 pm to October 13, 2017 at 5 pm — 460 Park Avenue, 6th Floor Tuesday, September 12th through Friday, October 13th, 2017 Opening Reception: Tuesday, September 12th, 2017 6 - 8 PM Organized by Gallery Korea of the Korean Cultural Center New York Gallery Korea... Organized by Gallery Korea Type: contemporary, art, installation, interactive, visual

It was bound for installation at the 1 - 54 Contemporary African Art Fair New York (running from May 4 through 6 at Pioneer Works in Red Hook, Brooklyn)-- a long way from its roots and a far cry from its role in combat.

A gallery employee walks through Yinka Shonibare's maze installation entitled «Jardin d'amour» at the Parasol unit for contemporary art on March 7, 2011 in London, England.

ABOUT HOUSE OF TREES House of Trees is an arts collective working to expand the public appreciation and understanding of contemporary art through the production of murals, performances, installations, and other high - visibility publicly engaged artworks.

But she had an extraordinary installation also at this place called the Piazza Stampalia, which is a museum of decorative arts, where her work was installed through the museum, where her work was the very contemporary work with these other decorative objects from, you know, 17th, 18th, 19th Century.

A visitor walks through Yinka Shonibare's maze installation entitled «Jardin d'amour» at the Parasol unit for contemporary art on March 7, 2011 in London, England.

Exhibitions include Inverleith House, Edinburgh (2004); «Robert Therrien: Table and Six Chairs,» Public Art Fund, New York (2005); «A New Installation by Robert Therrien,» Albright - Knox Art Gallery, Buffalo, NY (2006); Museum of Contemporary Art, San Diego (2007); «Robert Therrien: Works on Paper,» Kunstmuseum Basel, Switzerland (2008); «Robert Therrien: Drawings,» Scottish National Gallery of Art, Edinburgh (2010); De Pont Museum, Tilburg, The Netherlands (2011); «Robert Therrien: Selections from the Broad Collection and the Los Angeles County Museum of Art,» LACMA, Los Angeles (2011); Albright Knox - Art Gallery, Buffalo, NY (2013); «Artist Rooms: Robert Therrien,» Tate Modern, London (2009, traveled to National Galleries of Scotland, Edinburgh; Tate Liverpool, UK; Metropolitan Arts Center, Belfast, Ireland; and Paxton House, Berwick - upon - Tweed, UK, through 2015); The Contemporary Austin, TX (2015); «Robert Therrien: The Power of the Image,» Denver Art Museum, CO (2016); and «Robert Therrien: Works 1975 — 1995,» Parasol unit foundation for contemporary art, London (201Art Fund, New York (2005); «A New Installation by Robert Therrien,» Albright - Knox Art Gallery, Buffalo, NY (2006); Museum of Contemporary Art, San Diego (2007); «Robert Therrien: Works on Paper,» Kunstmuseum Basel, Switzerland (2008); «Robert Therrien: Drawings,» Scottish National Gallery of Art, Edinburgh (2010); De Pont Museum, Tilburg, The Netherlands (2011); «Robert Therrien: Selections from the Broad Collection and the Los Angeles County Museum of Art,» LACMA, Los Angeles (2011); Albright Knox - Art Gallery, Buffalo, NY (2013); «Artist Rooms: Robert Therrien,» Tate Modern, London (2009, traveled to National Galleries of Scotland, Edinburgh; Tate Liverpool, UK; Metropolitan Arts Center, Belfast, Ireland; and Paxton House, Berwick - upon - Tweed, UK, through 2015); The Contemporary Austin, TX (2015); «Robert Therrien: The Power of the Image,» Denver Art Museum, CO (2016); and «Robert Therrien: Works 1975 — 1995,» Parasol unit foundation for contemporary art, London (201Art Gallery, Buffalo, NY (2006); Museum of Contemporary Art, San Diego (2007); «Robert Therrien: Works on Paper,» Kunstmuseum Basel, Switzerland (2008); «Robert Therrien: Drawings,» Scottish National Gallery of Art, Edinburgh (2010); De Pont Museum, Tilburg, The Netherlands (2011); «Robert Therrien: Selections from the Broad Collection and the Los Angeles County Museum of Art,» LACMA, Los Angeles (2011); Albright Knox - Art Gallery, Buffalo, NY (2013); «Artist Rooms: Robert Therrien,» Tate Modern, London (2009, traveled to National Galleries of Scotland, Edinburgh; Tate Liverpool, UK; Metropolitan Arts Center, Belfast, Ireland; and Paxton House, Berwick - upon - Tweed, UK, through 2015); The Contemporary Austin, TX (2015); «Robert Therrien: The Power of the Image,» Denver Art Museum, CO (2016); and «Robert Therrien: Works 1975 — 1995,» Parasol unit foundation for contemporary art, LoContemporary Art, San Diego (2007); «Robert Therrien: Works on Paper,» Kunstmuseum Basel, Switzerland (2008); «Robert Therrien: Drawings,» Scottish National Gallery of Art, Edinburgh (2010); De Pont Museum, Tilburg, The Netherlands (2011); «Robert Therrien: Selections from the Broad Collection and the Los Angeles County Museum of Art,» LACMA, Los Angeles (2011); Albright Knox - Art Gallery, Buffalo, NY (2013); «Artist Rooms: Robert Therrien,» Tate Modern, London (2009, traveled to National Galleries of Scotland, Edinburgh; Tate Liverpool, UK; Metropolitan Arts Center, Belfast, Ireland; and Paxton House, Berwick - upon - Tweed, UK, through 2015); The Contemporary Austin, TX (2015); «Robert Therrien: The Power of the Image,» Denver Art Museum, CO (2016); and «Robert Therrien: Works 1975 — 1995,» Parasol unit foundation for contemporary art, London (201Art, San Diego (2007); «Robert Therrien: Works on Paper,» Kunstmuseum Basel, Switzerland (2008); «Robert Therrien: Drawings,» Scottish National Gallery of Art, Edinburgh (2010); De Pont Museum, Tilburg, The Netherlands (2011); «Robert Therrien: Selections from the Broad Collection and the Los Angeles County Museum of Art,» LACMA, Los Angeles (2011); Albright Knox - Art Gallery, Buffalo, NY (2013); «Artist Rooms: Robert Therrien,» Tate Modern, London (2009, traveled to National Galleries of Scotland, Edinburgh; Tate Liverpool, UK; Metropolitan Arts Center, Belfast, Ireland; and Paxton House, Berwick - upon - Tweed, UK, through 2015); The Contemporary Austin, TX (2015); «Robert Therrien: The Power of the Image,» Denver Art Museum, CO (2016); and «Robert Therrien: Works 1975 — 1995,» Parasol unit foundation for contemporary art, London (201Art, Edinburgh (2010); De Pont Museum, Tilburg, The Netherlands (2011); «Robert Therrien: Selections from the Broad Collection and the Los Angeles County Museum of Art,» LACMA, Los Angeles (2011); Albright Knox - Art Gallery, Buffalo, NY (2013); «Artist Rooms: Robert Therrien,» Tate Modern, London (2009, traveled to National Galleries of Scotland, Edinburgh; Tate Liverpool, UK; Metropolitan Arts Center, Belfast, Ireland; and Paxton House, Berwick - upon - Tweed, UK, through 2015); The Contemporary Austin, TX (2015); «Robert Therrien: The Power of the Image,» Denver Art Museum, CO (2016); and «Robert Therrien: Works 1975 — 1995,» Parasol unit foundation for contemporary art, London (201Art,» LACMA, Los Angeles (2011); Albright Knox - Art Gallery, Buffalo, NY (2013); «Artist Rooms: Robert Therrien,» Tate Modern, London (2009, traveled to National Galleries of Scotland, Edinburgh; Tate Liverpool, UK; Metropolitan Arts Center, Belfast, Ireland; and Paxton House, Berwick - upon - Tweed, UK, through 2015); The Contemporary Austin, TX (2015); «Robert Therrien: The Power of the Image,» Denver Art Museum, CO (2016); and «Robert Therrien: Works 1975 — 1995,» Parasol unit foundation for contemporary art, London (201Art Gallery, Buffalo, NY (2013); «Artist Rooms: Robert Therrien,» Tate Modern, London (2009, traveled to National Galleries of Scotland, Edinburgh; Tate Liverpool, UK; Metropolitan Arts Center, Belfast, Ireland; and Paxton House, Berwick - upon - Tweed, UK, through 2015); The Contemporary Austin, TX (2015); «Robert Therrien: The Power of the Image,» Denver Art Museum, CO (2016); and «Robert Therrien: Works 1975 — 1995,» Parasol unit foundation for contemporary art, LoContemporary Austin, TX (2015); «Robert Therrien: The Power of the Image,» Denver Art Museum, CO (2016); and «Robert Therrien: Works 1975 — 1995,» Parasol unit foundation for contemporary art, London (201Art Museum, CO (2016); and «Robert Therrien: Works 1975 — 1995,» Parasol unit foundation for contemporary art, Locontemporary art, London (201art, London (2016).

The exhibitions, running through to December 10, 2017, feature selections from Canada's Indigenous Art Collection, one of the most important and comprehensive collections of contemporary Indigenous art in the world, and a new video installation by 2Ro MedArt Collection, one of the most important and comprehensive collections of contemporary Indigenous art in the world, and a new video installation by 2Ro Medart in the world, and a new video installation by 2Ro Media.

In 2013, the Hall Art Foundation opened a long - term installation of sculpture and paintings by Kiefer in a specifically repurposed 10,000 square - foot building on the campus of the Massachusetts Museum of Contemporary Art that will be on view through 2025.

The exhibition is organized by NSU Art Museum under the direction of Bonnie Clearwater in conjunction with the Hall Art Foundation, which in 2013 opened a long - term installation of sculpture and paintings by Kiefer in a specifically repurposed 10,000 - square - foot building on the campus of the Massachusetts Museum of Contemporary Art that will be on view through 2025.