Sentences with phrase «through curatorial research»

The Modern promotes understanding and interest in art and artists through curatorial research and publications, and a variety of educational programs, including lectures, guided tours, classes, and workshops.

Not exact matches

The specific mission and environment differ at each venue, highlighting curatorial nodes of the overall exhibition project: strategies of display via an encyclopedic museum (LACMA), pedagogy — or methods of teaching — through a school (Charles White Elementary School), and artist research at an artist residency complex (18th Street Arts Center).

With a focus upon contemporary art since the 1960s, MUMA seeks to establish the museum as a dynamic site for cultural production, pedagogy and participation — through exhibitions, collection development, curatorial research, publishing, and academic and community engagement.

In addition, the UB Art Galleries provides professional training for graduate and undergraduate students through internships and curatorial opportunities, and support faculty and student research.

The ADAA Foundation, a distinct but connected entity to the ADAA, was established in 1971 to encourage and promote the appreciation of art and art history through its support of vital scholarship and curatorial research.

Join List Center curatorial research assistant Emily Watlington for a guided tour through An Inventory of Shimmers: Objects of Intimacy in Contemporary Art.

In fact, the curatorial team is sharing the delight of all aspects of the exhibition, from the design process to the curatorial research, through the International's website.

While assessments of the Pre-Raphaelite movement remain largely London - centric, this exhibition draws on enlightening new research — supported through the Art Fund's Jonathan Ruffer curatorial grant — to assert that Liverpool was in fact a key northern hub during the Victorian era.

Residents are provided with administrative, curatorial, and professional support to explore and expand the scope of their artistic practice through research, dialogue, and production of new projects.

The less than reliable curatorial voice from Powhida's future proposes an authoritative account of our present and near future through institutional forms — wall texts, videos, an exhibition catalogue, as well as fictional works of art, speculative drawings, and research - based diagrams, that point to the ways exhibitions shape and reflect histories.

Made possible through a five year - grant from the Keith Haring Foundation, the Keith Haring Fellowship is a cross-disciplinary, annual, visiting Fellowship for a scholar, activist, or artist to teach and conduct research at both the Center for Curatorial Studies and the Human Rights Project at Bard College.

Made possible through a five - year grant from the Keith Haring Foundation, the Haring Fellowship is an annual award for a scholar, activist, or artist to teach and conduct research in the Center for Curatorial Studies and the Human Rights Project.

Made possible through a five year - grant of $ 80,000 per year, the Keith Haring Fellowship is a cross-disciplinary, annual, visiting Fellowship for a scholar, activist, or artist to teach and conduct research at both the Center for Curatorial Studies and the Human Rights Project at Bard College.

She is the founder of Temporary Art Platform, a curatorial platform that aims to shift artistic and curatorial discourse towards social and contextual concerns in Lebanon through residencies, research projects and commissions.

This trend has followed me through my curatorial career, and has had a defining impact on my research interests and teaching that increasingly tend towards cultural or diaspora studies using web technology.

Honored for his long - term, passionate commitment to supporting artists throughout their careers, for his prolific curatorial and writing career, and for his insight which he shares through his research, exhibitions, writings, and pioneering work at White Columns.

→ CIMAM's Travel Grant Program supports individuals» curatorial and research development through their attendance to the Annual Conference where the most current concerns on contemporary art practices are being discussed.

As co-curator of street art exhibition and Prospect P. 3 + site ExhibitBE, Lydia researched and documented the history of the blighted apartment complex in which the work was created to guide the curatorial process, managed community programming and daily operations, and, after the exhibition closed, coordinated the #PaintWhereItAint Tour through which several ExhibitBE artists traveled across the southwest United States to collaborate with artists in other cities on community - centered public art projects.

CIMAM's Travel Grant Program supports individuals» curatorial and research development through their attendance at the Annual Conference.

Funded by the Hong Kong Arts Development Council (HKADC) and private donations, it seeks to establish and maintain a platform for artists and other art practitioners to realize their vision in relation to their immediate and extended communities through the production of artistic works, exhibitions and curatorial projects as well as through dialogue, critical analysis, publications, research, education and cultural exchange.

Through a rigorous curatorial process of research, creative collaboration and interdisciplinary partnerships, the galleries showcase excellent artistic practice and high - quality art, while supporting experimentation and innovation.

Introducing the work of critically important, but under - recognized, black artists to the canons of modern and contemporary art through both research and curatorial practice.

Centre for Contemporary Art CCA fosters a wide range of artistic, curatorial, and critical practices through five collaborative and process - driven streams: research and production, exhibition - making, public programmes, publishing, and residencies.

The new senior structure comes at a time when the Institute has ambitious plans to expand its curatorial and research programmes through the establishment of a new Sculpture Triennial developed with Yorkshire Sculpture Triangle partners.

Currently, Bridget's research focuses on the status of the image in contemporary culture in a twofold manner — exploring the spaces for the projection of images and our interface with images through curatorial projects such as The Cinemas Project (2011 - 14, and ongoing), which explores the spectral spaces of cinema in regional Australia; and through a growing body of writing and research that seeks to understand the changing technologies of the image, and the convergences of the body and image in relation to political philosophy as well as art practice.

Over the last two decades Gasworks has worked with over 250 artists from 70 countries around the world.The archive and networks of the international artist residency programme at Gasworks will form the basis of a fieldwork study, from which a curatorial research project will be established and result in a number of public interactions and engagements, through panel discussions, events, exhibitions, publications and online forums.

We joined in order to explore the curatorial practice through exhibition, research and collaboration.

This series includes correspondence, notes, research, documentation for various exhibitions of Hopper's work, and other material generated in Whitney Museum curatorial offices in relation to Edward Hopper from the 1940s through the 1990s.

Touring DL: FEB 8th, 2016 Sheffield Fringe is an artist - led curatorial project initiated to explore the intersection of art & documentary practices, through screenings, talks, exhibitions and research.

This richly illustrated companion book to an exhibition at the Getty Research Institute and Kunsthalle Bern is a virtual collection catalogue for that imaginary institution, tracing the evolution of his curatorial method through the materials he collected and produced while researching and organising his exhibitions, including letters, drawings, personal datebooks, installation plans, artists» books, posters, photographs, and handwritten notes.

Through their research, writing, lectures, and curatorial projects, Donahue and Ortiz share insight informed by extensive experience in this field as practicing artists, artist facilitators, dedicated disability rights advocates, and most significantly in building and co-managing a studio for eighty self - taught artists with developmental disabilities in Nevada.