I shall take this opportunity to remind people that here is a seeking of the sacred hydrological truth
through dialectic.
Here it is a seeking of the sacred hydrological truth
through dialectic.
Through the dialectic between the felt and the thought, Wheatley suggests that the moral positioning of the spectator incites moral thoughts, which do not embed prescribed moral judgments.
For as much as he pillories Rousseau, Bell also rebuffs Hegel and his notion of progress
through a dialectic driven by world - historical leaders, seeing it as a destructive paradigm precisely because of its faith in elite influence.
Nevertheless, inasmuch as each articulated one side of a basic religious polarity, they are necessarily complementary visions the solution to such historical oppositions and antagonisms is, therefore, a dialectical one — not in the Hegelian or Marxian sense of dialectic, but
through a dialectic which acknowledges both sides of those paradoxes intrinsic to the religious situation.
Not exact matches
Think that
through with Boolean and drop the
dialectic for a change.
One wonders why Niebuhr did not see the
dialectic preserved
through ongoing renewal in the life of the Church.
your brain is relatvely soo simple and therefore its comprehension is also very limited, you believe in evolution so religion itself is an evolutionary process.Even atheism also evolved, The arguments today is just part of the evolutionary process of change
through dialectecal methods.The moment humans begin to understand and appreciate the
dialectics then the solution to the problems argued is near.
Yet now the analogies emerge more tentatively
through (not in spite of) the various languages of radical negative
dialectics.
Solzhenitsyn's work takes such sweeping
dialectics to task as symptomatic of the modern predilection to reduction
through abstraction.
Modernity, with its enthronement of «progress
through technology» is, however, the concrete economic, social, political, cultural, and ecclesial orders against which liberation theologies direct their intellectual and religious
dialectics.
Does that mean I'm
through with my
dialectic?
Lastly, testimony calls for interpretation
through a more fundamental
dialectic, the
dialectic of the witness and the things seen.
Through courtship and flirtation, inspiration and seduction, a new
dialectic is introduced into the dance: approval, admiration, and regard require keeping lovers apart at the beholding distance, yet the original sexual instinct drives toward fusion.
... «46 «The tradition corrects itself
through additions, and these additions themselves constitute a theological
dialectic.
What little I accomplish seems to get accomplished
through a peculiar
dialectic of laziness, malice, and self - centeredness.
Thus the Hegelian proposition turns into its opposite
through Hegelian
dialectics itself: All that is real in the sphere of human history becomes irrational in the process of time, is therefore irrational by its very destination, is tainted beforehand with irrationality; and everything which is rational in the minds of men is destined to become real, no matter how much it contradicts existing apparent reality.
The
dialectic between his being and his being - not - yet is the pain and power of history.23» The future that is God's is «a power which already qualifies the present —
through promise and hope,
through liberation and the creation of new possibilities.
(Remember that the
dialectic of the Republic started with Forms, moved
through them, and ended with them.)
Hegel's
dialectic — the movement of the concept — is a pervasive, systematic theme which resonates
through his analysis of any subject matter.
Luther's use of
dialectic («man is totally free... man is absolutely bound») to reach the existential affirmation that it was only
through grace that man could take the smallest step at all towards anything spiritually good, enunciated with Luther's dogmatism, seemed to be an attack on the whole civilised Christian tradition of good letters: devoted, refined and peaceful.
Altizer's concept of the
dialectic and Teilhard's law of complexity - consciousness are the basic patterns
through which the temporal factor is introduced.
The first one is the grammar stage, and that tends to be around grades 1
through 5 - ish, and then the next stage is the argumentative stage or the
dialectic stage, and that's grades 6
through 9 - ish or so, and then the rhetoric stage which is 9 or 10 all the way up to 12th grade.
This is a film of many layers, and writers Anna Boden and Ryan Fleck cleverly introduce the theory of
Dialectics — the process of change
through opposing forces.
Through Educar Para Vivir we approach the teaching - learning process from the adjacent
dialectic of multidisciplinary issues that Global Citizenship Education enable us to build.
And how can mining this
dialectic through the act of painting help illuminate and analyze the human and material conditions of contemporary life?
The
dialectic nature of becoming and decaying, appearing and disappearing points in both directions at the same time: the past and the future, a framework that mirrors the entire inaugural exhibition with its promise of an auspicious future while digging
through the past.
But there are surely echoes and affinities between the writing and thinking promoted by Alfred H. Barr Jr. at the Museum of Modern Art, by Albert Gallatin with the publications of his Gallery of Living Art at New York University, by Duncan Phillips
through the Phillips Collection and books such as his 1937 The Leadership of Giorgione, and by John Graham (who exhibited at the Phillips Collection) with his eccentric underground classic, System and
Dialectics of Art.
This recurrent interrogation of the male / female
dialectic aligns Bourgeois with the Feminist movement, but her work has also been examined
through the lens of Abstract Expressionism, as she exhibited with artists such as Robert Motherwell, Jackson Pollock, and Mark Rothko.
The Korea Society's current exhibition of Korean ceramics presents the work of eight living artists
through such a familiar opposition, implying that the
dialectic between ancient practices and demands for innovation is at the core of contemporary ceramic art's concerns.
From chaos to immateriality, passing
through a curious and absurd
dialectics between opposites.
In the catalogue essay which accompanies this exhibition, Dr. Jennifer Newton Hersh states: «Von Wiegand's mature works reflect her core beliefs: the universe is a single living substance; life is the expression of a
dialectic process based on opposites; the goal of living is to achieve oneness; and reality is reached by progressing
through stages toward higher states of consciousness.»
Graham's influence was disseminated further
through his seminal text, Systems and
Dialectics of Art (1937), which affirmed the American modernist belief about art — that it is a creative process of abstraction, it is a form of communication independent of any imitation, and it reveals the unknown.
Through his avowed inability to remember, Mike Kelley ultimately implicates a Benjaminian
dialectic: that there is no document of civilization that is not at the same time a document of barbarism.
Sleepwalkers is an attempt to develop a
dialectic process between artist and audience in «exhibition making» as it asserts itself
through the interaction of chance and reciprocity.
Carrow's sculptural installation embodies a mindful approach towards found objects and assemblage that present a
dialectic between past and present
through the use of mass - produced tools, appliances and toys from the pre-digital age.
Plato's philosophy was expressed and transmitted
through dialogue, having in its origin the
dialectic, that is, the «path between ideas» that is drawn methodologically
through oppositions and contradictions of ideas, which lead us to new ideas.
His projects, in various media, include a rethinking of AIDS and otherness using the figures of the pinprick and the glory hole; meditations on «the residual space of the American / Vietnam War» (comprising works on the squatting body as counter-architecture, military desertion as askesis, and surfing); a video essay on the site / non-site
dialectic instigated by Robert Smithson's reception of Edgar Allan Poe (with a little help from Yvonne Rainer); a reconsideration of Marcel Duchamp's oeuvre as an discourse in ethics (as seen
through Étant donnés); and «squatting projects» in various cities (Berlin, New York, Chicago, Vienna, Guangzhou, Hong Kong), where the squatting body, as a heuristic cipher, is conjugated by an interpretation generated by the conditions of each location.
Once the traditional
dialectic is disrupted, the «Other» is no longer recognisable
through empirical referents, thus resulting in an unfixed understanding of the self.
Early works from the 1990s are brought into a dialogue with recent paintings, demonstrating that the entire work follows a
dialectic that discards the conventional distinction between abstraction and representation, and instead treats the subject of each painting in such a formalised manner that it becomes a mere artefact, a transformation of reality into a pure and autonomous expression
through painting.
They presented themselves as being engaged with Marxism, with
dialectics, and they say that one could intervene
through colour and basic forms without the need for figuration.