Sentences with phrase «through disorienting»

The works thus straddle the private and the commercial through disorienting compressions of space and deep attunement to patterning and color.
Bruguière's abstract light exposures of paper cutout constructions from the late 1920s, on the other hand, resonate with Demand's photos of the Lautner models in their willing confusion of perceived space through a disorienting investigation of abstract forms, light, and shadow.
GDM — Grand Dad's Visitor Center is an exhibition that unfolds through disorienting spaces and paradoxical settings: a beauty parlor, mirrored walls and surfaces, tilted and angular rooms, dark and twisting corridors, an area where tea is served and a karaoke zone.
Our family floundered and then fought our way through a disorienting maze of treatments and programs, desperately trying to find the best help possible for Dan.
This means that before you get too comfortable with the godless world you long for, you will be required by the logic of any consistent skepticism to pass through the disorienting wilderness of nihilism.

Not exact matches

Yet, looked at through the initially disorienting but ultimately corrective lens of Scripture itself, what is more pure and lovely than the Cross?
When they landed at the United Church of Santa Fe, they often felt lost and disoriented, as if they had gone through multiple intimate relationships.
Players are thrust into the loud, intense, and athletic experience of racing a car from the driver's perspective through the combination of perception based G - forces, the hyper reality of the cockpit view, and the all - new brutally disorienting crash dynamic.
A triumphant, cleverly disorienting journey through a demimonde that springs entirely from Mr. Tarantino's ripe imagination, a landscape of danger, shock, hilarity, and vibrant local color.
Much as he downplays the human overseers of the park, Côté never obscures his own hand in the proceedings: The disorienting reverse shot of the drawing woman through the stuffed beast's antlers is the first of countless droll (and uncomfortable) compositions that forces us to wonder if documentarians and spectators are really so far from taxidermists after all.
«Glory» tells the story of the 54th Regiment largely through the eyes of Shaw (Matthew Broderick), who in an early scene in the film is seen horrified and disoriented by the violence of the battlefield.
But it's not a simple switch in perspective: In seeing through her forgetful fish - eyes, you realize how terrifyingly disorienting it is to be Dory.
Director Tony Scott then provides a characteristically over-the-top visual illustration that attempts to convey the disorienting exotica of a strange, violent land through imagery that looks like the Mexican sequences in Traffic played at quadruple speed.
As she passes through, there is a disconcerting and disorienting cut to the doors» electric mechanism operating as they open and close again — and Suzy is out, in the harsh elements, soaked and alienated and struggling to hail a taxi.
The problem, however, is that it's filmed like absolute dogshit; the gimmick of filming most of it through the GoPro car cameras is combined with extremely disorienting and hyperkinetic editing to make the car chases nearly incomprehensible.
There's always something jutting or crashing into the frame as the camera follows our beset heroine through the violent maze her house has become; it's all rigorously disorienting, leading to a Grand Guignol climax of liturgical bloodletting and beastliness that constitutes the most unapologetic turn away from the real in a studio film since the frogs fell in Magnolia.
What attracted critical minds like Jacques Rivette, Eric Rohmer, and others to Nicholas Ray and his oeuvre — bored stiff as they were by the risk - averse, respectable, and ultimately neutered «cinema of quality» — was the stamp of the personal and the element of danger they discerned in his films, whether that meant the improvisatory handling of actors with a touch deft enough to coax remarkable performances out of even non-professionals; the «superior clumsiness,» cited by Rivette in «Notes on a Revolution,» resulting in «a discontinuous, abrupt technique that refuses the conventions of classical editing and continuity»; or the purely visual flourishes Ray relished — ranging from the sweeping, vertiginous helicopter - mounted shots in They Live By Night to disorienting, subjective POV compositions like the «rolling camera» during a car crash halfway through On Dangerous Ground, its very title indicating the source of Ray's critical appeal.
Its major debit is the jerky, unbalanced narrative structure, which begins in distinct chapters and then, over halfway through, tries to interweave the strands, leading to some disorienting time jumps.
Most of the film is through the eyes of Jennifer Lawrence, and we share her confusion and disoriented state.
Which is not to say the movie's devoid of direction: The filmmaker drops a few nuggets of plot early on to set Aydin's disoriented state in motion, and steadily builds toward a payoff that brings it full circle: While Aydin is driving through his land with his assistant, a child throws a rock at their windshield, prompting confrontation with the boy's disgruntled father.
Upon awakening, Colter is engaged by Christina (Michelle Monaghan), who calls him Sean and acts like they're acquaintances, a fact that disorients and panics Colter, whose confusion further amplifies when an explosion rips through the train and he awakens again — after a voyage through an imagistic swirl — in a dark, tiny cabin.
A disorienting Yves Saint Laurent biopic that feels like chasing the fashion icon through a maze of mirrors.
I flipped through it and it was actually a bit disorienting reading a BLU title suddenly notably larger, though snazzy all the same.
It was a bit disorienting at first trying to wrap my head around the game's unique control scheme, but by the end of the stream, I felt really good about controlling my character through the game's various stages.
During this, I noticed that the camera was a bit disorienting as it would follow you, especially when jumping around, but it was easy to get used to as I progressed through the game.
However, after running through its mind - bending campaign, I walked away disoriented, but fulfilled by the riddles I had managed to solve.
Though this design choice may annoy some players, I think it was a smart move to keep players from getting disoriented from walking through each home.
AIRSCAPE: THE FALL OF GRAVITY Developed by Cross-Product Captured from its undersea home by a mechanical alien race, the player — a «Grimpoteuthis abyssicola» (Dumbo Octopus) must journey through a strange and disorienting environment where gravity follows the contours of the land and blobs of water float suspended in the air.
Captured from its undersea home by a mechanical alien race, the player — a «Grimpoteuthis abyssicola» (Dumbo Octopus) must journey through a strange and disorienting environment where gravity follows the contours of the land and blobs of water float suspended in the air.
Adding to that, it fails to do anything meaningful with VR, using it only to create tension through a series of fixed camera angles whose transition are jarring and disorienting.
The Waste Land is a logistical nightmare, spiraling through numerous histories, miming and parodying lines and legends that frequently disorient and frustrate its reader.
Captured from its undersea home by a mechanical alien race, Dumbo Octopus must journey through a strange and disorienting environment while dodging rocket, lasers, and other perils in this gravity - shifting action platformer.
While the overall control experience is decent, it can be disorienting and imprecise when you have to maneuver through tight spaces or engage the enemy.
With edges that look as friable as leftover slices of wedding cake, the paint shards offer a destabilizing context for these disorienting images, so thoroughly imbued with a tenuous «Through the Looking Glass» spirit themselves.
For others, imagining Swedish design for Japanese eyes from faraway Belgium might have been disorienting, but Vershbow embraced the opportunity to communicate across cultures through art.
Through his thematic commonality of quadruple eyed animals, Weldon intentionally disorients the viewing experience by juxtaposing a subject that is impulsively attractive yet eerily disturbing.
The former school building's multiple stairwells allow for various paths through the exhibition — a feature that is liberating if potentially disorienting — but the overall impression is one of totality; of -LSB-.....]
Prager removes the certainty of the omnipotent perspective of the viewer through scale, dramatic cropping, layering, and uncontextualized settings, replacing it with a disorienting awareness of the constructed nature of most «real world» imagery we encounter.
The scintillating effects arising through the calculated layering and juxtaposition of contrasting colors through repetitive line patterns elicit shuttering afterimages, optical flicker, and disorienting sensations of movement.
«Pepe's work is an invasion of the exhibition space: it is a seemingly chaotic assemblage of insultingly «low» materials that disorients the viewer and forces bodily interaction, including, at the very least, stepping around, stooping under, looking up, looking through, and exercising faculties of mind and imagination....
Then guests walked through the «Knee,» a part of Watermill's main building that Wilson designed to be disarming, disorienting — to literally put a visitor off - balance and on the proverbial wrong foot.
Through recent installations that include filmed performances, where projections of the «ghosted» human body wash over sculptural elements, the artist attempts to create an alienating / disorienting illusory effect that reflects an increasing loss of the corporeal gesture in the every day, the infinite attempt at calibrating the body to technology, as well as the entrapment of the human psyche within it; manipulating and playing with memory, space and time.
She explored the dynamism of sight through her art, often producing a disorienting perceptual effect and deceiving the viewer's eye.
Scintillating effects arise through stacked layers of offset line patterns through which contrasting colors are juxtaposed, eliciting fluttering afterimages, optical flicker, disorienting spatial effects, and destabilizing sensations of movement.
Looking through the images for Warsaw's Private Settings, Art after the Internet group survey, curated by Natalia Sielewicz, it's a disorienting trip through a recent and familiar past for any fan of this kind of contemporary art.
Philipsz deliberately selects particular pieces of music to reinterpret vocally and then separates the multiple audio tracks so that the «viewer» experiences different voices as they move through a space, creating a situation in which familiar music is heard differently and the human voice is understood in a radically different and physically disorienting manner.
The journey through is visceral and disorienting — an experience that can surely only approximate the uncertainty and anxiety that must have been rife in these same rooms during air - raid blackouts over half a century ago.
The artist has continued exploring these issues through chalk - on - asphalt portraits made up of multiple Jerome mug shots, disorienting images that were recently on view at Jack Shainman Gallery.
Through subtle adjustments and juxtapositions of hue, scale, and pattern, Nozkowski creates disorienting and engaging relationships that enliven the entire picture plane.
We're a bit disoriented from all the hoops we've had to jump through, but then again so is Su Wei (lead negotiator of the Chinese delegation), who seemed to be in a similar mood during this evening's press briefing, where he revealed a much more jocular, tongue - in - cheek side of himself that was nowhere to be found during Tuesday's briefing.
a b c d e f g h i j k l m n o p q r s t u v w x y z