Sentences with phrase «through documenta»

Moderated by Hans Ulrich Obrist, they engaged in a completely serious, totally generous exchange of ideas on how shifts in the curatorial craft are woven through Documenta's past, present, and future, and through the event's relationship to the wider world.

Music courses through Documenta 14, but there seem to be no clear aesthetic criteria guiding the selections.

(The status of the Sámi is a mini-theme running through Documenta, in works like Synnøve Persen's proposals for a Sámi flag and Keviselie / Hans Ragnar Mathisen's wonderfully detailed hand - drawn maps of Scandinavia with all the familiar place names replaced with Sámi words, which have been perpetuated largely through oral tradition.)

Not exact matches

We have gone through all of Q once and are beginning to go through it a second time, now publishing, at Peeters Press in Leuven, our massive database under the title Documenta Q.

Muholi's Faces and Phases series, which exhibited at Documenta 13, is on view at the Goethe - Institute in Johannesburg, South Africa through January 31, 2013.

Through presentations from artists and curators who participated in or visited dOCUMENTA (13), the evening will look at projects and reflect on their relationionship to social practice right now.

One such example is Einhorn (Unicorn), 1970, which was originally presented at Documenta in 1972; it depicts a woman walking through a field and down a tree - lined path without offering explanation of who she is or how she came to be there.

Juxtaposing installation photographs, catalog essays, and contemporary press accounts, this book documents and analyzes twenty - five exhibitions from 1962 through 2002: Dylaby, New Realists, Primary Structures, Arte Povera + Azioni Povere, January 5 - 31, 1969, When Attitudes Become Form, 557,087, Information, Sonsbeek 71, Documenta 5, The Bulldozer Exhibition, The Times Square Show, A New Spirit in Painting, Les Immatériaux, Chambres d'Amis, Second Havana Biennial, Freeze, China / Avant - Garde, Magiciens de la Terre, Places with a Past, 1993 Whitney Biennial, Traffic, Cities on the Move, 24th Sao Paulo Biennial, and Documenta 11.

teaching (he taught at the well - known Städelschule from 1975 to 2002), and through his participation in international exhibitions (Documenta 3, 6 and 13, the 50th Venice Biennial, etc.).

Her work has also been featured in such international surveys as the Biennale of Sydney (1976); Documenta 6, Kassel, Germany (1977); the Venice Biennale (1978, 1980, 2001), and more recently The Last Freedom: From the Pioneers of Land Art of the 1960s to Nature in Cyberspace, Ludwig Museum, Koblenz, Germany (October 16, 2011); Systems, Actions & Processes: 1965 - 1975, PROA Foundation, Buenos Aires (through September, 2011); Erre: Variations Labyrinthiques, Centre Pompidou, Metz (September 12, 2011 - March 5, 2012); and Light Years: Conceptual Art and the Photograph: 1964 - 1977, Art Institute of Chicago (December 11, 2011 — March 11, 2012).

Through her work with documenta X and Witte de With, she has endeavored to create a conversation with the audience through the ideas, creativity, and processes of aThrough her work with documenta X and Witte de With, she has endeavored to create a conversation with the audience through the ideas, creativity, and processes of athrough the ideas, creativity, and processes of artists.

Through that friendship I went to Documenta in 1968 for the first time where I saw work of Joseph Beuys.

I want to start from here, and from my personal answer (through others» words) to a question that posed us all when Adam Szymczyk chose Learning from Athens as working title for this Documenta 14: What is the legacy of this Documenta 14, and what will be of Athens after all these days?

James Lee Byars» performance Calling German Names was also presented at Documenta 5: from the roof of the Kunsthalle Fridericianum, the artist, shrouded in red fabric, shouted common German first names through a golden megaphone; he was alternately cheered and jeered by student demonstrators below.

2002 Extension, Magasin 3, Stockholm Konsthalle, Stockholm, Sweden Attitude 2002, Contemporary Art Museum, Kumamoto, Japan (catalogue) Documenta 11, Kassel, Germany (catalogue) Spoleto Festival, Charleston, WV, USA 2001 Authentic / Ex-centric: Conceptualism in Contemporary African Art, 49th Venice Biennale, Fondazione Levi, Venice, Italy Unpacking Europe, Boijmans Van Beuningen Museum, Rotterdam, Netherlands; toured (catalogue) The Short Century, Museum Villa Stuck, Munich; toured (catalogue) Art through the Eye of the Needle, Henie Onstad Kunstsenter, Oslo, Norway Give and Take, Serpentine Gallery and Victoria & Albert Museum, London Secret Victorians, Fabric Workshop, Philadelphia, PA, USA Vantage Point, Irish Museum of Modern Art, Dublin, Ireland Sense of Wonder, Herzliya Museum of Art, Israel

At Open Eye Gallery, «Not All Documents are Records: Photographing Exhibitions as an Art Form» looks at three events — Documenta, The Venice Biennale, and Liverpool Biennial — through the lens of photography.

Nikhil Chopra, Drawing a Line through Landscape, 2017, performances, installation, and digital video, Former Underground Train Station (KulturBahnhof), Kassel, documenta 14

Soon, the art world will consider the two countries through the upcoming edition of Documenta, the quinquennial exhibition set for 2017.

Otobong Nkanga's work is similarly manifold, flowing in diffuse, unexpected ways through numerous mediums — it has taken the form of stunning tapestries, photography, and soap - making (as in last year's Documenta 14, in Athens and Kassel, Germany) as it examines the interplay between colonialism and the people, lands, and resources it mines and dominates.

He created the first iteration of Scaffold through a commission from Documenta 13 in Kassel, Germany, in 2012, the same year that the 150th anniversary of the Dakota execution was commemorated with a solemn horse journey from the Lower Brule Indian Reservation to the hanging site in Mankato.

Kassel's Fridericianum, a neoclassical building that typically serves as the central node of Documenta, is occupied mainly by artworks on loan from EMST's collection, and it was impossible to miss the 1978 Gong by Takis — an electromagnet periodically crashes into a huge hanging metal sheet, sending a painful boom through the first floor of the museum.

Working through conceptual and practical considerations, the participants engaged directly with one of ICI's Exhibitions in a Box, Harald Szeemann: Documenta 5.

Along with her participation in documenta 14 in Athens, Greece and Kassel, Germany (April through September 2017), works by the artist will also be included in the ARoS Triennial, ARoS Aarhus Kunstmuseum, Denmark (April 8 through September 10, 2017); Urban Planning: Contemporary Art and the City 1966 — 2017, Contemporary Art Museum, St. Louis (May 5 through August 13, 2017); and Delirious: Art at the Limits of Reason, 1950 — 1980, The Met Breuer, New York (September 12, 2017 through January 14, 2018).

The artist has gained international recognition through his participation in major exhibitions including the Venice Biennale in 1990, Documenta IX in 1992 and again, the Venice Biennale in 1999.

The artist is currently participating in documenta 14 in Athens, Greece (April through July 2017) and Kassel, Germany (June through September 2017).

The artist had gained international recognition through his participation in major exhibitions, including the Venice Biennale in 1990 and 1999, Documenta IX in 1992, and particularly, through his presentation of «Cloaca» at the New Museum, New York in 2002.

Group exhibitions and biennials featuring her work include Documenta 14, Athens, Greece and Kassel, Germany (2017); Radical Women: Latin American Art 1960 - 1985, Hammer Museum, Los Angeles (2017); 18th Sydney Biennale, Australia (2012); DANCE / DRAW, the Institute of Contemporary Art, Boston (2011); ONLINE, Drawing Through the Twentieth Century, Museum of Modern Art, New York (2010); WACK!

Twenty - five leading artists guide us in a journey through contemporary sculpture, in a show featuring most of the highlights of the last twenty - five years — among them some well - know pieces shown in exhibitions such as dOCUMENTA or the Venice Biennale, and several artists participating in the Forth Plinth commissions.

The second chapter of documenta 14: Learning from Athens has opened in its usual location in Kassel, Germany and will run until 17 September 2017, while the Athens exhibition is on through 16 July.

For the most serious collectors, Basel is part of a «trifecta» of art events to visit on a trip through Europe, including the Venice Biennale and documenta.

Group exhibitions and biennials featuring her work include Documenta 14, Athens, Greece and Kassel, Germany (2017); Radical Women: Latin American Art 1960 - 1985, Hammer Museum, Los Angeles (2017); 18th Biennale of Sydney, Australia (2012); DANCE / DRAW, the Institute of Contemporary Art, Boston (2011); ONLINE, Drawing Through the Twentieth Century, Museum of Modern Art, New York (2010); WACK!

The Next Documenta Should be Curated by an Artist offers an experimental means of questioning a relevant topic through one of the most important exhibitions on the international scene.

Other important exhibitions include: On Line: Drawing Through the Twentieth Century at The Museum of Modern Art, New York, 2010; Afterimage: Drawing Through Process, at the Museum of Contemporary Art, Los Angeles, 1999, and the Contemporary Arts Museum, Houston; Ends of the Earth: Land Art to 1974 at the Museum of Contemporary Art, Los Angeles, and Haus der Kunst, Munich, Germany, 2012; Alice in Wonderland at Tate Liverpool, U.K., 2012, and documenta 6, Kassel, Germany, 1977.

Bursting onto the international scene in 1969 with a solo exhibition at the Whitney Museum of American Art, followed by her prominent inclusion in Documenta V (1972) and Documenta VI (1977), Graves developed a body of work that guides the viewer through her own process of discovery and creation.

What makes the earlier analogy confusing to me now, and possibly obsolete, is the fact that this year, the uncontested highlight of Art Dubai, which ran through the third week of March, was actually a conversation about Documenta, which brought Catherine David, Okwui Enwezor, and Adam Szymczyk — artistic directors of Documenta 10 (1997), Documenta 11 (2002), and Documenta 14 (forthcoming in 2017), respectively — to the stage of the Global Art Forum, the fair's annual talks program.

Nari Ward, «LIVESupport,» at Lehmann Maupin, 540 West 26th Street, through April 17, opening February 25, 6 — 8 p.m. Nari Ward has built an impressive exhibition record over the past decade, with appearances ranging from an eerie, cage - like installation in Minneapolis's Walker Art Center Sculpture Garden in 2000 and a star turn at Documenta XI to a show - stealing group of enormous, diamond - shaped sculptures in the Battle Ground Baptist Church at Prospect.1 in New Orleans.

It was through her participation in documenta 8 (1977) that she became known internationally.

In 1997 — 98, Kelley and Oursler presented the Poetics Project at Documenta X, as well as at venues in Los Angeles, New York, and Tokyo; through video projections, sound, and artworks, this installation re-created their experience at CalArts as members of a short - lived band.

Exhibition ^ 3: Documenta 5, Harald Szeemann, The Artists, on view at the University of Pittsburgh through March 20, 2015, was recently reviewed by Kurt Shaw for Trib Live.

Rubinstein compares the two shows and the disparate stance each takes towards abstract painting post-1970: the Biennial's curation (along with that of 1997's documenta X) is characterized as symptomatic of the «death of painting» attitude, while Wei's exhibit represents an admirable if imperfect attempt to work through the difficult subject of «what happened to abstract painting following the decline of the modernist certainties on which it was founded.»

Yet Gernes has had a posthumous international break - through in recent years, not least because of the generous selection of his works at documenta 12 in 2007.