Sentences with phrase «through early printing»

Not exact matches

A new Moody's report forecasting «newspaper print ad revenue will decline by low - to - mid teen percentages through the first half of 2018, falling more steeply for national newspapers than for community newspapers... As a consequence, the industry's organic EBITDA will decline by 7 percent to 10 percent through early to mid-2018.»

From turn - in - early school nights to sleepover parties, our colorful mixed - print nightgown combines cute and comfy with an easy A-line shape, a pretty notched neckline, and a dramatic band at the hem — and the long sleeves keep her warm straight through winter.

Cinema and horror especially owe a lot to Universal's monsters — they paved a legendary path through film, leaving an undeniably influential print on the genre starting way back in the early 1920's.

Teach high - frequency words and concepts about print through choral - reading scripts that support early reading strategies.

Kate Garland, a lecturer in psychology at the University of Leicester in England said in a recent interview that «E-books, provide fewer spatial landmarks than print, especially pared - down versions like the early Kindles, which simply scroll through text and don't even show page numbers, just the percentage already read.

A reminder that bears repeating from earlier: While it can be fairly straightforward and even inexpensive to get a print book in your hands through either POD or offset printing, it is virtually impossible to get your book physically ordered or stocked in bookstores if you're self - published.

However, as mentioned earlier, it won't be ideal if you want to publish your work in print, or through other vendors besides Amazon.

Through this program, we are offering a limited selection of Demand for Publication titles in which you can choose and pre-order a title, (originally set far into Juné's future normal release schedule, or was held back in publication), for early limited print publication (even several months earlier if fan demand is high).

The road to traditional print publication is longer today... recession battered retailers and readers don't have the patience to see new authors through their early training novels.

I wasn't talking about hand written manuscripts, but rather the first print editions coming off the early presses in the mid-1500's, and even up through the mid 18th century.

Alongside a series of abject ink - jet prints that looked as if they were plastered in bumper stickers purchased from an early 2000s Spencer Gifts and his 2012 video Raspberry Poser, in which animated renderings of a condom and the HIV virus dance through the streets of New York City while Beyoncé and Mazzy Star play at an intoxicating volume, he showed the animatronic sculpture (Female figure), a scuffed - up woman impaled on a stripper pole who speaks in Wolfson's voice and makes eye contact with viewers.

Now, nearly 70 years later, Guggenheim Bilbao, together with the Josef and Anni Albers Foundation, is putting on a retrospective of nearly six decades of the artist - designer's work, starting with her early Bauhaus preparatory drawings, and moving through her hand - woven works and tapestries, to her later graphic prints.

The collection spans five millenniums, from the art of early Japanese cultures around 3000 B.C. through that of the Edo period of the 17th to 19th centuries A.D. -LSB-...] Assembled over half a century and exhibited throughout the world, Mrs. Burke's collection comprises about a thousand artifacts, including paintings, prints, sculpture, textiles, lacquerware, ceramics and calligraphy, collectively worth tens of millions of dollars.

These nine prints in themselves offer a mini-retrospective of the main motifs used throughout her career, from the early orthogonal patterns of her Bauhaus period, through her lyrical knots and threads and fibres of her Black Mountain pictorial weavings, to her more geometric and graphic works with their repetitions of triangular and rhomboidal forms of her later years.

American Epics: Thomas Hart Benton and Hollywood, a series of paintings, lithographs and prints from the early 1920s through the 1940s, will be on display at the Amon Carter Museum of American Art Feb 6.

From Brontë's earliest literary works — written in a minuscule hand designed to mimic the printed page — to her explosive novel Jane Eyre, it presents a portrait of an ambitious author through the material traces she left behind.»

The exhibition will also look at the progression of portraiture, illustrating the medium's nearly immediate democratization through the use of daguerreotypes, albumen prints, and other early photo processes.

Echoing the original blotted - line method that Warhol had applied in his drawings of the 1950s and early 60s, his new mirrored abstractions were achieved through a fundamental print making technique, folding an empty canvas over a freshly painted surface.

From the earliest daguerreotypes through gelatin silver prints and contemporary digital images, Skinner handles a breadth of important historical and fine photography.

Over time, through their constant reconfiguration, the archive's various silhouettes began to lose their figurative quality, a process the artist likens to early printing methods.

Often described as the purest of Australia's abstractionists, this exhibition celebrates Upward and will features more than fifty works including paintings, screen prints and posters from the late 1950s through to the early 1980s.

In addition to making work for exhibition (her show of 3D - printed sculptures in her signature pearlescent white at Sean Kelly Gallery received positive reviews earlier this year), Mori has lately been occupied with running the Faou Foundation — an organization dedicated to promoting her idea of oneness through site - specific installations.

Over eight years in the making, the exhibition follows upon the museum's 2008 exhibition, «The American Scene; Prints from Hopper to Pollock,» also curated by Coppel, but whereas the earlier show with its modestly sized prints could be accommodated in the cabinets of the upper floor Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main Prints from Hopper to Pollock,» also curated by Coppel, but whereas the earlier show with its modestly sized prints could be accommodated in the cabinets of the upper floor Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main prints could be accommodated in the cabinets of the upper floor Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main floor.

The American Scene / Regionalist holdings consists primarily of prints purchased from Associated American Artists (AAA) in the late 1940s and early 1950s, and those that were produced through Federal «New Deal» art projects of the 1930s and «40s.

The exhibition celebrates Caldicott's 30 - Year career, gathering an exciting variety of works in all media, from early photographs through to his recent prints and paintings.

While my early works were framed in drawings and paintings that borrowed forms from traditional print media, I later began to blur the boundary between my public and private «character» through social media, particularly Twitter.

Among Rauschenberg's early landmarks are his «Erased de Kooning Drawing» (1953) and «Automobile Tire Print» (1953), the work was made when the artist instructed composer John Cage to drive his car through a pool of paint and then across 20 sheets of typewriter paper.

In this lecture, recorded on February 14, 2016, at the National Gallery of Art, exhibition curator Ruth Fine presents an overview of the approximately 130 paintings, unique works on paper, objects, and prints dating from the early 1930s through the late 1970s featured in both the Procession exhibition and its companion show Stone and Metal: Lithographs and Etchings by Norman Lewis.

NEW YORK — Late this summer, Jason Jacques Gallery presented Das Werk: Gustav Klimt Collotypes and Avant - Garde Austrian Art Pottery (July 6 — September 1, 2017), an exhibition that combined rare collotype prints by the Austrian artist alongside avant - garde Eastern European pottery from the late 19th through early 20th centuries from artists like Paul Dachsel and Ernst Wahllis, and Austrian company Amphora.

That impulse had not changed since his earliest sculptures, and was the basis of all his garden period: to examine the myths of modern living through the making of polychrome sculptures and prints.

These works will be juxtaposed by important European classical paintings, prints and sculptures dating from the 15th through the early 19th centuries, including works by Il Cerano, Lucas Cranach, the Elder, Jacques Louis David, Cornelis Dusart, Jean Frederic Schall, Hieronymus Bosch, and Pieter Brueghel, the Elder.

Following on the heals of Jaune Quick - to - See Smith's inclusion in the critically acclaimed Metropolitan Museum of Art exhibition, The Plains Indians, Artists of Earth and Sky (reviewed in the New York Times and The New Yorker among other publications and on view through May 10, 2015), her newest body of oil paintings as well as early watercolors and prints will be exhibited with Accola Griefen.

Acknowledging these realities, divining challenges earlier large - scale landscape painting, from Albert Bierstadt to Claude Monet, and echoes the experiments of Anselm Kiefer, David Hockney and Peter Doig in reimagining and visualizing the personal landscape through the medium of print.

Through a rare selection of early vintages prints and original contact sheets, as well as paintings and collages by artists such as Günter Brus, Otto Muehl, Hermann Nitsch, and Rudolf Schwarzkogler, and curated by Hubert Klocker, the exhibition is a representative survey of the formative years of Vienna Actionism.

After the success of the Abstract Expressionists, a wave of new print workshops swept through the country in the early 1960s.

He printed for legendary lithographer William Walmsley in Tallahassee, FL through the early nineties.

This Daguerreian Gallery exhibition will trace the trajectory of Brady's early career through portrait daguerreotypes, ambrotypes and salted - paper prints in the National Portrait Gallery's collection.

Whether it is through the oblique nature of our informational channels which function as echo chambers reminiscent of the earliest ways Nationalism spread through print media or the conflation of meaning with sacrifice, it is clear that there are precedents for how Nationalism as a construct has led to and sustained cycles of violence.

This Daguerreian Gallery exhibition traces the trajectory of Brady's early career through portrait daguerreotypes, ambrotypes and salted - paper prints in the National Portrait Gallery's collection.

Howard Hodgkin: The Early Prints On view through July 1 at Marsha Mateyka Gallery, 2012 R St. NW.

The usual factors to explain why books remain print - bound include the preference of many for the «feel» of a book (and the ease of flipping through pages); the fact that e-books are usually only best read on a large monitor (on a desktop), making them less portable than a print version; the lack of content in e-books; and the lack of a market and established distribution methods, a point made earlier on SLAW through a posting by John Davis.

Angela Swan and I discussed these developments earlier this week and I think we both agree that the printed book has the huge advantage of comfort and the discovery that comes about through serendipitous browsing.

If you purchase your policy through the mail, make sure you read the fine print and avoid any policy that increases in cost as you get older, or cancels your coverage early.

Filed Under: Play - Based Learning Activities Tagged With: early childhood, education, fine motor, hand - writing, learning, learning through play, Parenting, pincer grasp, play - based learning, preschoolers, printing, toddlers