A major strength of the museum lies in its collection of paintings by European artists from the sixteenth
through eighteenth centuries.
During the sixteenth
through eighteenth centuries, a variety of toy spaniel breeds were very popular in the Courts of Europe.
The background assumptions that had given some plausibility to Christian affirmations about God
through the eighteenth century were gone so far as the intelligentsia was concerned.
Down
through the eighteenth century, the question of God's reality was assumed to be a metaphysical one.
From the sixteenth
through the eighteenth century, philosophy and science developed in close connection.
So long as the culture sustained — as it did on the whole
through the eighteenth century — a conception of «general education» for all learned men, prospective ministers were exposed to the same basic training as others.
Release Date: Mar 3, 2009 Genre: Real Time Strategy, Turn - Based Strategy Theme: Historical Rating: T for Teen Game Modes: Single player, multiplayer Series: Total War In Empire Total War players command factions
through the eighteenth century Age of Enlightenment as they attempt to conquer the globe.
Not exact matches
The dominant interpretation, derived from Franco - German scholarship of the nineteenth
century, emphasized material aspects: political contest and domination in the Near East; the social structures of the Levantine crusader principalities viewed, especially by Francophone scholars,
through the lens of modern colonialism; cultural confrontation and exchange
through settlement and trade, a topos made familiar by
eighteenth -
century Enlightenment writers seeking to integrate the Crusades into a narrative of European progress; military adventurism that exposed the mentality of crusaders — heroic, passionate, devout, or misguided according to taste.
Inspired by the success of physics,
eighteenth -
century thinkers became convinced that the mysteries of nature could be fully grasped
through careful research.
Through the shadows of such a ghastly phantasm listen to the words of Joseph Priestly, a clergyman, chemist, and liberal reformer, writing on the glories of modern technology from his vantage of the
eighteenth century:
This vigor of a church unhampered by the close even though friendly control by the state has parallels in the enormous spread of Christianity
through the Church in the Roman Empire before Constantine, in the vitality of the Church in Western Europe during the Middle Ages, and in the phenomenal expansion of Christianity in the nineteenth and twentieth
centuries from churches which were either independent of the state or were less trammeled by it than had been most of the churches of the sixteenth, seventeenth, and
eighteenth centuries.
Dale Van Kley's new book, The Religious Origins of the French Revolution, seeks to revive a sort of Whiggish interpretation of the French Revolution as the struggle for freedom against sacral monarchy, with much of the ideological discourse of the revolutionaries deriving from little expected religious controversies» beginning with the rise and fall of Calvinism in Catholic France, continuing
through the struggles over theological Jansenism, and ending in the political struggles of the French high courts of justice, the parlements, with the administrative monarchy of the
eighteenth century.
In the
eighteenth century the picture that one understands God
through love as a feeling state deeply shaped the early Methodist movement
through John Wesley's experience of a heart «strangely warmed.»
The ruling house in Eastern Sudan from the tenth
through the twelfth
century (sixteenth -
eighteenth century AD.)
Meanwhile, from early in the
eighteenth century, specifically theological training was commonly acquired
through study under the supervision of established clergymen, either parish ministers or ministerial professors.
Nor is that to say anything of the Francophone or German republican traditions
through the
eighteenth and nineteenth
century, in which theorists as different as Fichte and Tocqueville can be located, or of the forms (anti--RRB- colonial republicanism took outside the eastern seaboard of North America.
In the seventeenth,
eighteenth and nineteenth
century women wore very voluminous dresses so this «bag» was invisibly worn under the garmet and could be reached
through a slit in the side of her skirt.
In the early
eighteenth century it was Spanish traders en route to Los Angeles who wanted a way that would pass
through the unexplored Valley known as the «Jornado de Muerta» or Journey of Death.
A modern - minded but thoroughly researched romp
through eighteenth -
century society, politics, and same - sex relationships.
As a writer, I wanted to see the cover of the book sport a fully realized airship, an
eighteenth -
century caravel soaring
through the skies.
PUSH NOT THE RIVER is based on the true
eighteenth century diary of Anna Maria Berezowska, a Polish countess who lived
through the rise and fall of the historic Third of May Constitution.
Like Gian Giacomo Poldi Pezzoli did with his Museum that, already open to the general public in Milan in 1881, is one of the most important museum houses in Europe, a good example of one of the finest 19th
century collections: from the fifteenth -
century Lombardy maestros (Luini, Boltraffio, Solario) to masterpieces by Pollaiolo, Piero della Francesca, Botticelli, Mantegna, Bellini and Cosmè Tura
through to
eighteenth -
century paintings (Guardi and Canaletto) and exceptional collections of decorative arts.
Described by
eighteenth -
century European Romanticists as the «wildest daughter of Father Rhine», the Ahr River, set in a deep gorge, winds its way
through an ever - changing landscape of rolling green hills, rocky promontories, wildflower meadows and stout forests.
: Catalogue of the Exhibition, provides a thorough representation of Russian art from the twelfth
century to today — including pieces from the world - class collections amassed by Russian tsars and merchants from the
eighteenth through the twentieth
centuries.
Fictional or imaginary studios, a popular subject beginning at the end of the nineteenth
century, include canvases by James Ensor, Jacek Malczewski, and Diego Rivera; while emphasis on artist's materials can be traced from
eighteenth century works by Jean - Baptiste Siméon Chardin; to nineteenth
century works by Carl Gustav Carus and Adolph von Menzel;
through postwar American artists Jim Dine, Philip Guston, and Jasper Johns.
That was the challenge undertaken this summer by the Pennsylvania Academy of the Fine Arts (PAFA), where its curatorial team, which includes a trio of experts in
eighteenth, nineteenth, twentieth, and twenty - first
century art, collaborated to rethink the themes and layouts of the galleries
through 1950.
References to Francisco Goya's late
eighteenth century print They've Already Got a Seat (from the Los Caprichos series) appear
through choices in costuming, notably in the upside - down chair affixed directly to Martins's head, and Joseph Beuys is evoked
through the props of a felt blanket, wooden cane, and taxidermied animal.
Originally inspired by an
eighteenth -
century silk needlepoint by Prudence Punderson entitled The First, Second, and Last Scene of Mortality (1776 - 83, Connecticut Historical Society, Hartford), «Pilgrim» is a cyclical journey which alludes to various aspects of a person's life, presented
through the images of women.
The three works selected for Soundtracks are Sphere Packing: Mozart (2014; white polymer, 565 audio channels), Sphere Packing: Wagner (2013; glazed porcelain, 110 audio channels), and Sphere Packing: Cage (2014; plastic, 269 audio channels)-- an abridged walk
through the
eighteenth, nineteenth, and twentieth
centuries.2 The series as a whole, featuring seventeen composers, constitutes nothing less than a broad history of classical music, with surprising insights in terms of productivity, ranging from seventeen compositions (by Claudio Monteverdi) to 1,128 (by Johann Sebastian Bach).
Through paintings, sculptures, photography and decorative arts, Visions of US explores evolving ideas about American cultural identity from the eighteenth through the twentieth centuries to tell a rich and inclusive story about how we imagine and represent the United
Through paintings, sculptures, photography and decorative arts, Visions of US explores evolving ideas about American cultural identity from the
eighteenth through the twentieth centuries to tell a rich and inclusive story about how we imagine and represent the United
through the twentieth
centuries to tell a rich and inclusive story about how we imagine and represent the United States.
I have a predilection for
eighteenth -
century through Modernist art: Images from this era often get as much love as that felicitous whore Polke.
Since the
eighteenth century the hand has been repressed and disciplined
through a series of technologies such as the chastity belt, the invention of hysteria, the orgasm as illness, electric shocks and other appliances that prevented the hand to touch one's own body.
Since the
eighteenth century the hand has been repressed and disciplined
through a series of technologies such as the chastity...
Among the things we see are sculptures by Donatello, Canova, Gérome, Klinger, Rodin, Degas, Magritte, and Hans Bellmer; a fourteenth -
century Italian reliquary bust; German religious sculpture from the fourteenth
through the seventeenth
centuries, and Spanish from the sixteenth to
eighteenth centuries; an
eighteenth -
century wax bust of a monk, hair, beard, cowl, and all; and chryselephantine busts from nineteenth -
century France.
His canvases are populated with dramatic images lifted from sources as various as Salle's own black - and - white photographs,
eighteenth -
through twentieth -
century French and American painting, 1950s print advertising and how - to - draw manuals.
Previously published work on the Saltillo Sarape has primarily concentrated on those textiles classified as Classic, that is to say, weavings produced from the
eighteenth through the mid-nineteenth
centuries.
This exhibition explores colonial settlement in Australia
through a stunning selection of late
eighteenth and nineteenth
century works on paper.
A small collection of bitcoin enthusiasts met in New York yesterday to drag the high - tech virtual currency back into the
eighteenth century through face - to - face trading.
As rapid manufacturing advances swept
through the
eighteenth and nineteenth
century, every invention was greeted with hostility from labor.