While the 70's Narrative works engage senses beyond sight
through evocative language and color photographs, the wall pieces from the 1980s are immersive, incorporating elements of texture, sound, and monumental scale.
In this task, the preacher will be served best by what Martin Heidegger calls the primary function of
language: letting be what is
through evocative images rather than conceptual structures.1 But we may be moving ahead of ourselves here.