What the Disney shop did with its first animated features has resonated
through film history.
In HOOKED ON HOLLYWOOD, Maltin opens up his vast and illustrious personal archive to take readers on a fascinating journey
through film history.
Not exact matches
Growing up in the second poorest county in Illinois, where many families below the poverty line depended on venison from hunting to get
through the winter, the only times I saw people like me on TV were in Dukes of Hazard reruns (my own family has a storied moonshining
history) and in a VHS copy of the 1974
film Where the Red Fern Grows.
In Victorville, Cracker Barrel's new store celebrates the
history and culture of the local area
through decorative walls that pay homage to the famous Route 66, the area's contributions to the
film industry and to California's Gold Rush era.
The
film sheds light on one of the most private royals of recent years who overcame great personal struggles, reluctantly accepting his place as King and uniting his country, providing faith and hope
through one of the darkest periods of modern
history, the Second World War.
Through a series of interviews with business leaders, politicians, economic experts and journalists, this
film charts the
history and ultimate cause of the economic crisis.
It's a handsome production, featuring a fine ensemble (that also includes Garrett Hedlund) who remain on - point
through what must have been difficult
filming circumstances, as well as a potent reminder that the Second World War, for all the glamorizing it endured over the ensuing decades, was as horrifying and devastating as any other conflict in human
history.
What is important about this
film is not that it serves as a
history lesson (although it does) but that, at a time when the threat of nuclear holocaust hangs ominously in the air, it reminds us that we are, after all, human, and thus capable of the most extraordinary and wonderful achievements, simply
through the use of our imagination, our will, and our sense of right.
Luckily, Ben Kingsley is charismatic enough in the title role to command some warmth and interest, and the
film is paced so quickly — rushing
through 55 years of hastily exposited
history — that it's never really boring.
Through this series, programmed by
film scholar Michael Raine, American audiences may be surprised to discover that the roots of the movie musical in Japan are nearly as intertwined with the rest of the country's
film history as they are in the U.S.
The magnitude of what it has accomplished needs to be understood
through two paradigms: The context of what this
film represents as a milestone, and its greatness as a work of popular art that speaks intelligently about both politics and
history.
Baumbach and Paltrow entertain those notions, but the
film remains a serious examination of De Palma as an auteur, coming
through one of the most fevered epochs of Hollywood
history and surviving to tell the tale.
Timelessness connects audiences to the
film not
through the understanding of the details of this
history — which some audiences might not know — but
through the emotions expressed such as fear, anger, and regret.
Take home Chappaquiddick and explore the process of recreating
history on
film through candid interviews with the filmmakers and cast in two featurettes exclusive to the home entertainment release.
With a photographer's eye, a philosopher's curiosity, and a searing intellect, Stanley Kubrick's
films have cut a distinctive path
through cinematic
history with a scope that is still hard to estimate.
That the director is launching us on a strange journey
through his own version of
film history?
Personally, I would love to watch the
film while listening to Spielberg, Dreyfuss and gang discuss all the great old stories about the trials they went
through while in the process of making
history.
John Landis, a director with a great sense of
film history and surely a Psycho fan
through and
through, appears in a minor role as a radio show producer.
In any case, the
film presents the
history through an Israeli narrative of events, starting from its depiction of the Six Day War, to the rise of Hamas and Islamic Jihad.
The Marvel Cinematic Universe was once accused of dishing up the same rinse - and - repeat origin story over and over again — and while Feige will protest (and has) that each Marvel movie has had its own individual flavor (Thor was a stab at Shakespeare; The Winter Soldier riffs on 70s paranoia thrillers), the franchise has been finding more solid footing in its endeavor to remix all of popular
film history through the lens of superheroes.
Each
film represents a decade of
film history, from the 20s
through the present:
From his attention - grabbing debut with «Reservoir Dogs» (1992), a deviously clever heist
film where the heist is never seen and the drama is all in the conversation and the ingenious structure, to his acclaimed «Inglourious Basterds» (2009), his thrilling rewrite of World War II
history as a magnificent movie fantasy, Tarantino has gone his own way, snatching up ideas strewn
through decades of
film history and hundreds of genre movies like a magpie, rethinking them completely, and weaving them into entirely new stories that unfold at a leisurely pace so he can enjoy every word and gesture along the journey.
They will identify and promote these
film projects to their audiences, while in turn, the Institute will endorse their availability
through its own marketing and promotional efforts and
through the vast social community developed over the course of the Institute's 30 - year
history.
They aren't all masterpieces, of course, but they do offer a
history of the evolution of
film comedy
through the silent era to early sound
films.
Mitchell also narrates a tour
through the
film poster and
film history in Tarantino's movie.
The killer scene: As Simon Pegg once accurately enthused, «the greatest foot chase in
film history,» Reeves pursuing Swayze
through the backstreets of L.A.
Peeping Tom is considered the first slasher
film in movie
history and introduced the convention of seeing the murder
through the killer's point of view.
is considered the first slasher
film in movie
history and introduced the convention of seeing the murder
through the killer's point of view.
Although Preminger was already a name on the lists (compiled from the standard coffee - table guide books of the era) of filmmakers and
films I had convinced myself I needed to catch up with, I had no real notion, back then, of the kinds of intense cults of cinephilic adoration, situated all over the world at diverse moments of
film criticism's
history, that had been (and were still to be) inspired by his work from the 1940s
through the 1960s.
Tonkin charts Greene's love for
film through the decades — from his years as a famed
film critic (during which he wrote, Tonkin says, «perhaps the most notorious notice in the
history of
film criticism» about Shirley Temple) to his days as a movie insider and collaborator with such luminaries as Alexander Korda, Alberto Cavacanti, and, of course, Reed, with whom he made his most lasting mark on the medium.
Here's the full list of 142
films that featured on our contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just like this image of Scarlett sorting
through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of
History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Best!
Moments later, the voice of the late Howard Zinn tangentially comments on the image, providing the
film its ideological husk
through his plaintive reminder that «the soul of
history is economic.»
A former professor of
history and marketing executive, he has worked his way into the business of
film punditry
through diligence and dedication.
One of the most iconic shots in
film history is the look at a young Dustin Hoffman
through the arched leg of Anne Bancroft in «The Graduate.»
The Appendices — A multi-part chronological
history of the
filming of The Hobbit: An Unexpected Journey, covering pre-production in the various departments of the
film in the months leading up to the start of principal photography, the boot camp training for the main cast, the work done on set chronologically
through the three shooting blocks and in the world of its digital effects.
Loganbroke
through this year as the first superhero
film to be recognized for a writing award (Best Adapted Screenplay), while Morrison made
history as the first woman to be nominated for Best Cinematography.
A former professor of
history and marketing executive, he has worked his way into the business of
film punditry
through diligence -LSB-...]
4:35 pm — IFC — Häxan Or, Häxan: Witchcraft
Through the Ages — a silent
film telling the
history of witchcraft using several different visual styles.
Culinary Cinema returns with a spread of
film delicacies including Bugs, in which Nordic Food Lab chef Ben Reade takes an entertaining journey
through one of the last culinary taboos in the west; Sour Grapes, featuring a good humoured take on one of the most impressive wine frauds in modern
history; and Barista (above), providing an enlightening and intense glimpse into the art of producing a flawless cup of coffee.
Using archival footage to tell the story, and accompanied by an originally composed score by Alex Somers,» Dawson City: Frozen Time», will depict a unique
history of a Canadian gold rush town by chronicling the life cycle of a singular
film collection
through its exile, burial, rediscovery, and salvation — and
through that collection, how a First Nation hunting camp was transformed and displaced.
THE DVD Shot
through with grain and a certain, specific colour blanch I associate with the best movies from what I believe to be the best era in
film history, Night Moves looks on Warner's DVD as good as it ever has, or, I daresay, should.
I still stare at it, amazed and entertained, but dwarfed by the very idea of attempting to untangle the crow's nest that has formed
through the
film's ever - expanding
histories.
It's a welcome change to all of the recent — and let's be honest, dating back
through all of
film history — whitewashing by Hollywood.
The critical paths into The Hitcher that this book explores are rich and plentiful, and
through an exploration of its origins and production
history, a close analysis of the
film itself and a consideration of the immediate fallout following its release and its longer legacies, this book celebrates one of the greatest highway horror movies ever made.»
Eastwood's
film is dark and brutal, leavened by some deadpan comedy, a tour de force performance from Gene Hackman, and a sly encapsulation of the
history of the Western genre, as seen
through the eyes of a pulp writer played by Saul Rubinek.
After a quasi-lecture about his
history with the
film in Georgetown University's Healy Hall, we've walked
through classrooms, courtyards and churches that all played significant roles in the making of the picture and the book that inspired it.
It's a
film about a sweeping court case that echoed
through American
history and undid a crucial strand in the South's Jim Crow laws, but Nichols's focus remains trained at all times on the two people at the heart of it.
One extended montage runs
through the 90 - year
history of
films, another honors the military on
film, but the most powerful one highlights the importance of inclusion and representation on the big screen.
Inspired by true events, the stylish and heartfelt
film — although it tends to meander
through a bloated running time — is both an incisive
history lesson and a potent glimpse into the power of protest that carries contemporary resonance.
Can't Stop Won't Stop — Directed by Daniel Kaufman and produced by Sean Combs and Heather Parry, the
film is a raw and exclusive look behind the scenes at the
history and legacy of Bad Boy
through a complex portrait of the label's mastermind, Combs, as he tries to reunite his Bad Boy Family during a frantic three - week rehearsal period.