Sentences with phrase «through filmmaking»

On the third floor, Tacita Dean's (b. 1965, England) exhibition entitled Five Americans explores the theme of preservation and memoriam through filmmaking as it intersects with various artistic mediums such as painting, writing and dance.

Each vignette goes through the filmmaking process.

The teacher, a facilitator in the process, assigns an idea, a concept to be explored through the filmmaking process.

In its greatest success, it is able to translate — or feels like it, at least to this reviewer — the incomparable, intangible stresses of sacrifice within motherhood through filmmaking.

It feels like it must have come intuitively, or grown organically through the filmmaking process.

Penn's inferior The Crossing Guard grappled, like this film, with the parental anxiety of losing a child; The Pledge, however, comments on the hypocrisy of dealing with it through filmmaking, where suffering aims, however incidentally, to entertain.

Not exact matches

We are a photography, filmmaking and travel writing team willing to bring you our adventures and misadventures through visual storytelling.

We are a photography, filmmaking and travel writing team willing to bring you our adventures and misadventures through visual storytelling.

One of the great and surprising satisfactions of the series is how, through the very fine and less so movies, it maintained its storytelling and filmmaking integrity, despite the corporate imperative.

The stretched - out action set piece that takes up a majority of the middle section is a work of fine filmmaking craft and design, and it is seen mostly through the eyes of the central characters.

One of the most acclaimed directors of the 1970s, Francis Ford Coppola spearheaded a renaissance in American filmmaking, heralding a golden age which he defined through masterpieces ranging from The Conversation to Apocalypse Now to his crowning achievement, The Godfather.

From one angle, «First Reformed» is an unreformed film critic's tour through a strain or tradition of art - filmmaking that molded him, as well as a tribute to masters including Ingmar Bergman, Andrei Tarkovsky, Carl Dreyer and, of course, Bresson.

Insightful all the way through, «Side By Side» is a great documentary, filled with tons of well - known celebrities as they talk about their thoughts on the conversion from digital filmmaking and the future of the industry.

In addition, one of the organization's core values is identifying new talent and nurturing young filmmakers by awarding promising talent with «Directorial Debut» and «Breakthrough Actor» awards as well as grants to rising film students and by facilitating community outreach through the support of organizations such as The Ghetto Film School, Reel Works Teen Filmmaking, and Educational Video Center.

Though much more traditionally filmed than Baker's iPhone - lensed Tangerine, the director's apparent love of filmmaking stunts shines through just the right amount, most notably in a stunning climax that puts an exclamation mark on his essay on American inequality.

«Observe & Report» director Jody Hill, who also attended North Carolina School of the Arts with Green and McBride and established Rough House Pictures with them in 2009, said it's been enormously helpful to have Green go through these various steps of the filmmaking process first.

The second Blu - ray disc includes an in - depth look at the film with «A Filmmaking Journey» with Steven Spielberg, «Editing and Scoring» featuring Spielberg's long - time collaborators Michael Kahn and John Williams, «The Sounds of War Horse» about the sound design and «Through the Producer's Lens» which takes a look at the photographic journey of producer Kathleen Kennedy.

The filmmaking is extremely impressive because it shows so much both inside and outside the truck, and addresses so many topics about politics and Egypt through this intimate story of various people arrested and thrown inside.

Few of his silent films survive; though through the rediscovery of Delicious Little Devil (1919)-- one of his early titles with Mae Murray — modern audiences may note a high standard of quality filmmaking Leonard observed even then.

The projects sustain the company's commitment to promoting peace - building, human rights and social justice through documentary and narrative filmmaking.

The 19th movie in the now - decade old MCU is, after all, high - calorie blockbuster filmmaking, stuffed to the gills with city - levelling chaos (St Giles» Cathedral takes a bit of a battering) and so many above - the - title movie stars you could burn through the word count of a review just listing them.

Benny's downward spiral seems almost destined, considering her mother's (Canelle Hoppé) own problems with drugs, particularly a continuing heroin addiction, and Benny handles everything through her creative impulses, either in her filmmaking or in her uses of different wigs and makeup to change her look (and hide the fact that she hasn't been able to wash her hair in a long time).

It allowed you to get a sense of Linklater's ideas as an artist through more laidback means, rather befitting of the nature of his films, as he goes about doing various activities with Benning, such as hiking or playing catch, offering anecdotes to the other artist, instead of delivering filmmaking mantras to camera in an interview set - up.

Stylish filmmaking and an energetic pace help carry us through this complicated true story from 1970s and 80s Italy.

After working in performance art and installation, the Colombian - born and Toronto - based artist announced herself as a filmmaking talent to watch with her feature debut Señoritas, which we called «portraiture through accumulated exposure.»

Yet, doing so would also require that the industry (and critics) embrace the fact that most of such films would, at least initially, be rather underwhelming if not outright bad: after all, it is only through repeatedly practicing the craft of genre filmmaking that, over time, a film industry can elevate its game and make reliably solid films in any given genre — films that can hold their own when compared to those from other nations that excel at genre filmmaking, including Hollywood (the genre filmmaking tradition par excellence), France, South Korea, or Hong Kong.

Through our annual Film Festival, our goal is to create new and exciting film experiences, create a hub of film creativity and appreciation in Kerry, champion the work of local and national emerging filmmakers and promote the county as a major filmmaking destination.

A U.S. Documentary Special Jury Award for Achievement in Filmmaking was presented to American Promise, directed by Joe Brewster, Michèle Stephenson — This intimate documentary follows the 12 - year journey of two African - American families pursuing the promise of opportunity through the education of their sons.

When Steven Soderbergh announced his plans to retire from filmmaking around the time he turned 50, many had their doubts that he would follow through.

One of the joys of Asante's filmmaking is how she subverts audience expectations to make observations on politics, race and gender: As Sophie Mayer observes in her review for Sight & Sound, «in a clever twist on the Bechdel test, Asante shows that it is through talking about marriage and men that the female protagonists of costume drama are able to articulate a political philosophy.»

Through his personal account of programming and researching Japanese cinema for more than two - and - a-half decades, Nornes raises important questions about the reception of Japanese films in Western film festivals, and the role of Japan as a site where filmmakers from other Asian countries can learn more about Western filmmaking.

What makes «Year of the Rat» so vital is how, incidentally or not, it goes from denouncing the auteur theory (through not only the typically insecure observations of actors, but also the deflective statements of Morgan and long - time creative partner Wong) to validating it: In a coda, we see that the movie's poor box - office showing has shaken Morgan and only Morgan to the core; call filmmaking a «collaborative effort» to your heart's content, but as William Shatner, of all people, opines on the recent Star Trek V discs, at the end of the day no one on the set has as much emotionally invested in the picture's success as the person at its helm.

The man who cobbled together a budget for his first film from loans and borrowed credit cards spent a fair amount of his second feature walking viewers through the myriad particulars of independent filmmaking.

Like Hittman's filmmaking to some degree, the young actor manages to convey a lot about Frankie's anguished inner life through purely physical means: the tense way he carries himself around his male friends, as if afraid he'll betray hints of his inner homosexual desires, or the soft - spoken line readings which tremble with inarticulate internal tensions.

«Go back to Fuckheadistan,» growls Neanderthal Secret Service agent Mike Banning (Gerard Butler) as he knifes a faceless goon about halfway through the grab bag of dog - whistles and dog - shit filmmaking that is London Has Fallen.

Jafar Panahi and Mojtaba Mirtahmasb's semi-documentary was given its title because on a certain level, it isn't a film in the way of Panahi's past work — it has no script or actors, it was shot in the Tehran apartment in which he's been serving out his house arrest, and it's centered around his talking through the feature he would have made had he not been banned from filmmaking for 20 years.

The film is full of both marked and unmarked point of view shots, allowing us to both get a sense of the subjective view of certain characters as well as allowing us to view the scene through a camera freed from some of the imposed restraints of restricted movement that are characteristic of early sound filmmaking and classical Hollywood cinema generally.

Yet somehow the sureness of Wright's filmmaking sees it through.

Michael Pearce's Beast follows hot on the heels of William Oldroyd's Lady Macbeth and Francis Lee's God's Own Country, proving once and for all that low - budget British filmmaking is going through a period of rejuvenation.

However, when the odds are against you like that in this industry, solid filmmaking is really all you need to make a moviegoing experience worth it, even if it's an experience you've been through not too long ago.

We don't grow too close to many of our unnamed or reasonably anonymous heroes — but through blunt - force filmmaking, «Dunkirk» becomes something existentially profound, in which defeat is assured, death is random and sudden and mere survival is cause enough for celebration.

All the actors that I've worked with, I walked them through what we were doing and they all were excited about being part of what they perceived could be a movement — a beginning of a return to a kind of filmmaking that we all grew up loving.

Marrying cinéma vérité with public recklessness, Claude Lelouch's C'était un rendez - vous stuns not only as a visceral drive through Paris at a breakneck pace but also as filmmaking that can justifiably be labelled dangerous.

The event will begin with a mini featurette that will include interviews with popular filmmakers and talent on how this cult classic has influenced society and filmmaking through the years.

It also «lags a bit in the middle,» Olsen says, but «somehow the sureness of Wright's filmmaking sees it through.»

He drafted all three classes to become his crew, cast and collaborators: forty - five students rotating through the various production roles (camera operator, sound recorder, editor, electrician, script supervisor, etc...) to learn hands - on filmmaking with Ray as mentor, ringmaster and director.

From this pattern, Polley's film seems to forward an argument about autobiography and documentary filmmaking: that these are plural, collaborative genres most effectively and truthfully made through a chorus of many and diverse voices, a «medley» as her other sister, Susy, describes it, each given freedom as well as equal weight.

It is a real landmark achievement in the world of low - budget filmmaking, produced primarily through the use of still photos and voice - over narration.

There was a time Oliver Stone took risks and punched harder with his filmmaking style and history - challenging investigation efforts through compelling dramatization.

Best - case scenario: This inherently exciting true story becomes even more thrilling through the magic of narrative filmmaking.