Richardson's work explores the «hyper - real»
through immersive video installations, depicting landscapes...
Not exact matches
Among the highlights of its first eight years are: Bernd Alois Zimmermann's harrowing Die Soldaten, in which the audience moved «
through the music;» the unprecedented six - week residency of the Royal Shakespeare Company in their own theater rebuilt in the drill hall; a massive digital sound and
video environment by Ryoji Ikeda; a sprawling gauzy, multi-sensory labyrinth created by Ernesto Neto; the event of a thread, a site - specific
installation by Ann Hamilton; the final performances of the Merce Cunningham Dance Company across three separate stages; the New York Philharmonic performing Karlheinz Stockhausen's sonic masterpiece Gruppen with three orchestras surrounding the audience; WS by Paul McCarthy, a monumental
installation of fantasy, excess, and dystopia; a sonic environment that blurred the boundaries between artist and audience created by the xx; an
immersive Macbeth set in a Scottish heath and henge by Rob Ashford and Kenneth Branagh; tears become... streams become..., a genre - defying collaboration between artist Douglas Gordon and pianist Hélène Grimaud, which flooded the Armory's drill hall with an
installation of water, light, and music; and HABEAS CORPUS, a performance and
installation by Laurie Anderson based on the story of a former Guantanamo Bay detainee that examines lost identity, memory, and the resiliency of the human body and spirit.
Marking its first appearance in the U.S. in nearly two decades, the final gallery presents an
immersive six - channel
video installation titled It's late It's late and the wind carries a faint sound as it moves
through the trees.
However, this exhibition aims to illuminate both the positive and negative aspects of evolution
through a variety of media such as
immersive video, large - scale painting, sculpture and
installation by artists including Doug Aitken, Andreas Gursky, Patrick Bernatchez and Tom Sachs.
ARTIST STATEMENT My work explores the space of
video installation through the use of often large scale projections that incorporate the physical space, creating
immersive environments that trigger an experiential relationship between the viewer and the piece.
Her photographs, large - scale
installations and
immersive, multichannel
video rooms address the viewer
through an intensely spatialized visual display.
Holmes will lead a simple movement - based improvisation
through the senses, perceptions, and what she calls «the mind of the body,» in relation to Rist's
immersive video installation.
Through monumental billboards, site - specific environments, sound works, photography, sculptures, and
immersive video installations the artist investigates the spatial and temporal dislocation of images and the vulnerability of individuals, in a period of massive industrial and environmental changes.
Laura Bernstein (Brooklyn, NY) is a multidisciplinary artist who constructs scenarios and vignettes
through immersive installation, performance, and
video in which her fictional characters and creatures engage with their environment, exploring the relationship between human and animal, exemplary and freakish, public ritual and private behavior.
FLIGHT will chart the artist's course
through history in an
immersive video and performance event staged in her
installation.
The exhibition will transform the Pavilion of Finland into an
immersive environment
through a multimedia
installation comprising
video, sculpture and a talking egg.
Isaac Julien is joined by Giuliana Bruno, Professor of Visual and Environmental Studies, Harvard University and author of the upcoming book Surface: Matters of Aesthetics, Materiality, and Media, for a discussion of Julien's prolific and diverse moving - image work, and its active migration from cinema screen to gallery
installation in such recent works as Vagabondia (2000) and Baltimore (2003), both of which take as their subject the space of the museum; the
immersive video installation Ten Thousand Waves, on view in the Museum's atrium
through February 17; and his most recent
installation, the seven - screen PLAYTIME.