His work often considers the architecture and latent histories of theatrical spaces
through installations and performances that highlight states of transition — in bodies and buildings alike.
The work of transgender artist Yve Laris Cohen often considers the architecture and latent histories of theatrical spaces
through installations and performances that highlight states of transition.
Through installations and performances, medicine medic her work investigates soundscape ecology and deep listening practices.
More recently, Milroy's sense of experimentation has led her to explore painting
through installation and performance.
Through this installation and performance, he continues «a series of experiments in materiality and sound, exploring the fading in and out of culture, and the erasure of predominately black cultural spaces.»
A Guest Host is also invited to lead the evening
through installations and performance surrounding the themes of the dinner.»
Not exact matches
Second, it's going to be a real show — seven stages, djs,
installations,
performances, etc. — stretching
through the Warehouse space, across the back parking lot (which will be covered
and heated)
and into another building.
After working in
performance art
and installation, the Colombian - born
and Toronto - based artist announced herself as a filmmaking talent to watch with her feature debut Señoritas, which we called «portraiture
through accumulated exposure.»
Born in Lynchburg, Va., Kevin Beasley who lives
and works in New York expresses himself
through sculpture,
performance,
and sound
installations.
This spring, the Serpentine presents the first European solo exhibition of American artist Sondra Perry (b. 1986, Perth Amboy, New Jersey), who explores the intersection of black identity, digital culture
and power structures
through video, media,
installation and performance.
He has established an international reputation
through artworks that materialise in many different forms from sculpture to film, writing, graphic design,
installation,
performance and more besides.
Brought together by artist Dan Graham
and independent curator Sylvia Chivaratanond, the works in Deep Comedy transform elements of the commonplace into playgrounds for amusement
through a wide range of media including sculpture, video,
installation, photography,
and performance.
It ranges from Four Posters (1984)
through celebrated
performances such as Museum Highlights (1989), Inaugural Speech (1997), Official Welcome (2001/2003),
and her audio
installations for the Austrian pavilion at the 45th Biennale di Venezia in 1993, to recent works such as Men on the Line (2012).
From early figurative paintings,
through collages
and video
installations, to her radical work in dance
and performance, Ms. Schneemann has consistently — insistently — made the personal political, bridging divides between eras
and cultures, even species.
Jacir employs her creativity to assert Arab identity
through photography, film,
installation,
and performance.
Since the 1960s, David Hammons has confronted American cultural stereotypes
and racial issues
through wittily incisive sculptures,
installations,
performances,
and body prints.
[33] Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art, Video,
Performance art,
Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism
and New Realism extended the boundaries of Contemporary Art in the mid-1960s
through the 1970s.
It continues with works from the world's leading innovators in the arts, as they break
through thresholds of space, memory, sound,
and genre — from Philippe Parreno who, in his largest exhibition in the U.S. to date, transforms the presentation of visual art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson,
and Jamie xx as they create a new contemporary ballet; to avant - garde
performance artist Laurie Anderson who,
through a site - specific
installation in the Armory's drill hall, will expand upon her work with storytelling
and technology to create a site - specific environment that serves as a meditation on time, identity, surveillance
and freedom;
and finally to Igor Levit
and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational
performance that reflects upon music, time, space, emptiness,
and luminosity.
Artist Jerri Allyn, known for her involvement with Feminist Art Movement in the late 70's,
and Professional Arts Educator
and artist Inez S. Bush, transform the 18th Street Gallery into an interactive
installation and performance space for their project, Debating Through the Arts: Exhibition & Per
performance space for their project, Debating
Through the Arts: Exhibition &
PerformancePerformance 3.
Throughout the day, visitors are encouraged to move
through the galleries
and experience the
installation through film, soundscape, kinetic sculpture,
and immersive set design; live
performances will take place at 1
and 4 pm.
Working across multiple media
and frequently in collaboration with artists including Paul McCarthy, Tony Oursler
and Mike Smith, Kelley undermined normative values, power structures
and» correct» cultural attitudes
through his ritualistic
performances, stuffed - animal sculptures, drawings
and installations.
Working across
performance,
installation and the moving image the project examines the physical properties of sound,
through electromagnetism, architecture
and process based image making.
Sabisha Friedberg's composition,
performance and installation work draws on the phenomenological
and phantasmagorical, exploring perceptual delineation of space
through sound, sculpture,
and low - end experiential thresholds.
A
performance by Uruguayan artist Lalu Delbracio presented by a r c h i p e l a g o, will focus on a wall to wall paper
installation which alters
and evolves
through the duration of the festival.
She is interested in the logic of place
and her paintings,
installations,
performances and videos consider the idea that symbolic
and ideological systems can be activated
and re-imagined
through collaboration, imaginative play
and masquerade.
Interdisciplinary artist Nick Cave creates a dance - based town hall — part
installation, part
performance — to which the community of New York is invited to «let go»
and speak their minds
through movement, work out frustrations,
and celebrate independence as well as community.
The early works of artist Juan Downey — many not seen since their originally presentations, will be explored
through interactive electronic sculptures, documentation of happenings
and performances,
and installation.
Performa: New Visual Art
Performance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live installation, new technologies, film and video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, a
Performance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live
installation, new technologies, film
and video, music, historic reconstructions
and lecture - as -
performance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, a
performance,
and provides a vivid tour
through the world of contemporary
performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, a
performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad,
and Gelitin.
Through his sculptures,
installations,
and performance pieces, specific objects are modified
and repurposed such as the Grumman Greenhouse in PAFA's Lenfest Plaza.
Artist Statement DARKMATTERS is a NYC based art collective which creates visual art works in multiple fields of context
through multimedia
installations and performance.
His
installations and performances combine elements of ritual, theatre
and poetry — ignoring historical information
and instead allowing the sculptures to speak
through their shape, ornaments
and poses.
The Barnes presents a multi-part project that captures city life
through a gallery exhibition, newly commissioned public
installations and performances,
and citizen - created photos
and videos.
Argote will follow the
performance with a nine - week Artist Lab residency
and installation at 18th Street Arts Center, which runs
through March 23.
Installation /
performance view April 8 — August 28, 2011 Brooklyn - based artist William Lamson (b. 1977) forges a captivating exploration of forces of nature
and the passage of time
through his inventive, often poetic interventions into natural
and man - made environments.
He has established an international reputation
through artworks that materialize in many different forms from sculpture to film, writing, graphic design,
installation,
performance and more besides.
Installation devoted to Yvonne Rainer
and Babette Mangolte (detail) in «Rituals of Rented Island: Object Theater, Loft
Performance,
and the New Psychodrama — Manhattan, 1970 — 1980» (Whitney Museum of American Art,
through Feb 2, 2014).
Among the highlights of its first eight years are: Bernd Alois Zimmermann's harrowing Die Soldaten, in which the audience moved «
through the music;» the unprecedented six - week residency of the Royal Shakespeare Company in their own theater rebuilt in the drill hall; a massive digital sound
and video environment by Ryoji Ikeda; a sprawling gauzy, multi-sensory labyrinth created by Ernesto Neto; the event of a thread, a site - specific
installation by Ann Hamilton; the final
performances of the Merce Cunningham Dance Company across three separate stages; the New York Philharmonic performing Karlheinz Stockhausen's sonic masterpiece Gruppen with three orchestras surrounding the audience; WS by Paul McCarthy, a monumental
installation of fantasy, excess,
and dystopia; a sonic environment that blurred the boundaries between artist
and audience created by the xx; an immersive Macbeth set in a Scottish heath
and henge by Rob Ashford
and Kenneth Branagh; tears become... streams become..., a genre - defying collaboration between artist Douglas Gordon
and pianist Hélène Grimaud, which flooded the Armory's drill hall with an
installation of water, light,
and music;
and HABEAS CORPUS, a
performance and installation by Laurie Anderson based on the story of a former Guantanamo Bay detainee that examines lost identity, memory,
and the resiliency of the human body
and spirit.
Evolving
through a range of mediums such as
performance, video,
installation, sound,
and literature, her works consider the fluid border between public
and private space,
and in so doing, challenge established conventions relating to the body, sexuality, power relations,
and institutional spaces.
Through his videos,
installations and live
performances, Leckey explores the relationship of cultural artefacts to human subjectivity
and the production of desire.
The 2018 Artists in Residence — including playwright Branden Jacobs - Jenkins
and performance artist Carmelita Tropicana; set designer
and director Christine Jones;
performance artists Malik Gaines
and Alexandro Segade; choreographer Reggie Gray
and his company the D.R.E.A.M. Ring; playwright Lynn Nottage;
and installation and performance artist Tania Bruguera — will utilize the Armory's period rooms to develop their practice
through the creation of new works.
Working in photography,
performance, sound, sculpture, video,
and installation, Xaviera Simmons (pronounced zy - VEER - ee - a) explores history, experience,
and memory
through abstraction.
Matthew Ritchie's
installations, which integrate painting, wall drawings, light boxes,
performance, sculpture,
and projections, are investigations of the idea of information explored
through science, architecture, history
and the dynamics of culture, defined equally by their range
and their lyrical visual language.
Installation devoted to Squat Theater collective (detail) in «Rituals of Rented Island: Object Theater, Loft
Performance,
and the New Psychodrama — Manhattan, 1970 — 1980» (Whitney Museum of American Art,
through Feb 2, 2014).
The two - channel video
installation explores questions of empathy, communication,
and performance,
and was developed
through Tribe's close collaboration with professional clinicians, communication experts,
and Standardized Patients at Stanford University
and the University of Southern California.
Hancock's mythology has also been translated
through performance, even onto the stage in an original ballet, Cult of Color: Call to Color, commissioned by Ballet Austin (2008, 2013),
and through site - specific murals for the Welcome Center at the University of Houston, TX (2015), Houston Children's Hospital, TX (2011), Olympic Sculpture Park, Seattle Art Museum, Seattle, WA (2010), Dallas Cowboys Stadium in Dallas, TX (2009),
and a permanent multimedia
installation as part of the centennial celebrations at Hermann Park in Houston, TX (2012).
Since the early 2000s the artist has explored the social
and cultural implications of political acts
through painting, sculpture,
installation,
and performance — both live
and filmed — using himself as protagonist, proxy,
and test subject.
John Latham (1921 — 2006) was a pioneer of British conceptual art, who,
through painting, sculpture,
performances, assemblages, films,
installation and extensive writings, fuelled controversy
and continues to inspire.
This exhibition brings together several bodies of work made between 2015
and the present, mapping the artist's ever - evolving
performance of identity
through large - format self - portraits
and vernacular
installations.
Premiering in New York as part of the Performa 09 biennial of new visual art
performance, Alicia Framis presents Lost Astronaut - an ongoing
performance -
installation based at APF LAB that explores the potential of living on the moon
through the ironic
and fictional character
and activities of a woman astronaut portrayed by Framis.
Yet the artist never addressed this diverse range of interests directly, instead they are filtered
and reflected back
and froth
through the wide - ranging media she employs, not least
performance, drawing, film, video, sculpture
and sound, often together in a single cacophonous
installation.