These break up pages of poetic text, exploring the phenomenon of meaning - making
through narrative fiction and the vague approximations of mythic archetypes.
Not exact matches
Jacques Rivette's dazzling 750 - minute Out 1 (1971)-- an eight - part serial in 16 - millimeter still unscreened in this country that remains one of the boldest experiments in film
narrative ever attempted — was conceived as a kind of parody of Bazin's ideas in its deft mixture of documentary and
fiction, its improvising actors working
through a dense plot built around real and imagined conspiracies, and even its extended takes, one of which lasts 45 minutes as it records a theater group's exercise.
The Fellowship honors the memory of the beloved Sundance Institute mentor and prolific editor Sally Menke (Reservoir Dogs, Pulp
Fiction, All the Pretty Horses, Kill Bill, Inglourious Basterds, etc.) by supporting an emerging
narrative editor's understanding of craft, expanding their artistic community, and providing momentum to their editing career
through participation in the June Directors Lab and year - round mentorship from several accomplished editors.
Will highlight students» areas of strength and weaknesses in key reading areas including: giving / explaining meanings of words in context, retrieving and recording information / identifying key details from
fiction and non-
fiction, summarising main ideas from one or more paragraphs, making inferences from the text / explaining and justifying inferences with evidence from the text, identifying / explaining how information /
narrative content is related and contributes to meaning as a whole, and identifying / explaining how meaning is enhanced
through choice of words and phrases.
In contrast, the genres of
fiction as well as autobiography are told
through narrative where criteria for justification include verisimilitude — that is, the likelihood or probability of an event — and believability.
Currently Looking For:
Fiction that hits the sweet spot between commercial and literary with interesting settings and a strong
narrative voice; mystery (particularly cozies and crossover literary — think Ordinary Grace by William Kent Krueger), literary thriller, and psychological suspense; and memoir by writers who connect the events of their lives to readers
through incredible storytelling, as well as a wide variety of prescriptive and
narrative nonfiction and gift books.
These essays burst with
narrative and read like
fiction, yet their styles are vehicles
through which ideas and information are dramatically, vividly revealed.
A tale told
through the eyes of Sallee and the answers she solicits from Ethel, Morony delivers a masterful
narrative that is beguiling, flawlessly executed and proves a fine example of New Historical
Fiction.
The exhibition presents an experimental form of storytelling
through a combination of video, photography, sculpture, drawing, and an artist's book, that examines the way
narratives develop
through geography, history, mythology,
fiction and personal experience.
The jury was struck by the way Mohaiemen's films explore post-colonial identity, migration, exile and refuge
through narratives using
fiction and social history that combine the traumas of history with his own family stories.
The film blends fact and
fiction to reimagine cultural artefacts, their collection and display,
through fabricated
narratives, memories and moments of forgetting.
Through the collapse of documents,
fiction and biographical elements, the work exists between an emotional and affective
narrative, while simultaneously being political and grounded on conspiracy theories about earthquake machines.
As Hammond's work recontextualizes her found images
through the marriage of the image and the materials, the question of what is fact and what is
fiction crosses the viewer, and a new
narrative is generated.
Gazing into the future is premised on revisiting the past with a lucid eye, parsing
through myths that accreted as foundation for the writing of history, of the
fictions that define nations, of the fabricated
narratives that fragment history into centres and peripheries, occupied respectively by winners and losers.
The various
narratives span between colonialism and its ramifications to a re-examination of the African body, landscape and culture —
through utterances that shatter the usual distinction between truth and
fiction, between myth and science, between technology and spirituality.
Filmed in Gaza in 2014, the film's nonlinear
narrative investigates the dualities of life in Gaza
through live footage and animation exploring the tension between reality and
fiction.
«Academy» emphasises the programme's educative potential; «opera» calls for a theatrical, musical and participatory context; «
fictions» manifest cumulative efforts to draw plural
narratives and conversations
through the museum.
Often drawing from popular science -
fiction imagery and
narrative, Atherton challenges the ambiguous separation between the natural and the fantastic, creating a theater
through which to experience the grotesque side of nature.
She examines the strategies of resistance employed every day in her native Morocco and traces the «hidden transcripts» of objects and people in her work, guiding us
through the overlapping realities and
fictions of these
narratives.
Klowden Mann is very pleased to present
Fictions, a group exhibition of work by Los Angeles - based artists Josh Atlas, Srijon Chowdhury, Guan Rong, and Alexandra Wiesenfeld, exploring manifestations of non-linear
narrative through paint, sculpture, books, and wall - imbeded works.
For what
narratives are worth, and we all know how much
fiction and wishful thinking goes into them, let me venture the following hypothesis, very sketchily: Bram van Velde's work represents a direct result of the philosophical questioning of the consequences of World War II, which would continue and develop from the fifties to the seventies
through the works of Simon Hantaï and Supports / Surfaces, among others.
Through subtle gestures and assemblages Kenny adapts a story, translating a new
narrative, reflecting concerns of the nebulous divide between fact and
fiction.