[3] While some artists aimed to present black experience and culture
through narrative painting in a straightforward and sincere way, others created archetypes who stand - in to represent a larger experience.
Not exact matches
Wilson claims to have surmounted these difficulties: he elaborates the known facts of Holbein's life into a vivid
narrative encompassing the events of the Reformation, and he attempts to reveal the «real man»
through a close and imaginative (indeed, often fanciful) interpretation of his
paintings.
The story's told
through brief cutscenes and stage transitions, and though there are some zones without these, there was enough substance to
paint an idea of both the
narrative and the journey itself.
Now we have a media that is sometimes known to lie
through its teeth and
paints misleading
narratives far worse than before, «fake» media sites that thrive on controversy and lies, internet commentators and social media users in full on delusional filter bubble mode and all manner of other stuff besides.
The annualization and inconsistent naming structure of Assassin's Creed titles, coupled with the abandonment of the one major
through - line
narrative of the games,
painted an ugly and confusing picture of the series which once dominated the video games industry.
Jack Whitten's
narrative Abstract Expressionist works from the 1960s draw imagery from the Civil Rights movement, including ghosted images of Dr. Martin Luther King, Jr; Joan Semmel's figurative
paintings question representation of female sexuality
through the lens of self - portraiture; Gay liberation and the AIDS crisis are the cultural context for
narrative paintings by the late Hugh Steers (1963 — 1995).
If you're unfamiliar with Kiel Johnson's work, his work, he creates transmorphic drawings,
paintings and sculpture that seem to synthesize the ever - expanding media explosion
through a kind of personal
narrative.
Through painting and sculpture, each artist transforms this typically self - referential genre into one that speaks as loudly as
narrative imagery.
Titus Kaphar is an artist whose work interacts with the history of art by appropriating its styles and mediums
through painting and sculpture, and then altering the work in a nod to hidden
narratives and unspoken truths about the nature of history.
With
painting as his main artistic expression since the 1960s (M.M.M. in G and A, 1961 — 66 and P.D.Stengel, 1963), Baselitz has reinvented himself
through the richness of his palette and the expressionist depiction of his
narrative, which has never stopped embracing the human hypostasis.
3,000 years of Portraits, Katonah Museum of Art, New York, USA Adventures of Truth,
Painting and Philosophy: A
Narrative, Maeght Foundation, Saint - aul de Vence, France
Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, Texas, USA 30 Americans, Milwaukee Art Museum, Milwaukee, USA
Instead of accepting the historical
narrative that leads from linear - perspective,
through the camera obscura, to photography; Kwabena imagines an alternative history, one in which photography grows out of scroll -
painting.
The wonderfully prolific artist, who communicates his vision
through a variety of media, including sculpture, hand carved masks,
paintings on canvas, gouache and watercolors on paper, and even short video, made advocating for the natural world the main focus of his
narratives.
Through his
painting, Andy explores the city as a place of
narrative — both cinematic and graphic — utilizing the traditions of Impressionism, Pop art, and graphic art.
Revisited forty years later, these
paintings of Reed's, which have a lilting,
narrative quality even in their abstraction, invite an approach to Wool's word works
through the themes of artistic progeny and cyclical exchange.
More recently, his work has addressed social and political controversies
through large - scale
narrative paintings that combine elements of the Japanese woodblock print with inspiration from Renaissance church art.
With a
painting style that is self - effacing and grounded in the vernacular, Dawson offers careful consideration of
narrative through composition and intimate detail.
His practice demonstrates the
narrative potential of images
through the intersection of
painting and photography.
For El - Saieh's solo museum debut, he will create a suite of new
paintings that explore the connections between abstraction and the Haitian tradition of
narrative icon
painting, on view
through February 2018.
His powerful epic
narrative is the result of elevation and transformation of the medium of drawing into the
painting through the use of traditional methods of processing light and dark as the primary elements.
Despite the prevailing minimalist and conceptual
narrative of the time, the Italian - born artist sought to confront the fundamental aspirations and failures of Modernist
painting through the very medium of
painting itself.
The Art of the Flower positions floral
paintings within a broader art historical and cultural
narrative and reveals how the traditional genre was reinvented
through artistic experimentation in the 19th and early 20th centuries.
Through these
paintings, he opens the door the potential for a
narrative; however, none is given.
Though Brown began his current group of
paintings with a loose
narrative in mind (not unlike the subtle psychological dramas of Eric Fishl) the
paintings became increasingly romantic and expressionistic and less literal as he worked
through the series.
The works tell the story
through various fragments and landscapes, including a magnificent sea vista from a lighthouse beacon that produce what the artist refers to as a «missing
narrative» reminiscent of an atmospheric nineteenth - century seascape
painting.
Weintraub explores potentials for the future of humanity
through large - scale hyper - colored
narrative paintings, which are saturated with information and describe a world where morals have fallen and children act without consequence.
So, as we pass
through this collection of around 40 drawings and
paintings, we're supposed to look for clues and hints of the later brilliance and construct a
narrative or timeline that leads to its blossoming (which, here, comes in the form of At the Edge of Town (1986 - 8), a
painting showing a figure emerging onto the kind of semiabstracted landscape for which Doig is best known).
Houston - based artist Trenton Doyle Hancock's collaged
paintings and etchings are imbued with fictional
narratives that explore ideas of reclaiming identity
through the development of adapted personalities, which are illuminated by his use of repeated symbols and masking motifs.
The singular artist, her patented methodology, her hand, her oeuvre, a life primed for retrospection contra the looming anticipation of death, banal idioms whose meanings have worn
through semantic satiation, the grand
narrative of
painting and its anthropomorphic object, legends of pop culture, salient reason itself — all appear to instinct as enframing devices or resistances to subvert.
These iconic compositions of complex, skewed angles and radiant, tonal color allude to the multiple
narratives coursing
through the history of modernist
painting, from the utopian vision of Russian Constructivism to the hallucinatory images of Op Art.
Featuring internationally recognized artists such as Pablo Picasso, Frida Kahlo, Andy Warhol, Ai Wei Wei, Jean - Michel Basquiat, Lyle's
paintings unfold as such; recognizable subject, recognizable composition, laugh, debate
narrative, repeat... The
narrative, of course, as seen
through the lens of a full - time painter and part - time «jack of all trades» who must take whatever job he can get in order to connect the dots and survive.
This
narrative is further explored
through the
paintings and photographs included in the exhibition, such as the silver bromide prints from Grasso's Specola Vaticana series.
Large - scale, hyperrealistic, and rendered in smooth oil
paint, the works immortalize the flower
through an entrancing and evocative
narrative.
Visit his website at www.georgeschmidt.com to witness history and
narrative painting come alive as he walks us
through his May 2012 solo exhibition at the University of Louisiana in a series of YouTube videos.
She tends to place her subject matter upon the figure and
narrative, and employs a unique
painting technique by pushing acrylic
paint through a thin wire mesh to make rich, fiber - like surfaces.
Fowler creates elaborate assemblage
paintings through intuitive layering of found objects and unconventional materials that illustrate imagined and concrete
narratives from his personal experience.
The New Hampshire - based painter — whose
Narrative Figure
Paintings is on display at TEJAS Gallery
through the month of March — is telling me about -LSB-...]
While both artists create
paintings that spark the imagination
through dreamlike
narratives featuring a compelling cast of characters, each painter's style is distinct.
At the heart of her
narratives is mystery, wonder and a courage that is often quiet and understated but signals confidence and trust resonating
through her
narrative figurative
paintings.
His works tell the story of the East End's resilience
through a turbulent time of war and peace and will be shown alongside sketchbooks and political pamphlets that haven't been seen for 70 years, providing a vivid and contextual
narrative to the
paintings.
Fallah left the sale with diaries, home movies, clothing and other objects chronicling the family's personal history; he then spent the course of the next year sifting
through these fragments of the family's life, filling in the gaps where necessary, to create a
narrative and build portraits of the family members
through painting, sculpture and collage.
Through repetitive patterns, mark making, and textural floral elements, her
paintings depict personal
narratives that focus on feelings of identity, vulnerability, and loss.
The show will explore the entire scope of the artist's career, including early cartoons and drawings; his macabre, emotionally - charged
paintings of the early 1960s; his epic rock and postcard
paintings of the late 1960s and early 1970s; his «bloody head» series of mutilated figures from the late 1970s
through the present; and his social commentary
paintings targeting corporate America, which include his
narrative tableaux that combine
painting with woodworking, found materials, and thick mounds of modeling paste, seamlessly blended into the
painted surface to create a remarkable illusion of depth.
Its
narrative is drawn from letters, diaries, and reports from the period, and these histories are made tangible
through a dazzling array of art objects, sculpture, costume, and
paintings.
Similarly, Carter not only builds the cities of his drawings and
paintings through his fictional
narratives but also
through the process of drawing itself.
The iconic magazine honored the artist for his contributions to marginalized and ignored black people in both the American society and art community, something Kerry achieved
through bold and in - your - face
narrative paintings.
Leavitt prefers to think of himself as «a
narrative specialist or something,» trying to «frame some story
through an object or a
painting or a situation that would lend itself to further
narrative.»
Based on diligent research and inspired by Harlem Renaissance artists Augusta Savage and Charles Alston, Jacob Lawrence illustrated African American history
through colorful
narrative paintings.
My ongoing
painting project explores the global
narrative of Modernism
through the singular story of the life and work of a fictional Russian - American artist, Alissa Blumenthal.
Through video,
painting and
narrative, Rosen's humor can be thought of as at once self - deprecating and incendiary.