Sentences with phrase «through older images»

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Dramatizing the trauma of expulsion from Paradise, Maine sometimes employs the cadences of the Old Testament («The sun rises and sets and does not change») and sometimes the concise, allusive conjunction of high and low that characterizes modern prose (as in the Babel image, or when Eve reflects on their vicissitudes «ever since their departure from the Garden to fight their way through this deathtrap called Creation»).
When I clicked through images of the largest protest in U.S. history to see millions of women — old and young, married and single, parents and non-parents — marching peacefully through the streets of every major city in the U.S., I couldn't help but smile and think, «Look: mommy bloggers.»
The images, taken from a CCTV camera in a VIP box at Wembley, and shared by the Mirror appear to present the 30 - year - old — who earns # 30,000 a week — rummaging through a cabinet in a corporate hospitality box belonging to sportswear manufacturer Nike, and taking out the objects he wants to nab.
wenegr is in the twilight years of his arsenal career now he might or might not see out the full term of his contract, i would image he wont give up but if he do nt get a big prize this season or next his desire might dwindle even more the board have seen what a shambles man united have gone through and the expense of failure, if they do nt get the next appointment right the board is trying to give themselves as much time to identify a replacement and in the correct time unless wenger leaves at short notice, i think if he had won the c / l all thought years ago we would be looking at a different story i think he would have left at the end if that contract as he would be at the peak of his powers and could of gone anywhere he like across europe, but he didn't win and here we are now, i respect the man for what he has done for us and english football a modern day herbert chapmen he is but even old chappy had his end of and era and wenger will have his end its just how will it play out hopefully a winner
SEE MORE (Image) Liverpool Have The Fifth - Youngest Team In Europa League, Spurs» Opponents The Oldest (Video) Roberto Soldado Sinks To New Low: Spurs Miss Out On Crucial Away Goal Through Flop's Incompetence (Image) Hilarious Auto - Correct Mocks Spurs Europa League Exit
Embed from Getty Images Arsene Wenger has been a long - term admirer of the 31 - year - old, who has been with the Swans for over eight years and battled through almost every league to get them to the top.
Unlike the old stereotypical images of poverty - stricken, uneducated and abandoned young teens or women facing parenthood alone, more and more successful, well - educated, professional single women are arriving at motherhood by choice and through adoption.
After much groaning and lowered expectations, only Madonna can be said to have outdone herself, executing a flashy halftime tribute to her own image («Y - O - U, Madonna») but also honoring the concept of longevity and old - fashioned pop stardom, reaching back through her catalogue of hits and enlisting the help of some present - day acts that the kids listen to.
Through our work we know that the image of an 18 - year - old happy to live fraudulently off the state is erroneous.
While some may feel that a fat, fact - packed book full of dazzling images is a little old - fashioned, others will love leafing through it and letting the sheer splendour of birds and the occasional silliness of a name (ocellated tapaculo or Andalusian hemipode, anyone?)
After sorting through the images, Evans found that the 600 - year - old Ming Dynasty wall was easy to spot: in this image of an area about 430 miles from Beijing, the 30 - foot - tall wall is the bright orange line.
«We're saying you could take two 1080p modulators, stick them in your projector one after the other, then take your same old 1080p lens and project through it and use this software algorithm, and you end up with a 4k image.
«We need to reach 10 to 14 year olds, often through their parents or schools, to teach them about their bodies and support development of a healthy body image and a strong sense of self worth.
On July 20, 1969, peeking through her fingers at the images on her family's black - and - white television set, 8 - year - old Bowman, her sister and mother watched astronaut Neil Armstrong land on the moon.
«I had no idea how much I fat - talked myself,» says Christie Yerks, a 25 - year - old woman who went through Tri Delta's Reflections body image and fat - talk workshop as a collegiate member.
The neutral tones and old world feel left me with the biggest smile — hopefully you'll feel the same after scrolling through these images!
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Some of the superheroes who will be introduced to the viewing audience include Peter Petrelli, an almost 30 - something male nurse who suspects he might be able to fly, Isaac Mendez, a 28 - year - old junkie who has the ability to paint images of the future when he is high, Niki Sanders, a 33 - year - old Las Vegas showgirl who begins seeing strange things in mirrors, Hiro Nakamura, a 24 - year - old Japanese comic - book geek who literally makes time stand still, D.L. Hawkins, a 31 - year - old inmate who can walk through walls, Matt Parkman, a beat cop who can hear other people's thoughts, and Claire Bennet, a 17 - year - old cheerleader who defies death at every turn.
Some of the close - ups of the old printing presses are admittedly interesting, and the change of settings for Katharine, from dinner parties to the old printing rooms, shows her transition through images not words.
Braff is intent on making a movie that's actually worth watching, and he has an eye for memorable images: Andrew and Sam zipping around on an old - timey motorcycle (complete with sidecar), and the characters» unexpected entrance into a darkened back room of a hotel, where low - level employees spy on guests through peepholes.
In A Quiet Passion, it's the way the white light streams through the windows and onto Emily Dickinson (Cynthia Nixon), who became more and more of a recluse as she grew older, never experiencing that light except through a window (windows, after all, are key images in all of Davies» films).
As the digital revolution has swept through Hollywood like brushfire, Nolan has remained a stalwart champion of shooting on film, and as 3D has increasingly become the blockbuster norm, he has refused to join the bandwagon, advocating instead for IMAX, a variant on the old 70 mm process responsible for the likes of Lawrence of Arabia and 2001, and whose screen - filling images envelop us in a way that only a select few 3D movies (chiefly Avatar and Hugo) have even approached.
It's vengeance served hot and perverse like a Medeaen stew, a story of settling scores old enough to be archetype married to sounds and images so invasively intimate that the process of working through the film is a little like getting physically violated.
In the opening sequence, an intricate construction of sound / image relationships, Maureen, alone at night, walks through her brother's old country house, looking and listening for traces of his presence.
The Christmas Art / Christmas Colouring Book has something for everyone with a nice blend of traditional and modern images from modern «mindfulness colouring style» images right through to old fashioned images of the nativity and Father Christmas and everything in between.
High - resolution images of the third - century codex, which is the oldest known copy of the Letters of St. Paul, can be flipped through like the pages of a book.
«The pet shares information through images, words, sounds, feelings and smells,» says 36 - year - old Natalie Chan, an animal communicator with five years of experience.
Figure 3: Transverse PET (A), fused PET / CT (B) and CT (C) images through the right front proximal metacarpus of an 8 - year - old Warmblood gelding.
Through routine tests (blood and image), I found that my cat of 10 years old have severe liver damage, although not yet has symptoms.
The region is filled with countless small village dedicated to the centuries - old history of wine - making, and a drive through the area can easily conjure up images of dropping everything and starting your own winery, a tradition that has been the root of draining more retirement accounts throughout the years than probably any other activity.
Featuring an old - fashioned American flag clamped to a photo stand, the work addresses the violence that runs through much of America's history — Erizku printed a pixelated image of a cougar onto the flag.
In an epoch when older painters tended to work for forty years exploring the same image, Wool blew willy - nilly through different images, often concurrently, challenging traditional notions about artist identity and branding and paint handling as well as the Modernist notion of progress.
Their work over the past year has included erotic artbook images with the smutty bits sandpapered out, exploring the commodification of art through the medium of dance, telling circuitous personal stories live to an appreciative but perhaps baffled audience and, for the more old school - minded, screen printing.
For many years, I spent my days looking through old webpages, following the images that went from one site to another, adopted by a diverse range of web makers: hulagirl.gif, peeman.gif, felix.gif, and so on.
Through three floors of the gallery, Leonard's family narrative unfolds — beginning with the various iterations of her old family photographs and then expanding to new images of pigeons over a New York skyline she took, presented as contact sheets.
Presented in an oval format... the images might have been spied through a keyhole, and their Old Master allusiveness isn't contradicted by the suggestion of dust and sweat.
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London ArThrough Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Arthrough me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
Clerkenwell, meeting the fringes of the City of London, Old Street, Camden and Islington, is not well documented through photography, although connections with image - making are long - standing in the area.
He describes an image of an old woman: «she is both incredibly solid and volumetric and at the same time is presented to us through the most elegant flat shapes that thread their way across the whole composition.»
As you walked into the space, you met with a series of collages, including Histology of the Different Classes of Uterine Tumors, in which age - old medical illustrations are resuscitated through new faces, and Bedroom Masks, in which postcards of traditional African masks are combined with images of black women in porn to emphasize their fetishisation and the conflation of these stereotypes.
Her work builds drama through mixing up distant and conflicting realities and chronologies — the most recent images in the exhibition were made on a recent trip to Cuba and Los Angeles, the oldest photograph in the exhibition dates back to 1978 when Graubard had just quit working for rock and roll and literary agents.
Jenny Schmid's «gender utopia» project explores notions of gender and liberty through images that fuse Old...
Overlooked in her discussion of Sherman is the recognition that her dressing - up, role - playing, selfie - photo schtick was already old when she revved it up in the late 1970s, and that, for some time, such pioneering feminist artists as Martha Wilson, Martha Rosler, Suzy Lake and others had already been examining women's society - defined roles and images through photographic, performance - based artistic projects.
Through a combination of figuration, color, and form, he transformed scenes inspired by the the Old Masters into abstracted, allegorical images of modern American life.
These recent pieces, moreover, are arranged alongside older work through an artistic practice that uses assemblage and composing — a composing of images, forms, sensations, and references that is entirely representative of Tritz's approach in general.
Lister's love for geometric abstraction, color field painting and old school digital graphics led him to reinterpret the iconic images in the 8 - bit inspired vocabulary through the watercolor medium.
For the remaining five windows, Polke designed images of figures from the Old Testament, based on medieval illuminations, which have themselves undergone transformation in the course of their long journey through time.
The reporter must have then started going through old catalogues of previous shows, some dating back many years, until he found a handful of images he could reproduce to get the desired effect.
Artist Statement In ON THE MOVE, Yvette Drury Dubinsky uses found then manipulated images and old maps and through these comments on the recent and historical dispersions of people around the world.
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