Sentences with phrase «through organic forms»

The medium scale canvases suit Sullivan's ability well as he creates a vague narrative through organic forms and cracked paint.

Not exact matches

And the organic form of the universe thus divinized is Christ Jesus, who, through the magnetism of his love and the effective power of his Eucharist, gradually gathers into himself all the unitive energy scattered through his creation.

But, until now, scientists have not been able to engineer hybrid membranes with enough metal - organic frameworks to form continuous channels through the membrane.

As the hot hydrothermal fluid flows through this mud, it «cooks» organic material, forming methane (natural gas) and oil - like hydrocarbons.

«The way carbon gets buried usually starts with photosynthesis, through which carbon dioxide is converted to organic material in the form of plankton, marsh grass, mangroves, or sea grass,» he said.

This happened despite the fact that both groups of plants took in the same amount of nitrogen through their roots, suggesting that the plants fertilized with nitrate were having trouble converting the nitrogen in nitrate into a more useful, organic form.

Photosynthesis allows them to take in the latter directly from the air, but they have to procure nitrogen through their roots in the form of organic molecules like ammonia or urea.

Secondary organic aerosols are formed primarily through chemistry that occurs in the gas phase.

(Methane forms as a by - product of anaerobic bacterial decomposition of organic matter in the soil and reaches the atmosphere through the roots and stems of the rice plants.)

The morphologies of the tubules are inconsistent with known mineralogical crystallization mechanisms, and combined with evidence of organic molecules suggest that these tubules can not be formed through purely abiotic processes.

In addition to water, organic molecules, which could have been deposited on the surface by crashing comets, somehow would have to get through the thick shells of ice for life to form, a situation that puts Saturn's geyser - spewing moon Enceladus at the top of Nimmo's list of potential spots for life.

While on present - day Earth the carbonate formation is dominantly through organic processes (various shell - forming marine organisms are happy to make use of the CO2 dissolved in the ocean), in the early Earth and, presumably, in other Earth - like planets with little or no life the same process can occur inorganically, but somewhat slower, in silicate rock weathering.

They usually take the form of chloroplasts, which like cyanobacteria contain chlorophyll and produce organic compounds (such as glucose) through photosynthesis.

Secondary organic aerosols are formed through complex physical and chemical interactions between pre-existing aerosols in the atmosphere and trace organic gases emitted from both human - caused and natural sources.

The organic aerosol particles that coat the toxic hitchhikers are wafted into the atmosphere through emissions from trees (like those that produce the smell of pine trees), and burning biomass and fossil fuel to form a semi-solid sap - like casing surrounding and protecting the particle's payload from breaking down in the atmosphere.

Her explorations of form and composition, color and gesture give rise to a compelling language of abstraction where her ideas and feelings about the inner life are projected through organic shapes and energetic brushstrokes.

Of her work, Taylor says, «Through mixed media painting and drawing, I experiment with the pictorial function of words by deconstructing textual elements alongside organic forms found in nature.

Working with drawing, video, sculpture, and installations, Hüner's practice focuses on constructed narratives and eclectic assemblages which explore the subjects of utopia, archaeology, ideas of progress, and the future through reimagining spatial and architectural entities and organic and artificial forms.

The artist's fountains are lined with cast aluminium, through which water flows, rises, falls, and rushes, flooding the organic forms on its bed then draining away.

With the interconnected fabric mats shaped to evoke biological cells or chemical flasks, each of these sculptures assumes a vital role in some form of organic circuit that flows through a portal - like shape mounted against the wall and framed with head - like ovoids, elongated staffs and open circles.

With this new series, Crowner draws from organic and botanical forms of nature — speci cally the weeds that grow outside her studio, creep through the cracks of sidewalks, and otherwise colonize the industrial archi - tecture around her neighborhood.

FORM is presented as a meeting of painting, sculpture, digital art, photography and mixed media works, examined through a dialogue between formal geometric structures and organic compositions.

Through her eyes, the flat image of a jewel becomes an organic form, a world within itself.

Viewers are encouraged to poke, touch, and — in some cases — even walk through these plush organic forms.

Through a language of architectural and natural forms rendered in resin, bronze, stainless steel and terra cotta, she poetically redefines any logical interpretation of space by confounding interior and exterior, organic and artifice.

Small slivers and large organic forms of exposed silver allow the viewer to catch glimpses of themselves as they move through the gallery.

Over time layers of interacting colors and form are set into play through scraping and over painting to create organic and architectural forms.

In - Tree - Net takes form of an organic nervous system growing through the building.

Within the structure of each work is an embedded life cycle, mapping an organic trajectory that leads from conception through reception in its various aggregating forms.

In poetic compositions of vibrant color and organic form, Suzanne LaFleur evokes the serene atmosphere of summer retreat in her newest work now on display at Lawrence Fine Art through August 18.

«Behjat Sadr: Trace through the Black» explores the artistic and intellectual heritage of the Iranian artist Behjat Sadr, with archival material, and presenting a rare selection of works: from her early debate with «abstraction informelle» in the 50s to her experimentations around organic forms, trace making, and hallucinatory networks of lines throughout the «60s and «70s up until her «collage» years throughout the (inner) exile and the irrepressible return to her world of futuristic nostalgia.

Dekyndt gives shape to complex forms and surfaces that are in a permanent state of transformation and change, through interactions between substances, a location and a support, and through biochemical, organic or inorganic processes.

Self taught, Dorn works with acrylic in large - scale to convey a range of raw emotion through soft organic shapes and abstract forms.

The Final products are vibrating, hiigh - gloss non-figurative abstractions; studies of organic form filtered through a process and vision that is both controlled and erratic, familiar and alien.

It focuses on the experimental transformation of shapes and surfaces that make up the urban landscape, from which the three artists draw their inspiration from; Fabio Petani with his refined balance between organic forms and geometry, Nelio through a dense texture of colour fields that he uses to compose his name, and Heiko Zahlmann, with a long and vaunted past as a graffiti writer, evolves his style in three - dimensional works, in which painting, drawing and architecture interact with one another.

This exhibition showcases the artist's varied and innovative practice through a focused presentation of rarely displayed works, including small - scale sculptures, collages, drawings, and artist books that shed new light on Chillida's enduring fascination with space and organic form.

Through the saturated hues of site specific installation, wall reliefs, and undulating, folded sculpture, Pasquali's work redesigns the contours of organic forms through ready - made inorganic material, rendering elegant, playful dThrough the saturated hues of site specific installation, wall reliefs, and undulating, folded sculpture, Pasquali's work redesigns the contours of organic forms through ready - made inorganic material, rendering elegant, playful dthrough ready - made inorganic material, rendering elegant, playful designs.

Through the saturated hues of site specific installation, wall reliefs, and undulating, folded sculpture, Pasquali's work redesigns the contours of organic forms -LSB-...]

This exhibition focuses on Barbara Grad's recent paintings that reference the changing nature of life through organic, colorful forms.

[4] As distinct from Brancusi's streamlined brass, the organic form of the pebble remains perceptible in the slight undulation through the length of the Tate Fish.

The artist is known for sprawling sculptures made of hand - sewn rubber, whose organic forms seem to tumble and unfold through the exhibition space.

From the late 1940s onward, her paintings conveyed her passion for spontaneity and creative play through impulsive gestural brushstrokes and organic forms.

Monumental, abstract, and figural, his cast bronzes imply human and animal form through smoothly twisting organic curves and rectilinear joints.

Through simple gestures of pouring and removing paint, gravity shapes the lines and forms that start to resemble organic elements.

This Exhibition focuses on Barbara Grad's recent paintings that reference the changing nature of life through organic, colorful forms.

Each panel is made through Levin's distinct process of pouring fiberglass - reinforced plaster into framed Lycra, and allowing gravity to shape an organic convex form.

Through these transparent, organic forms, the otherwise provocative words are rendered vulnerable and fragile, rather than hard and severe.

Because the carbon that stimulates methane production is primarily dissolved organic carbon carried downward through the peat by rainwater rather than the solid - phase carbon that forms peat, this change in transport depth doubled the peak production zones for methane.

As if sweltering heat weren't bad enough, Europeans also suffered through a higher - than - normal number of days with dangerous smog levels that year.6 Smog — with ground - level ozone as the main component — forms when sunlight reacts with chemicals such as volatile organic compounds, carbon monoxide, nitrogen oxides, and water vapor.

But even beyond the small but growing organic cotton market, some brands are pioneering more sustainable forms of cotton purchasing through the Better Cotton Initiative.