Sentences with phrase «through other art movements»

Not exact matches

Music is remarkably instructive here, because more than any other art form, it teaches us how not to rush over tension, how to find joy and fulfillment through a temporal movement that includes struggles, clashes and fractures.

On the other hand leaders of the Bible school movement have been developing a theory of liberal arts education with the Bible at its center, and through an accrediting association have moved toward standardization and steady improvement of a program which seeks to synthesize conservative evangelical Christianity with a valid educational ideal.

«Yet Krasner, through her studies with Hans Hofmann, her interest in Matisse and other modernists who could not be assimilated into the social art movement, and her acquaintance with Gorky and de Kooning, was already launched on a more independent artistic course, and it was largely through her that Pollock was first drawn into the orbit of the modernist esthetic.

Through his street roots in graffiti, Basquiat helped to establish new possibilities for figurative and expressionistic painting, breaking the white male stranglehold of Conceptual and Minimal art, and foreshadowing, among other tendencies, Germany's Junge Wilde movement.

For Galvez, and perhaps as a modus operandi of the gallery itself, the pathways of non-objective abstract art created by, and funneled through, Malevich (b. Ukraine) and Mondrian (b. Netherlands), among others, are the seed - like lenses that grew into movements that thrived through the 20th century to the present.

The continuation of abstract expressionism, color field painting, lyrical abstraction, geometric abstraction, minimalism, abstract illusionism, process art, pop art, postminimalism, and other late 20th - century Modernist movements in both painting and sculpture continued through the first decade of the 21st century and constitute radical new directions in those mediums.

In 1963, he co-founded the Spiral Group (along with Romare Bearden, Norman Lewis, Hale Woodruff, and others), which sought to contribute to the Civil Rights movement through the visual arts in part by increasing gallery and museum representation for black artists.

Recognized as a defining force of the alternative space movement, MoMA PS1 stands out from other major arts institutions through its cutting - edge approach to exhibitions and direct involvement of artists within a scholarly framework.

Rooted in other artistic movements and the aforementioned Abstract Expressionism, Process art has been recognized in the United States and Europe in the mid-1960s and continued being present on the scene through the 1970s.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

«This diverse lineup of panels — from challenging how we position ourselves in a globalized world, to how critical language itself has adapted in the 21st century to support current movements — examines how certain histories are being rewritten through a series of discussions that span design, architecture, geographical differences in curating, and the potential socio - political implications of collecting art, among other prevalent topics.»

AM: Youâ $ ™ re seen as one of the pre-eminent British contemporary figurative painters working today, but you seem to be linked with the street art movement â $ «perhaps through association â $ «as the majority of the other Lazarides artists having this sort of background.