Sentences with phrase «through paintings on canvas»

The space will be transformed through paintings on canvas and on the gallery walls, prints on metal, multiple video installations, sculptural fashion objects, participatory games and more.

Not exact matches

Science can teach us about paint, pulverized minerals, color, light, optics, and proportional harmony, but it can not explain the mystery of beauty on the finished canvas — how moral, societal, and transcendent truths can be revealed through the drama and execution of a piece of music or architecture.

The subject is enhanced by Rouault's technique of laying thick patches of paint on his canvases, so that undercolors glow through to the surface.

One quiet afternoon we looked through the «Art book for Children», the first picture to catch her eye was a huge mass of swirling colour with a man throwing paint at a canvas on the floor.

The pleasure and joy painting gives her comes straight from her heart, through the brush and on to the canvas.

Chiara's «Material Puns» use wordplay to weld the title of the painting with the materials placed on canvas, through an ironic reinterpretation of Pop - Art, Dadaism and Ready Made.

For those unfamiliar with Van Gogh's story, it is a faithful exploration of the person behind the paintings, and for those already acquainted, it is a thrilling stroll through the world heretofore known only on a canvas or flat page.

Prior to the event, an artist sketches the pets onto canvases and then guides the participants through painting the picture on Paint Your Pup night.

Untitled # 5 Artist: Agnes Martin 1912 - 2004 Date: 1994 Classification: painting Medium: Acrylic paint and graphite on canvas Dimensions: support: 1525 x 1528 x 35 mm ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 © estate of Agnes Martin

LOS ANGELES — Rebecca Morris presents new paintings on canvas and paper at LA > < ART, through April 26th.

Cheim & Read is pleased to announce Joan Mitchell: Drawing into Painting, a survey of works on canvas and paper from 1958 through 1992, the year of the artist's death.

Her paintings are built up through layers of acrylic paint on canvas, overlaid with mark - making using pencil, pen, ink and thick streams of paint.

Happy Holiday Artist: Agnes Martin 1912 - 2004 Date: 1999 Classification: painting Medium: Acrylic paint and graphite on canvas Dimensions: support: 1525 x 1525 x 40 mm ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 © estate of Agnes Martin

This quality is not only apparent in the way vibrant swaths of oil paint harmonize with each other on the canvas; it also comes through in the way her career has quietly percolated along through the decades since, without drama or self - promotion, with no clearly delineated sty listic phases or periods.

Dan Walsh, Days and Nights — Nights, 2010 Acrylic on canvas February 19 — March 27, 2010 «Days and Nights,» an exhibition of new paintings by Dan Walsh, will open at the Paula Cooper Gallery (521 West 21st Street) on Friday, February 19, and remain on view through March 27, 2010.

As the term says for itself, Action Painting is a style used in painting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint on to the surface of thePainting is a style used in painting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint on to the surface of thepainting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint on to the surface of the canvas.

The wonderfully prolific artist, who communicates his vision through a variety of media, including sculpture, hand carved masks, paintings on canvas, gouache and watercolors on paper, and even short video, made advocating for the natural world the main focus of his narratives.

Her works are often created through the manipulation of the canvas: she pours paint directly on to the board, and, through movement, intuitively makes images.

Sprawling across a two - metre tall canvas, the painting exaggerates the viewer's perspective of the pieces shown, creating a dizzying effect: the pieces near the bottom of the canvas are painted as though the viewer is looking directly down on them, while those at the top seem to tower above, giving it the appearance of a photograph taken through a wide - angle lens.

The slashes of paint on canvas are a meditation on patterns that create pathways through the composition.

I love most types of painting, from super-realism through to minimalism, but a good expressive work with paint slapped on and dripping off the canvas will always make me smile the widest Continue Reading

In the wider paintings, which are created on abutted canvases, the evocation of poetic form is especially strong: every time the brush traverses the seam between one canvas and another there is a slight disturbance: a vertical line slicing through the stroke.

@TheRealHennessy Tweet Painting, HBO, 2014, 14 × 11 in., acrylic and screenprint on canvas Sifting through these mediated tweets of status, conspicuous wealth and underlying sexual tension, greg.org was struck by the way social media differed from writing — that is, the way that tweets from self - promoting were always immediate, seductive and dazzling yet also fictional.

From her paintings on canvas to her room - sized installations, Yayoi Kusama creates vision - encompassing experiences, often through brightly colored and obsessively repeated motifs.

The diptych of two oil on canvas paintings was purchased through a gift from Jacksonville Women's Leadership and Museum acquisition funds.

Through his investigational approach, Otero combines the traditional act of painting with his innovative creation of «oil skins,» produced by layering oil paint on glass and then peeling it off in «sheets» before transferring it to canvas.

Through the classic technique of oil painting on canvas, his idea is to introduce a humanistic and poetic dimension into the highly technological hospital environmen...

Through a process of applying many translucent layers of oil paint onto canvases lying on the floor random expressionistic color fields are created sometimes with broken geometric structures floating on the surface.

The reduction of details and unoccupied spaces on the canvas bring the imagery closer to the viewers so they can fall further into the painting, pulling them in through color, form and scale.

In the late 1960s Lynda Benglis became famous for her radical re-envisioning of sculpture and painting through her early works using wax and latex, which she poured on to the ground to take painting off the canvas and into architectural space.

The paintings were completely abstract and they expressed big themes and emotions — tragedy, despair, the unconscious, angst of every description; feelings that were embodied not through imagery, but the intensity with which the painter got the paint on to the canvas.

Meanwhile, still other artists looked back on Malevich's monochrome with paintings that conveyed form only through the shape of the canvas, like Robert Rauschenberg's early 1951 white paintings (which he considered stages for the interplay of ambient light and shadow) and Brice Marden's imposing examples from the 1960s.

Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Through a series of scripted body positions, Street slowly imprints quasi-photographic imagery into pools of wet acrylic paint on canvas, her body wrapped in hosiery, an indexical gesture that recalls feminist performances of the 60 ′ s and 70 ′ s.

Matt Kleberg's «Catacomb Catapult (for Eddie)» is one of four recent oil stick on canvas paintings in his show «Caterwauler» at Hiram Butler Gallery through Aug. 27.

At the opening reception of his latest exhibit, The World of Line, Ink, and Nude by Chang - Woo Seok, now on display at the Korean Cultural Center Washington DC through June 8, the artist demonstrated his very personal technique, making use of his prosthetic limbs to grasp a brush and his torso movement to paint across a room - sized canvas of traditional Korean paper, spread across the gallery floor.

«There's a weird culture where works on paper aren't respected the same way as paintings are,» said Keltie Ferris, walking through her latest exhibition at Mitchell - Innes & Nash, which pairs vibrant mixed - media canvases with more intimate body - prints.

Developing their careers in the 1960s rather than the 1950s, the New York artists used new water - based acrylic paint on primed canvas to achieve an oil - like richness of color along with crisp lines through acrylic's plastic quality.

Alpha - Phi Artist: Morris Louis 1912 - 1962 Date: 1961 Classification: painting Medium: Acrylic paint on canvas Dimensions: support: 2591 x 4597 mm Presented by Mrs Marcella Louis Brenner, the artist's widow, through the American Federation of Arts 1968 © The estate of Morris Louis

At the London branch of Michael Werner Gallery, he's showing works on canvas through early August, and at the prestigious CAPC Museum of Contemporary Art in Bordeaux, a mid-career retrospective of Curry's work began in May with a large emphasis on paintings.

Working on an unprimed canvas is certainly doable, but nothing prevents the paint from soaking through the surface and deteriorating the canvas.

This quality is not only apparent in the way vibrant swaths of oil paint harmonize with each other on the canvas; it also comes through in the way her career has quietly percolated along through the decades since, without drama or self - promotion, with no clearly delineated stylistic phases or periods.

In his paintings Moffett extends the traditional two - dimensional frame in a number of ways, including converting the ordinariness of the flat plane into highly textured reliefs, making paintings that are opened up and turned inside out, or presenting intricate illuminations through the use of video projections on the canvas.

A drawing such as Study for Black Curvesmay, indeed, have given rise to the painting Black Curves, but in other instances a curve, a panel, a colour palette or a relief will have gone through intense rethinking and reshaping before emerging on a canvas or in a shape of steel.

Relying on the thinner quality of acrylic paint compared to oil, Nara creates each painting by adding and removing pigment until he reaches his desired effect: a canvas made up of suspended hues that allows the figure to emerge through layers of color, inviting the viewer to stand still and enter a moment of contemplation.

Belgian artist, Michaël Borremans, creates mystery on the canvas through figurative painting, filing inanimate objects with a sense of humanity, and obscuring the life from any human forms.

Each treads boards as though assembled on a spotlit stage, its wooden floor dragged viscerally into being through paint pulled across Ghenie's canvas.

Holyhead's practice is abstract painting and the presentation of his watercolour drawings in this show provides a kind of language through which he explores what seem to be compositional and colour strategies for the larger works on canvas.

Also of interest in the exhibition are Fairfield Porter's View Through Window from Interior (ink on paper, circa 1965), Adrian Nivola's delicate wire sculptures Arunian Harp (wood wire paint and mixed media, 2015) and Deco Pochette # 4 (wood, wire and paint, 2015), and Bryan Hunt's Deep Field with Quarry (oil, acrylic, charcoal, and photograph on canvas, 2015).

Pascali's other works involving canvas include «Grande bacino di donna, mons Venus», and «Labbra rosse», these works were large flat canvases that became three - dimensional sculptures through the use of wooden structures, paint, and other materials, though they were still able to be hung on the wall.