Sentences with phrase «through past material»
It did somewhat tread through past material with the set pieces, but it still brought a long and epic story of which fans of the series have come to expect.
http://articles.gamerheadquarters.com/ Not exact matches
In the past few weeks I've been doing quite a lot of work that has required businesses to send through follow up material, proposals, quotations and so on.
The nature of religious television in America can be seen to be a function of the interaction of four main players; changes over the past decades have come about because of changes in the relative power and relationships of the four following players: (1) the regulatory agencies of the federal government, which, through the legislative process, provide the structure within which interaction inside the television industry takes place; (2) the television industry, primarily network and local station managements, which control the airwaves within the legislated structure; (3) the viewing public, which selects what it is that will be watched; and (4) the religious broadcasters who provide the material for broadcasts.
Thus we may think that, as the direction of motion in space may change, the time direction may change too; as a material particle may reverse its motion and pass again through the positions previously occupied, «the moving present» can also return to the past; or as the motions in space may be circular, the course of time may be circular too.
Mission: The Arlington Heights Historical Museum collects and preserves significant materials related to our past and shares them through educational and recreational activities that promote community heritage and pride.
They track the impact of HIV on women and their infants, review past and current research on transmission of the virus through breastfeeding, trace the evolution of past guidance, outline current policy and counselling recommendations and list easily accessed informational and training materials.
CORNING, N.Y. (WENY)-- Through the Governor's Open Educational Resources Initiative, the high costs of books and other materials could soon be a thing of past.
This past March, NBC News leaked details of a classified investigation by the Government Accountability Office that showed homemade bomb - making materials sailing through security at all 21 airports tested.
«What this means is that we are learning from past lessons with some of the pesticides or [genetically modified] foods that we do need to show that these materials are going to be safe all the way through their life cycle [s],» says toxicologist Raymond David of the chemical company, BASF Corporation, which also signed the letter.
Over the past decade, researchers have been working to create nanoscale materials and devices using DNA as construction materials through a process called «DNA origami.»
Over the past 70 years, the Birmingham - based research organization has supported national defense and protected warfighters serving around the globe through work in materials research and systems engineering.
This, the dehumanization of an entire group of people based on a past transgression through forced poverty and pitting them against each other in order to distract them from their real enemy, is not heady stuff, and neither is it difficult to establish a moral center within the material.
Similarly, the National Academy of Advanced Teacher Education, or NAATE, which provides specialized professional growth opportunities for educators, works to retain teachers and school leaders through opportunities to grow in data - driven instruction techniques, peer leadership, and communication and feedback.32 Building on past professional learning successes via its network of teacher leaders in 185 sites, the National Writing Project's, or NWP's, College Ready Writers Program demonstrated that teachers will commit to and participate in high quality professional development that helps them strategize approaches to teach argument writing using nonfiction texts and provided adaptable classroom materials.
Having powered through that material, he realizes that it's time to be truly honest — about his trying past few days, about his romantic ideals about his virginity, about his family, about everything.
Authors could stop producing for six months, slog through their differences, reform the industry top to bottom — and the readers would still be crawling out from under the mountain of material dropped into the market in the past couple of years.
To get past the horrors that lie hidden on this planet, players must comb through the environments different hubs, dungeons, and side paths for raw materials and scavenged parts, putting Isaac's engineering skills to the ultimate test.
Oppenheim's photographs and videos are composed of images and materials from the recent and not - so - recent past that she re-processes and transforms through various historical and contemporary techniques.
It seeks to reveal the richness, complexity, and impact of Feher's investigations through a careful selection of 60 key works that revolve around a very personal formal, material, and spatial vocabulary developed and refined over the past couple of decades.
This work explores issues of race and identity through the readaptation of archival material from past issues of magazines Our World, Sepia, and Ebony.
Her practice often takes her to book stores or flea markets, where she combs through magazines, atlases, travel guides, and newspapers for source material that can create a dialogue between the past and present.
«Olesen probes homosexuality's criminalization, past and present, through the appropriation of source materials and contextual shifts.»
They each have a distinct approach to visualizing the world, creating environments and materials that express diverse and thoughtful ideas about the ways past and present experiences are communicated through images.
She was quick to acknowledge the importance of moving forward, embracing change, experimenting with new materials and methods of application, and seeing the future through the past.
While singing and dancing she reclaims the past, performing radical makeovers of her source materials, refracting her own experiences and emotions through a variety of found imagery and objects.
Material Object will examine palpable histories through materiality, process, research and / or traces and remnants of past events.
Exploring the painful history of American race relations through large - scale silhouette installations, Walker's work transforms historical materials, literary sources and popular culture, challenging us to access buried emotions about our nation's past.
Organized in a collaborative effort between curator Julie Fishkin, and artist Saya Woolfalk, the fifteen artists in the exhibition engage the dichotomy between communal pasts and the individual experience, intertwining them visually through the manipulation of common materials and reexamination of time - honored aesthetic practices.
While the exhibition examines the world of Suh's art from diverse perspectives and through various materials, it provides visitors with a valuable opportunity to observe simultaneously the past, present and future of Suh's creativity.
From the delicate nature of early wall sculptures — including Diary of Flowers (1994), composed with hundreds of doodled paper napkins, and Changing Things (1997), made from disassembled silk flowers — to the large cut - paper photographs of flowering trees, gold - leafed newspaper pages, and light - filled mirror mosaics of the past decade, Hodges» art typically begins as humble, even overlooked materials that are transformed through his touch.
From the delicate nature of early wall sculptures - including Diary of Flowers (1994), composed with hundreds of doodled paper napkins, and Changing Things (1997), made from disassembled silk flowers pinned to the wall - to the large cut - paper photographs of flowering trees, gold - leafed newspaper pages, and light - filled mirror mosaics of the past decade, Hodges» art typically begins as humble, even overlooked materials that are transformed through his touch.
The sculptural, three dimensional compositional approach, and use of traditional and found materials as expressed contemporaneously by Awofeso, Kohler and Ziman, serve as connective symbols to the land's past, and expressive of how it has shifted through modernity, as authored by the artists.
Informally dubbed «live sculpture,» she incorporates images and materials from the past and activates them through performance.
The three artists included in this year's residency exhibition extend this notion to explore how communities themselves can influence the ways in which art is produced, whether through incorporating images that document change and progress, questioning the contexts of cultural and physical representation so as not to repeat history's mistakes, or archiving materials from a community's past in order to benefit future generations.
The show, Parkinson writes, features «works by Andrew Bick, Stuart Elliot, Robert Holyhead, Clare Kenny, Maria Lalic, Karim Noureldin, David Rhodes, Cullinan Richards, Brandon Taylor, exhibited alongside a «museum» of printed matter related to British Construction and Systems Art... I have the sense of a past that is locked, only partially accessible via faded documents, memory and influence, as if the works on the wall are familiarly connected to the archive material or they can be interpreted as having evolved from a «constructive context,» some more consciously connected to the base than others, like the system formula that eludes my attempt to discern it, or like Noureldin's drawings wending their way through various permutations, continually repeating and changing, awareness of the past leading to an informed openness to an unknown future.»
, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,
Project 94 at the Museum of Modern Art in early 2011 was Olesen's first U.S. solo museum show, in which, according to Valery Oisteanu in The Brooklyn Rail, «Olesen probes homosexuality's criminalization, past and present, through the appropriation of source materials and contextual shifts.»
Created through a variety of methods and materials, including painting, printmaking, assemblage, and sewing, with a flattened, pop - sensibility and purist coloration, LaChance's works - a homage to the «Edge City» - celebrate a sort of nostalgic revision of the past - one that imagines the future as a deconstructed, pop - like, dream - space.
Presenting strong symbols of civilizations through visual and written material, the works in the exhibition investigate the rituals of our daily life through the figurative meaning of an artefact and question, in the current climate of constant change, what should be conserved from the past for future archaeologists and how does this influence our historiography.
The London gallery has seen some great artists roll through its doors in the past year, including Aimee Heinemann with COPE AGAINST COPE at the beginning of last year, Emily Jones and her Prayer for the Sonoran Desert show in February, Cédric Fargues with ARTOAST over the summer, and Holly Childs and Max Trevor Thomas Edmond with Ellen Degeneres Beezin Topshop -LCB- preliminary materials -RCB-.
Each thematic gallery then has an autobiographical element, whether through materials important to her or narratives that evoke her past.
According to a new way of montage that is applied to fixed visuals, art moves individual thinking, ideas and emotions through our senses, pushing past the material nature of places, volumes and matter.
By using mass - produced paper materials, working models, designs and biographies combined with a framework of historical references, Bohl rethinks past utopias through the lens of the present.
«By manipulating the wood and other objects to weather and age them, Drew's awe - inspiring sculptures reveal the artist's intense attention to shaping, cutting, building, and working his pieces through his own material language,» explains a press release for Drew's eponymous solo exhibition at Talley Dunn Gallery this past fall.
Laura Renna, known for her tactility, processand reworking of the past through contemporary materials, will be among the protagonists of Meccaniche della Meraviglia 12.
While the country's longstanding former President Robert Mugabe was being ousted through a military - led coup, Chiurai was exhibiting his politically - driven work, which combines art historical imagery with references from popular culture and archival material to explore the visual language and tropes that help construct myths, history, and ultimately power.Under the continued curation of Candice Allison, «Madness and Civilization» re-stages this exhibition alongside new works and research that highlights Chiurai's creative projects over the past two years.
Jamie has been working actively in ceramic again for the past decade, the material he originally trained in during his early school years which allows him to work through successive additions and effacements.
Through the medium of ceramic, described by Kristalova as having once been «seen as a low material, and not serious enough, especially when glazed,» the artist forms micro worlds with her sculptural figures and «relates to a sculpture tradition that has its roots several hundred years in the past.
«Over the course of the past 30 years, through her use of meaningful, everyday materials, often in unexpected and socially - charged public spaces in her native Colombia and elsewhere around the world, Doris Salcedo has created a body of work that is both aesthetically striking and politically resonant.
Within the past few years, Jungen has focused his practice on modernist concerns and contexts, redefining his object making through the use of new materials and processes that reflect this shift, a more intimate relationship to the body, and his family's traditions and history.
On the second floor of the Museum of Modern Art, Olesen probes homosexuality's criminalization, past and present, through the appropriation of source materials and contextual shifts.