The mission - based structure, in which Princess Peach's castle acts as a hub from which levels are entered
through pictures on the walls, is what allows for this huge amount of variety.
Not exact matches
@JohnQuest: I just got a mental
picture of that big Kool - Aid pitcher from the»70s crashing
through a
wall, but instead of the smiley face it has the word «PETER»
on it.
At home you can hold your baby over your shoulder and take a stroll
through your house and point out objects or
pictures on the
wall.
I've already looked
through and ripped out
pictures of hot guys and taped them
on the
walls of my room.
Here's the full list of 142 films that featured
on our contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just like this image of Scarlett sorting
through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days
on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror
on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing
Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of
Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Best!
Jonah Hill, who is working
on his directorial debut with A24, has painted a
picture of an engaged, tightly knit office, recently telling The
Wall Street Journal Magazine that he was invited to come in and «walk the whole staff
through the movie,» so that everyone was fully invested in and familiar with his vision.
As I progressed
through the game I gathered clues to the crime and was then able to go back to my hotel and arrange these
pictures and newspaper clippings into logical groupings
on my
wall.
As I'm going
through this routine, some animal
pictures on the
wall catch my eye, and the old standby, «Old MacDonald Had a Farm» springs to mind.
Some of the nicer touches are all marble top finishes, Hard red - wood / mahogany furniture
through out the unit, Beautiful original
picture frames
on walls and as outdoor balcony looking over ocean with patio furniture.
To hang them
on the
wall he used some
picture framing hooks, and toggle bolts
through the drywall to make them rock solid.
We say: «Next to the label is a perfect row of brass coat - hooks mounted
on a batten screwed to the
wall, which I took to be the work itself - until a kindly student - curator pointed up at the little exit sign, with its
picture of a man running
through a door.
On view September 30, 2016,
through March 5, 2017, Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda Becker presents seminal works by 18 artists, including Thomas Demand, Thomas Struth, Hiroshi Sugimoto, and Jeff
Wall, who in the last two decades have created
pictures that expand our understanding of the nature of photography and greatly enhance the Gallery's holdings of contemporary photography.
Through their precise positioning in the gallery space, large - format oil
pictures and
wall paintings take
on almost architectural functions.
The stretchers that are normally hidden from sight and allow the canvas to become a
picture exhibited
on a
wall, now become the physical object around which the viewer can move and look
through.
Marking the occasion is a new contemporary exhibition called «Ellsworth Kelly: Sculpture
on the
Wall» (
through September 2) that includes Kelly's landmark work, Sculpture for a Large
Wall (
pictured here).
Through the careful application of surface treatments
on walls, calculative placement of thin, angular, wood sculptures and the addition of signature painted fragments, Amm constructs a visual
picture plane from the tangible gallery space.
Often printed
on the grand scale of a history painting — exhibited either as backlit lightboxes akin to advertising displays or as crisp ink jet and silver gelatin prints —
Wall's works reveal their poetic potential
through portraying empathetic characters,
picturing impossible vantage points, and capturing elusive moments.
The absence of a human figure tasks the objects in the paintings with suggesting a narrative arc, imbuing them with a sense of mysterious drama — a door that is slightly ajar, a glass of water left
on a bathroom sink, a broom leaning against a
wall are the only evidence of the presence of a person, perhaps having moments before walked
through the
picture frame, or lingering just out of sight.
Jeff
Wall's latest exhibition borrows its title from the first photograph
on view in the show: a 1991
picture that depicts a walking path winding
through a vacant lot near an urban industrial zone.
Postcards From The Edge, Metro
Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop
on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage
through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici /
Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.
I'm always trying to activate the space between the object that's really about this flat surface
on the
wall and the space between it and the viewer, so that the viewer is engaged perceptually
through the movement of the strokes, the opticality, and in following my body's movement across the
picture plane like a kind of mimesis.
The
picture on the
wall in the dining room is a copy of Francis Bacon «s Study of A Nude With Figure In A Mirror and is so big it had to be hoisted into the apartment
through a window.
The happy homes I know have lots of light coming
through their windows (and candles to be lit
on dark days), coffee or tea brewing, lots of books, music playing, laughter, good and simple meals cooking or planned, green plants, plenty of comfy seating and pillows, and
pictures of family and friends
on the fridge and the
walls.
Since I love Decorating with Portraits, I've put a bunch of family
pictures through the years
on both sides of the
wall.