Sentences with phrase «through prehistory»

And they measure air bubbles trapped inside the ice, giving them a nice look at carbon dioxide, nitrous oxide, and methane concentrations back through prehistory, and how they co-vary with temperature.

He shows the many stages of social change through prehistory and history and their negative consequences socially and psychologically, In short, he shows that our vaunted civilization, history, and progress have all been forms of self - destructive self - alienation.

Not exact matches

Through the corporate efforts of various modern scientific disciplines such as philosophy, ethnology, prehistory and history, archeology, psychology, sociology, and philosophy, the methods of the science of religion have become increasingly broadened and refined.

While we were waiting for our evolutionary fast lane to be paved, racing through all of human prehistory and history in the time it takes one of them to divide once, they have been living in time with the planet's deepest, slowest rhythms.

«Based on linguistic analysis including computational phylogenetics,» Sicoli writes, «we suggest the prehistory of South Alaska, the Aleutian Islands, and the Pacific Northwest Coast involved intensive language contacts, including language shifts from now extinct languages that we can infer through typological features, grammar and vocabulary found in languages documented in historic periods.»

«As a fundamental technology that underpinned the agropastoralist societies in Xinjiang, irrigation probably spread to Xinjiang through the Inner Asian Mountain Corridor along with crops during prehistory.»

Kicked off by a small poetic essay by Ross King (Brunelleschi's Dome), a team of international art experts offers a crash course in art appreciation, then leads readers through six chronological sections (from prehistory to contemporary) devoted to pre-eminent artworks and artists.

Science through the ages A one - volume reference simply entitled Science may sound like a children's book — grownup books are usually about something a bit more specific — but this 512 - page tome is no lightweight: it really is about science, as in the whole history of the subject from prehistory to the present.

After years of study and research as a Barkeologist (one who studies canine history and prehistory through the excavation of sites and the analysis of artifacts and other physical remains), Indiana was certain that he was close to finding the lost Bark.

Many challenges await players in this epic quest to save the planet's future, as long - lost secrets are revealed through time travel to different eras including the present, middle ages, the future, prehistory and ancient times.

Our class will examine the changing character and purpose of drawings, from prehistory and antiquity through the Italian Renaissance, Northern Europe, impressionism, Van Gogh, Cezanne, Picasso, and others from the modern and post-modern periods.

Raúl Santiago Sebazco: Sebazco's works of acrylic and sand on canvas evoke cultural prehistory and ancient legacy of humanity through texture, color and symbol.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.