Sentences with phrase «through project installations»
Effectively leading a team of 27 Sales Support Planners through project installations of cooler, venders and fountain equipment.
http://www.jobhero.com/ Not exact matches
MAD Elevator offers entire elevator packages coordinating projects from the cab interior and fixture design stage through to installation.
Through SMC, the telecommunications infrastructure services segment of the Company provides project management, construction, installation and maintenance services to commercial, local government and federal government customers.
«Benefits are expected to flow through to Australian industry, arising from local project management, drilling and completion activities and subsea infrastructure installation,» said Chevron Australia managing director Nigel Hearne.
Through a $ 2.6 million capital project investment, the Erie County Department of Public Works oversaw a complete renovation of the space at 1500 Broadway, including the installation of new electrical and climate systems, leading to the Erie County Health Mall's LEED Silver - certifiable designation.
The projects, which range geographically from the Adirondacks to the Finger Lakes and beyond, will focus on educating boaters on the dangers of aquatic invasive species through the placement of boat stewards, the installation of decontamination stations, and the uniform training of boat stewards across the state.
This summer, passengers travelling through Angers Saint - Laud in western France can admire an installation of trees suspended from the ceiling of the station and positioned on the ground in the forecourt as part of a project initiated by SNCF Gares & Connexions.
Elisabeth Condon photo blogs a studio visit with painter Kylie Heidenheimer and three Lower East Side exhibitions: Amanda Browder's painterly installations in Prism / Livin / Room at Allegra La Viola (through May 24), Don Voisine at McKenzie Fine Art (through June 9), and The Thrill of the Ideal, Richard Tuttle: The Reinhart Project at Pocket Utopia (through June 9).
The images, which ranged from recognizable landmarks such as Manhattan's Flatiron Building to mundane street signage or a bundle of electric wiring fixed to a ceiling, were edited down to 450 photographs that are shown through a two - channel video installation projected onto perpendicular walls.
The exhibition is concurrent with «Light Waves,» Ross's installation project at the Parrish Art Museum in Water Mill, N.Y., on view from July 16, 2017 through October 15, 2017.
In the press release for the Fort Tilden show, MoMAPS1 suggested that Grosse's ambition was to «extend the scope of her painting beyond the borders of the canvas» and declared that her installation projects «evoke the physicality of action painting and earthworks through their gestures and monumentality.»
We can recode it, if you like, through interventions by artists, like Alan Kane's installation of lights last Christmas, and various forthcoming participatory projects in the summer.
The project is represented in the show through installation, replete with company branding, advertising, fabricated uniforms, a website, social media, photo, video and a secured area with sentry shed and boom.
Artist Jerri Allyn, known for her involvement with Feminist Art Movement in the late 70's, and Professional Arts Educator and artist Inez S. Bush, transform the 18th Street Gallery into an interactive installation and performance space for their project, Debating Through the Arts: Exhibition & Performance 3.
Fletcher's contribution to the project involved casting the young man as the artist, helping him through museum negotiations, as well as overseeing the sketching, production, and installation of the new piece.
Working across performance, installation and the moving image the project examines the physical properties of sound, through electromagnetism, architecture and process based image making.
On view from February 22 through April 7, 2018, the exhibition introduces Liu's latest major works, including a large - scale video installation in the first floor gallery, a series of six photography works in the second floor main gallery and a felt - carpeted room installation in the project space.
The Barnes presents a multi-part project that captures city life through a gallery exhibition, newly commissioned public installations and performances, and citizen - created photos and videos.
Her most ambitious project to date, Barlow's new installation Set, at the Fruitmarket Gallery in Edinburgh promises to reach for the rafters, clamber its way through the space and entice the viewer into an imaginative world of materiality.
Fresh from the completion of his «Multitude of Stories» project for the Oxford Children's Hospital, an installation using toy cars, Athol continues his journey through the motifs of childhood.
The Annunciation is an installation of three projected images in which one of the central motifs of Christian iconography and Renaissance painting is constructed and re-enacted through moving image.
In 2010 Steiner and with fellow artist A. K. Burns, produced the installation, lecture, and video project Community Action Center, which explored the erotics of queer sexuality through an intergenerational cast of artists and performers.
Over the past eighteen years, Manders has produced numerous installations as part of a long - term project titled Self - Portrait as a Building, an evolving space through which he investigates the process of thinking.
The spectrum ranges from early paintings from 1976 to large installations from his Kandors series of 2007, and shows the wide variety of the artist's media through selected individual projects.
Female but maybe not Feminist, Biscayne Times, Victor Barrenechea, October 2008 Susan Lee - Chun Artist Profile, Theme Magazine, May / June 2008 Miami Contemporary Artists, Clear Magazine, April / May 2008 Voices, NY Arts, February / March 2008 Asian Artists on Display in BMOCA Exhibits, Boulder Daily Camera, Jenny Bergen, February 22, 2008 Urban Art Access: Art Basel Miami Beach, December 2007 Art Basel Miami Beach Notebook: A Party for the Arty, Economist, Jessica Gallucci, December 2007 Miami Contemporary Artists Book, Julie Davidow & Paul Clemence, November 2007 Susan Lee - Chun, H Magazine (Spain), Pedro Paricio, November 2007 Hurricane Project I, El Nuevo Herald, Adriana Herrera, Sept. 30, 2007 Los grabados de Goya inician una interesante temporada, El Nuevo Herald, Adriana Herrera, Sept. 16, 2007 Eight make the cut, Miami Herald, Daniel Chang, September 15, 2007 To the Brink and Back, Miami New Times, Carlos Suarez de Jesus, September 13, 2007 Body Double: Through a lens starkly, LA Times, Holly Myers, September 12, 2007 Ever more galleries in Wynwood, Miami Herald, Brett Sokol, September 7, 2007 Optic Nerve IX: MOCA Review, Miami Art Guide, Michelle Weinberg, September / October issue No. 10 Visual Power, Miami Herald, Tom Austin, August 5, 2007 Snitzer show brings 59 Homegrown Artists together, Miami Herald, Elisa Turner, July 22, 2007 Wynwood Gallery Installations show the District «Artistic Heart, Miami Herald, Brett Sokol, July 13, 2007 Stop at X, Broward & Palm Beach New Times, Michael MIlls, April 26, 2007 Asian Style and Taste, LA Times, Scarlet Cheng, January 11, 2007 Banquet Art Exhibition at Pacific Asia Museum, The Epoch Times, Dan Sanchez, Dec. 10, 2006 Critic's Pick, Miami Herald, Elisa Turner, December 8, 2006 Almost Famous, Ocean Drive Magazine, October 2006 Young at Art, Miami Herald, Elisa Turner, September 10, 2006 Galleries & Museums, Chicago Reader, September 8, 2006 Home Groan, Miami New Times, Carlos Suarez De Jesus, August 16, 2006 Cuatro Artistas en Casa, El Nuevo Herald, Jose Antonio Evora, August 8, 2006 Urban Sprawl, Sun - Sentinel, Emma Trelles, July 30, 2006 Exploring Urban Life With Art «WLRN ArtStreet with Meredith Porte, July 2006 Around Town, Coral Gables Living Magazine, June / July 2006 Five Years and Going Strong, Design Miami Magazine (vol.1, No. 2), Tiffany Chestler, May 2006 Metro - Pictures, Miami Herald, Elisa Turner, May 14, 2006.
Through immersive text - based installations, large - scale public text pieces, publications, sound projects, and discursive programming, my work engages with both figurative and literal language to explore how we narrate the connections between the past, present, and future.
Her ongoing project and installation, Famousonmars, lives primarily online through social media.
Droze is familiar with large - scale public art through her work in mural projects, mixed media installations and sculptures.
, The Creators Project, July Rees, William, «Yuri Pattison: user, space», this is tomorrow, July Parson, Elly, «Blurred Lines: Yuri Pattison questions the viability of live / work spaces», Wallpaper, July Thorne, Harry, «Network Control», Frieze, July Piejko, Jennifer, «Art Basel and Liste», Art Agenda, June Fattori Franchini, Attilia, «Yuri Pattison», Kaleidoscope, Issue # 26, Winter 2015 Herbert, Martin, «British Art Show 8», Frieze, November Dell, April, «Abjection in the Digital Age at Import Projects», BerlinArtLink, September Bondi de Antoni, Alexandra, `'» Abjects» examines the vulnerability of the real world in the digital age», i - D, September Sherwin, Skye, «10 Artists You Should Meet», 10 Magazine, August Nettel, Michaela, «Yuri Pattison: «There needs to be more knowledge sharing within the London art community», www.a-n.co.uk, July van der Heide, Bart, «Yuri Pattison», interview, Mousse # 49, June 2015 Bondi de Antoni, Alexandra, «cosmos carl», i - D, June Pattison, Yuri, «The Crypt of Civilization 1940 — 2015 ---------8113», commission, Art Papers, May Joel, Dean, «Morphing Overnight», this is tomorrow, April Guggenheim, Katie, Sleek Magazine No. 45, Spring 2014 Khan, Nora N., «Free Traveller at Cell Project Space», DIS Magazine, November Grace, Banks, «Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, December
On view from May 24th through September 4th 2012, Chorus was the third installation at The Last Lot project space on 46th Street and 8th Avenue in New York City.
Opens March 3, 2011 Making Histories: Changing Views of the Collection explores how a museum collection constructs and embodies histories to be reconsidered over time, offering various views into the museum's own history and its collections right up to the present day, through monographic installations of individual works or bodies of work by key artists and designers, thematic surveys, archival research projects, special projects and recent acquisitions.
In its new location, the gallery was able to further develop its exhibition program through a project room dedicated mostly to younger artists, as well as a courtyard for outdoor installations, both running parallel to the gallery main shows.
The Mondrian SoHo's LeWitt installation follows a quite different project at another New York hotel, the Standard, which over the summer displayed KAWS's enormous 16 - foot cartoon sculpture, «Companion (Passing Through).»
The three - channel video installation titled 12/21/12: Illuminations documents the sunrise of the 2012 winter solstice projecting a column of light through the interior of an 18th Century Mission in northern California.
Amanda has had solo exhibitions and site - specific installations at the Museum of Contemporary Art, Chicago and The Art Institute of Chicago, as well as several site - specific public art installations through the City of Chicago's Department of Cultural Affairs, the Pulitzer Arts Foundation's PXSTL project in St Louis, and Monique Meloche Gallery.
This exhibition — his first retrospective in the United States — examines each stage of Graham's career through his photographs, projects for magazine pages, films, architectural models and pavilions, performances, video installations, prints, drawings, writings, and his work with musicians Sonic Youth, Glenn Branca, and Japanther.
Ideas of exchange, circulation and migration are considered through large - scale sculptural installations, painting, collage, video and textile works, alongside displays of archive material relating to John Robinson Whitley and an off - site billboard project which runs between the north and south of the city.
In addition to coincidentally being the best - known Manhattan area code, 212 is the exact number of pathways that wind through Central Park, according to research conducted by the Italian - born, Paris - based artist Tatiana Trouvé, whose installation «Desire Lines,» which begins March 3, will be her first public art project in New York.
The installation activated the Project Space at Blue Star as a history museum, community center, and classroom by employing a collaborative approach that brings forward diverse and complex histories through photographs, maps, art objects, personal stories, and political documents.
Eliasson's practice encompasses sculpture, painting, photography, film, and installation and also engages the broader public sphere through architectural projects and interventions in civic space.
During the anniversary weekend, we feature two SMITHS initiatives: an immersive light and sound installation titled Fancy Work and a series of participatory programs called Arts & Skills Service, a project that will continue through the spring at SFMOMA and beyond.
Lastly, modern work from installation and performance are also highlighted through the project Intersections, returning for the third time.
Postcommodity challenges global capitalism and continuously evolving forms of colonialism through site - specific, temporary public projects and immersive sound and media installations that assert indigenous self - determination.
The Presidential Library Project: Black Presidential Imaginary addresses the long history of representations of a black president of the United States in visual culture, both comedic and aspirational, through contemporary art installation and institutional archives.
Stephanie Dinkins is a visual artist who uses the power and potential of images to investigate subjectivity and social equity through moving image, community - centered projects and installations.
Upper installation view with Nika Neelova, Folded Rooms, perimeter of studio traced in stainless steel and wax and folded, 2017 — Photo: Damian Griffiths A surprisingly extensive and central new project space makes the most of its unusual set - up here through a Russian - oriented show which has an underworld, a transitional corridor and a more ethereal upper zone, all tied in to the number 17 — as in the anniversary of 1917» revolution, the number of years Putin has been in power, and the time cicadas spend underground prior to their «resurrection» for a month of mating.
Through painting, installation, conceptual art, pop culture, performance, cinema and music, the project aims to read the works in their own individuality and in a strongly suggestive display.
David Harper, the program's curator, walked me through the installations and explained the project's genesis along the way.
«UC Santa Cruz's Institute of the Arts and Sciences (IAS) will present a dramatic, four - screen video installation in San Francisco, hosted and co-sponsored by Minnesota Street Project (MSP), the city's new contemporary art venue, from May 20 through June 24.
Through films, VideoSculptures, conceptual projects and installations, Van Der Auwera unravels the simulation and framing of messages, exploring conceptual and formal filters in the production and dissemination of images.