More recently, she curated The Display Show (2015 - 16), an exhibition in three parts, further investigating notions of display
through radical practices from twentieth century artists, designers and architects, in addition to the ideas of contemporary artists.
Not exact matches
Cultivate your ««feeling function»
through spiritual
practice, therapy,
radical self - care, yoga, breathwork, extended periods of silence, contemplation and creativity.
Through the
practice and teaching of yoga, Jillian has explored in depth the
radical impact changing one's physiology has on a person's psychology.
In all her work, Rosie teaches and
practices being guided by
RADICAL LOVE every day and connecting to that
through yoga, diet, affirmation, self - inquiry, and curiosity.
Through this ancient
practice, visualization, sound, and slow movement allow each person to engage in
radical self - healing of stuck energy and cellular memories of trauma — also known as illness!
However, for Chimes this flight from reality was achieved, not
through abuse of drink or drugs, but
through a prolonged engagement with literary and artistic subcultures, whose
radical nature deeply enriched his artistic
practice.»
Hales Project Room put the spotlight on rarely seen, richly stained abstractions created in the 1970s by American painter Virginia Jaramillo, whose
practice has recently been rediscovered
through important group shows such as Soul of a Nation: Art in the Age of Black Power and We Wanted A Revolution: Black
Radical Women, 1965 - 85.
Sargent's art and research investigates the history and impact of the international shipping industry on the ecologies, economies, and communities along the Great Lakes and St. Lawrence River
through a contemporary amalgam of new media art,
radical cartography, grass roots activism, and sustainable culture as art
practice.
Although
radical feminist and women's art is facing criticism, artists who belong to this art movement are still deconstructing patriarchal structures of power and oppression,
through their brave and unique artistic
practices.
For more than fifty years, he has explored the relationship between history, the passage of time and its impact on human existence,
through a rigorous and
radical artistic
practice.
The exhibition follows Pollock's
practice through a selection of these drip paintings made between 1947 and 1950 to his late blind spots, demonstrating a
radical juxtaposition between two distinct periods within his work.
Providing a critical history beginning with Fluxus and Conceptual art in the early 1960s
through present - day
practices,
Radical Presence chronicles the emergence and development of black performance art over three generations, presenting a rich and complex look at this important facet of contemporary art.
The show serves as a genealogy of
radical and feminist Latin American and Chicana art
practices, and seeks to dismantle the received stereotypes of women in art
through a meticulous deconstruction of a male - dominated sociolinguistic system.
Hong Kong, June 28, 2016 — Lehmann Maupin is pleased to present
Radical Materiality, a group exhibition featuring Mary Corse, Liu Wei, and Nari Ward, three artists whose
practices push the boundaries of traditional genres and material specificity
through innovative experimentation with unconventional mediums.
Through a series of contemporary art exhibitions, the collaborations between DESTE and these institutions aim to promote new and
radical developments in contemporary art
practice and introduce important artistic innovations to a wider public.
Documenting «rich, bold and
radical practice» and «live and lively» performances, the publication traces a 50 - year
through line of works — public interventions, studio actions, and performances before live audiences, photographers and video cameras.
Lehmann Maupin presents
Radical Materiality, a group exhibition featuring Mary Corse, Liu Wei, and Nari Ward, three artists whose
practices push the boundaries of traditional genres and material specificity
through innovative experimentation with unconventional mediums..
Publications include, «The Calmécac Collective, or, How to Survive the Academic Industrial Complex
through Radical Indigenous
Practice.»
Providing a critical history beginning with Fluxus and Conceptual art in the early 1960s
through present - day
practices,
Radical Presence: Black Performance in Contemporary Art chronicles the emergence and development of black performance art over three generations, presenting a rich and complex look at this important facet of contemporary art.
Inspired by Roland Barthes» book «Writing Degree Zero», curator Carlos Basualdo presented artists who were reducing their artworks
through radical means, focusing on pictorial
practices that fitted neither the concept of abstract paintings nor that of the ready - made.