It tells the voice of a people
through real characters, and it still feels innovative today.
Not exact matches
«Bennett has become a master of storytelling
through character, and while there are clearly no people in these films, it was clearly a very human story, which we knew a director such as Bennett would zero in on and draw out very
real human - like emotions from these poor inanimate objects,» Lennon said.
But he's wearing a new set of Epson Moverio B200 glasses that allow an entire world of virtual
characters, objects and structures to overlay and interact with his
real environment
through so - called «augmented reality.»
There's a lot more to This Is Us than meets the eye — the
characters are going
through real - life problems and dealing with them in ways that so many of us do.
In general, the Christian feeling for the solidarity of believers and the expressions of this in prayer and devotion can stimulate relational theology to maximize the social - organic
character of its reflection, and thus present death as less of an atomistic event and more as an occasion in a society of events that share a
real union
through internal relations.
I'm very much inspired now to put my matcha
through the paces — I often forget it's in the pantry but when I use it it totally transforms my dishes into something with
real character and depth.
I remind you that ten years ago he scored a hat trick in an England away game but he settled,
through weak
character and weak body and huge undeserved wages, for a squad place and to stay at a well known club which has no
real ambition to challenge at the top strata of PL and CL.
He talks about how
character is built
through failure, especially for kids who are
real successes as adolescents in the narrow realm of academics.
There are moments of
real vibrancy, lightness and laughter, of
character that endures
through hardship.
Based upon historical fact,
real characters and some literary license it views the struggles of the Callaghan government
through the eyes of the Labour and Conservative Whips offices.
Today marks the one year anniversary of Pokémon GO's worldwide release that sent crowds hiking
through parks, meandering into streets and walking for miles in search of Pokémon, those cute little digital
characters that appear in
real locations on your smartphone.
People connect with fictional
characters through empathetic feelings, and neuroscience research has shown that the same hormones and chemicals associated with stress and attachment in
real life situations are released while watching TV.
A catch phrase is an expression usually popularized
through repeated use by a
real person or fictional
character.
Gravity becomes a
character study driven by a riveting central performance and a radical thrill ride delivered with near
real - time urgency which thrusts you
through its implausibilities.
It feels timely, given what we know and don't know (but reasonably suspect) about
real - world Russian interference in American politics and democratic institutions, but even those occasional diversions are always presented in the pursuit of examining how these
characters wield power —
through sex or, in a couple of tough and extended scenes involving torture, violence.
Unlike series co-star Biel, Mitchell remained with the program throughout its run, and
through many
character changes that found Lucy marrying Kevin Kinkirk, working as an associate pastor, giving birth, and surviving both a miscarriage to twins and clinical depression.Although Mitchell branched out from television into cinematic work as early as 1996, with a turn in the fantasy - action thriller The Crow: City of Angels, and continued intermittent film appearances (such as a supporting role in 2005's slasher movie Saw II), she made no secret of her
real passion: performing country music as a guitarist and vocalist.
Sure, Shakespeare's plays were often times full of titillation and seemingly inane romances, but they nevertheless retained the quality of art at the behest of
real character, commanded to the audience
through real, identifiable problems of death, power, and scandal.
It's not a terribly coherent film, but the performances and chemistry of
real - life husband and wife Sean Penn and Robin Wright guide us
through even the most unfathomable
character motivations.
Meanwhile, the cinematography of
real people also captures them in the same boxes, photographing the
characters through windows, just like the windows of the computer applications, or
through fences, exemplifying the borders that persist to exist between us all, allowing us to peek
through, but we remain disconnected from each other physically.
Given the origin stories of most of these
characters — rooted as they are in the deaths of loved ones, often
through the heroes» inaction,
real or imagined, it's not a far reach to say that superhero comics are trapped in a process of repetition automatism (or «repetition compulsion»).
I can be as funny as I want to be in the context of my
character behaving poorly, and I can be as sad as I want because the
character's also going
through real internal conflict.
The Creative Assembly are going
through pain - staking efforts to bring the cast of Alien Isolation to life and instead of creating virtual
characters and simply hiring voice actors to voice them, they have employed a
real cast of actors whose likenesses are being scanned into the game and their acting is also being motion captured.
The turn - based approach Fire Emblem is famous for is gone in Fire Emblem Warriors, and in its place you'll find hordes of enemies to cut your way
through (in
real time, naturally), screen - filling special moves and a surprisingly deep
character development system which not only allows for levelling - up, but permits you to augment each protagonist's abilities on a more granular level, such as selecting and improving their weaponry.
There is occasionally a staginess to the screenplay but the
characters are
real and familiar, the performances are full on, and it is engaging right the way
through.
Through this ironic casting, La Paura not only draws upon the personal biographies of its two lead performers, but also more importantly undercuts the melodramatic narrative by preventing the audience from completely investing in them as
real characters.
This is a case where what the audience knows about an actress in «
real life» might bleed
through to positively impact her portrayal of a
character.
Some are faster and more agile, others are slightly more powerful, but the
real difference comes in a special ability that is specific to each
character; Tigershark can swim, while Minotaur can charge and break
through walls.
While not uproariously funny, this story about a kidnapping game gone
real brings the fun
through charming
characters and a zigzagging mystery plot.
Either way, it takes away some of the film's appeal with no «
real»
characters to latch on to in order to help you
through such a bizarre and fantastic situation.
By telling the story
through the eyes of
characters based on
real people who experienced and survived the tragic ordeal (except Wahlberg, who plays a composite of several people), it helps to put the audience right into the action.
The contest runs
through next Wednesday, September 29th, and one lucky winner will walk away with a branded flask, a «Boardwalk Empire» book about the
real - life
characters, and a keychain flash drive preloaded with exclusive content.
The jury found that the film «salutes one of Hollywood's unsung heroes, and is a rip - roaring look at the modern film industry
through the experiences of an exceptional and prolific
character actor Dick Miller who who had a unique ability to fit into any scene, wear any hat put on his head, step into any shoes, and make it
real.»
Moonlight's visual sense is highly painterly, too, from the pastel tones of the Liberty City locations (James Laxton's cinematography catches them with an easy beauty that surely belies their
real character)
through to the distinct colour orientations of the film's three parts.
Character backgrounds haven't been thought
through, classes mix that never would in
real life, Anna Friel (in cameo) is inexplicably Irish.
The film mostly succeeds on all fronts, crafting a rich and thoughtful
character study of a man going
through a
real identity crisis, unsure of which world he truly belongs to, if any.
«They're edgy,
real characters, who have a life and some dilemma that they're working
through.»
In «Phantom Thread,» while you are still watching a tale of actual
characters who go
through real events in their lives, you are still given fairly strong representations of love, stability, life and death.
Some sharp and bitter looks into
real USA,
through diverse
characters and situations: American Honey (Andrea Arnold, 2016), The Big Short (Adam McKay, 2015), Krisha (Trey Edward Shults, 2015) and Tangerine (Sean Baker, 2015)
The
character we mainly accompany on the beach is a young soldier, the generically named Tommy (Fionn Whitehead), seen at the start as the sole member of his detachment to make it
through a hail of bullets — and I can't remember the last time that the sound of gunfire on screen felt so thunderously, dangerously
real.
Luckily Brando and Harris — the film's weakest
characters — are supported by a fine cast of British actors, and the decision to film their scenes on an fully functional reconstruction of the Bounty pays off much in the way directors Peter Weir and Fraser Hestion were able to extract rich atmosphere
through the use of
real ships in Master and Commander: The Far Side of the World (2003) and Treasure Island [M](1988), respectively.
If pushed, it could be said the films falters
through lack of any
real character development.
Surmounting a number of aesthetic obstacles, including a moptop that looks scalped from his
character in The Computer Wore Tennis Shoes, Russell skillfully essays
real - life coach Herb Brooks, a failed puck - slinger looking to live vicariously
through a gold medal line - up.
There has never been a more gifted visual storyteller than Steven Spielberg; in the five minutes of shorthand that opens his War of the Worlds, he creates three
characters we care about, a world that we recognize, and a
real hope that this time, this one time, he'll be courageous enough to follow a narrative
through to its logical end instead of the one he thinks will least disturb his audience.
The trials that this family goes
through, when added to some clichéd
characters, gives the film the appearance of a fictional, scripted story, not a film dealing with
real events.
Little Fugitive takes place in a palpably
real world: the concrete neighborhood of Joey's home has a life and
character unique to it and Engel takes the camera into the crowds of Coney Island and
through the weekend beachgoers off the boardwalk to capture the
real life rhythms of New Yorkers and the atmosphere and energy of Coney Island in the summer.
The problem with Identity was that they told you halfway
through the movie that none of the
characters were
real, so why should you care about anything that happens to anyone?
Sadly, those playing
through the game without doing any
real exploration of the Felton mansion will end up missing a lot, as most of the backstory and additional details on
characters and events are told
through optional documents, photos, and collectibles.
«Students watch the
characters and live action films with child actors in simulated
real - life situations, decide what to do next, and subsequently work
through the activities and apply their new knowledge to situations they may face now and in the future.»
Those aspects include choosing great books with
real characters working their way
through real lives; reading the books with support from partners, volunteers, or tutors, a recording of the book, or a resource teacher; talking about books with other readers — confirming what you understand and adding your own insights; writing about books; and extending understanding
through artistic response.»
The most engaging way into the learning is
through role - play, assigning students to a
real - world position, career, or
character that they can own throughout the unit.