Sentences with phrase «through social production»

For them, the hypothesis of the Urstaat, creates a theory of the State - form that identifies its modus operandi, through social production and unconscious production, simultaneously.

Not exact matches

FinancialBuzz.com also provides financial news PR dissemination, branding, selling and promotion for third parties for corporate news and original calm through our singular media height that includes Newswire Delivery, Digital Advertising, Social Media Relations, Video Production, Broadcasting, and Financial Publications.
Only through the production of such rigorous, cross-national data will key stakeholders and policy makers be able to interpret how the social, political and moral fabric is not only changing within individual countries but also throughout Europe as a whole.»
The researchers found that as the rate of gas production in the colon increased, smaller proportions were absorbed by the body and larger amounts expelled through the rectum.19 Thus, it is no wonder that soy consumption can so easily become a social problem.
Drawing on her lifetime of love for fashion and a professional career in social services and policy work, Jacquie and her good, good friend of 18 years, Franklin Gutierrez, started Moesel Clothing with the goal to provide high quality and stylish clothing for kids through a model that would help support production and economic opportunity for skilled artisans in Peru.
I'd like to help corporations come up with ways for innovative giving through social media, viral video campaigns and marketing campaigns as well as more traditional giving like sponsoring a production or employee appreciation opportunities.
As expected, Linklater's penchant for the themes of alienated characters and the social constructs of America are also explored and how he effortlessly evolves through his work while working diversely between Independent and bigger productions.
We are aware that as a response and reaction to the predominant presence of social theories rooted in the West, there is a growing recognition of and movement towards understanding theories through the wide range of diverse contextual and cultural perspectives available in the East, and that the production of local theories have started a long time ago.
The intern will also assist in production of online news through a content - management system and assist with social media.
• Promoting sales through targeted email campaigns • Assisting in the dissemination of book data to Indigo, Amazon, and other vendors • Managing Google Books claims • Coordinating desk and examination copy mailings • Assisting in the creation of marketing materials such as press releases, catalogues, and newsletters • Assisting with the maintenance of the CSPI website • Promoting CSPI's social media profile • Assisting the editorial, production, and permissions departments as required • Some internal administrative duties
Although the production of chemical signals, their perception through olfactory processes, and the behavioral response to these signals plays a central role in domesticated cat communication and behavior (especially social behavior), the function, scope and importance of these abilities are often not given the same level of attention dedicated to other domesticated species (e.g. dogs or pigs), which may lead some to erroneously underestimate the significance of this communication modality in cats.
Crane uses a range of production techniques to represent the breakdown of materials as they pass through social, geographic and economic mediums of exchange.
Will they be able to draw connections between the works of these two artists in order to begin understanding how social commentary is communicated through artistic production?
It posits a transnational generational formation of cultural producers aligned with leftist movements and ideologies — specifically, those whose politics are anti-capitalist, anti-imperialist, and decolonial — and whose artistic production is shaped by social transformations brought about through neoliberalization and the influence of recent subaltern - popular movements.
For Figueroa, the structure's construction was secondary to the social space being enacted; Tree House — Club House was not only an installation, but also a place to dance and drink, to make new friends, and — through work and play — to collectively create something outside of systems of commercialized production.
These works trace Syms's decade - long investigation of how identity production and image production intertwine in contemporary life, with high production values widely accessible and everyone acutely aware of the potential for their own imaging, whether through the lens of social media or surveillance.
In these photocollages Titova uses photographs of social protesters rejected by mass media for which they were originally made and photographs taken by the military in conflict sites to question the relationships between the lived environments, institutional power and the production of identity through the optics of historical narration.
Through unconventional artistic media and methods of manifestation, the artist investigates the concealed exploitations of social energies in contemporary economy and cultural production.
The notion of vernacular — a form of everyday parlance specific to a social group or region — manifests in his work through a graphic and discursive style developed in the context of globalized art production.
Indeed, in the post-civil-rights era of the 1970s, whereby black people had achieved the designated outcome of full - citizenship rights through the discourse of social movements, Andrews's use of art and art production as a tool of resistance and reinforcement of the narratives that mattered to «the folks» is significant.
Just's pictures are notably conjured through the manipulation of both social and cinematic convention; his use of appropriation mutates to bend the conventions of mainstream Hollywood productions while building from their structure.
Whereas Smithson's non-site is defined by its displacement and conserved meaning, the interstitial space Verabioff creates through appropriation interrogates rather than conserves the meaning of the source, revealing the ways in which the production of culture mirrors social and political structures.
Through my work as an independent curator, at the Liverpool Biennial in the United Kingdom and subsequently as the director and later co-curator of the Werkleitz Biennale, I was able to explore different approaches to artistic and cultural production and also to analyze curatorial and institutional models under a variety of cultural, social and economic conditions.
In Modern Fuel's Main Gallery, the artists reflect on prevailing modes of representation — on format and framing — in an attempt to situate cultural production within the social structures and spaces through which it unfolds.
Edited and designed by Dias (born 1944), the volume moves through the many phases of his varied practice, from his early experimentation at age 19 with visual representations of protest — before the 1964 military coup and at Brazil's political and social climax — to his conceptual production in Milan, his early film work, his works on paper developed in Nepal and the painting practice that has continued throughout his life.
The legacy of conceptual art practices permeates the exhibition, revealing layers of narrative in both the finished work and through the process of making, in some works abject materials such as car parts, wax, expanding foam and plywood, as well as methods of production such as crochet and embroidery are used to question the value of labour and social hierarchies.
Machona's current work engages with issues of migration, social interaction and xenophobia in South Africa, and explores the creative limits of visual art production through the use of decommissioned currency as a key medium.
Cao's art bridges into visual arts with the use of popular culture and shifts through different subcultures and phenomenon to create the surreal landscapes that she is most known for — actors incased in Burberry behaving like dogs reenact a hysteric day in the office, ordinary people dancing to hip - hop on the street, people dressed in Chinese shopping bags and a stage production incorporating Guangzhou's street youths are just a few examples of using the city's everyday life to analyze and render the current social situation where traditions and new influences are constantly in conflict.
found to exist among these different factors, the international (Chinese, French, German, Norwegian) team of researchers concluded that «food production during the last two millennia has been more unstable during cooler periods, resulting in more social conflicts,» while specifically noting that «cooling shows direct positive association with the frequency of external aggression war to the Chinese dynasties mostly from the northern pastoral nomadic societies, and indirect positive association with the frequency of internal war within the Chinese dynasties through drought and locust plagues,» which have typically been more pronounced during cooler as opposed to warmer times.»
«In analyzing the linkages they [Zhang et al.] found to exist among these different factors, the international (Chinese, French, German, Norwegian) team of researchers concluded that «food production during the last two millennia has been more unstable during cooler periods, resulting in more social conflicts,» while specifically noting that «cooling shows direct positive association with the frequency of external aggression war to the Chinese dynasties mostly from the northern pastoral nomadic societies, and indirect positive association with the frequency of internal war within the Chinese dynasties through drought and locust plagues,» which have typically been more pronounced during cooler as opposed to warmer times.»
MASS now has offices in Kigali, Rwanda; Monrovia, Liberia; and Boston, MA; working on a number of projects that focus on social value production through the creation of well built environments.
Created, planned, implemented, and managed national and regional promotions through community outreach, video productions, printed materials and publications, social networks, and online media.
Anheuser - Busch, Inc. (St. Louis, MO) 01/2006 — Present Marketing Coordinator • Responsible for the development of brand communication to wholesalers in both domestic and international markets • Successfully implement a variety of creative production methodologies to achieve cost effective broadcast quality results • Coordinate marketing initiatives with producers, corporate management, and technical and field production personnel • Increase product awareness and sales in both domestic and international markets • Serve as camera operator, audio technician, and grip in the production of studio, field and live production events • Reduce video production project costs by over 350 % through effective management tactics • Manage «Shoot To The Championship,» a nationwide Bud Light promotion during March Madness • Deliver television production and digital content through social media, webcasts, Internet, satellite, and DVD production
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